SKU: HL.49016057

ISBN 9780793505050. UPC: 073999307504. 305 X 229 inches.

Contents: Arabesque No. 1 oe Berceuse oe Chaconne oe Five Preludes oe Fuga oe Gavotte oe Giga oe Italian Pavane oe Le Tambourin oe Looking Glass River oe Pavane oe Rigaudon oe Sarabande oe Siciliano oe Two Chinese Folk Songs oe Zarabanda. A selection of beautiful music transcribed for Harp with Piano accompaniment by Carlos Salzedo and Lucile Lawrence. Includes works by Debussy, Bach, Turina and Corelli.

Contents: Arabesque No. 1 oe Berceuse oe Chaconne oe Five Preludes oe Fuga oe Gavotte oe Giga oe Italian Pavane oe Le Tambourin oe Looking Glass River oe Pavane oe Rigaudon oe Sarabande oe Siciliano oe Two Chinese Folk Songs oe Zarabanda.

Contents: Arabesque No. 1 PS Berceuse PS Chaconne PS Five Preludes PS Fuga PS Gavotte PS Giga PS Italian Pavane PS Le Tambourin PS Looking Glass River PS Pavane PS Rigaudon PS Sarabande PS Siciliano PS Two Chinese Folk Songs PS Zarabanda.

Contents: Arabesque No. 1 * Berceuse * Chaconne * Five Preludes * Fuga * Gavotte * Giga * Italian Pavane * Le Tambourin * Looking Glass River * Pavane * Rigaudon * Sarabande * Siciliano * Two Chinese Folk Songs * Zarabanda.

SKU: BP.HB630

3-5 octave handbell choir, optional 3 or 4 octaves of handchimes. Level 2 to 3. Set of three pieces: March (processional); Air (Meditation); Giga (Rejoicing). This delightful trio of tunes from Michael Helman are great fun to play and hear, whether individually, or played together as an entire suite. The stately March throws in some exciting harmonies while maintaining a steady, forward-moving tempo. The delicate Air breathes life into a flowing, memorable melody and makes effective use of handchimes. The spirited Giga is a grand celebration in six-eight time. Each movement also has alternate subtitles, suitable for use in worship. Also available in a 2-3 octave version.

SKU: UT.CH-269

ISBN 9790215324985. 9 x 12 inches.

Adagio/ Minuetto/ Allegro/ Giga

Mario Gangi lavishes his remarkable versatility on this duo, engaging in a masterly fashion in a Baroque-style composition with repeats, progressions, imitations and embellishments which are managed extremely naturally.
The manuscript is basic, without fingering, indications of expression, agogic or dynamic, with the exception of the Giga in which some accented notes and crescendo and decrescendo signs appear that are faithfully reproduced here.
Since this is a Suite in Baroque style, it was not thought suitable to burden it with dynamic and expressive indications, thus leaving a certain amount of freedom to the performers.
The fingering and the (few) indications concerning tone-colour have been added bearing in mind the instrumental concept of the Maestro.
This Suite barocca, together with the Suite spagnola and the Suite italiana, makes up part of a hypothetical tryptich, certainly varied but with stylistic connotations which refer to the musical conception of Mario Gangi.