High Voice & Piano

SKU: SU.92070460

For High Voice & Piano. Composed by Roberto Sierra. Vocal/Choral, Solo Voice. Accompanied by piano. Piano Vocal Score. Subito Music Corporation #92070460. Published by Subito Music Corporation (SU.92070460).

High Voice & Piano Text by: Luis Lloréns Torres (trans. by Virginia Sierra) Duration: 12' Composed: 2013 Published by: Subito Music Publishing Commissioned by Ravinia Festival President and CEO Welz Kauffman, Program Director Kevin Murphy, and the Ravinia Festival's Steans Music Institute for the 251h Anniversary of the Institute in 2013 YouTube:.

By Mariah Carey. Arranged by Joe Murphy. Score. Arrangers' Publ Concert Band. Grade 3. Published by Arrangers' Publishing Company

By Dropkick Murphys. By Ken Casey, Matthew Kelly, Woody Guthrie, and Alexander Barr. Arranged by Sean O'Loughlin. For Concert Band (Score and Parts). Young Concert Band. Grade 3. Published by Hal Leonard

SSAATTBB chorus and piano - Medium

SKU: JK.01891

Composed by Russell K. Carter. Arranged by Ryan Murphy. Choral SATB, Difficulty Medium, Piano Choir, Special Events Conference (Ward, Enduring to the End, Faith, Jesus Christ - Savior, Temple and Family History. Christian, Inspirational. Octavo. Duration 3 minutes, 30 seconds. Jackman Music Corporation #01891. Published by Jackman Music Corporation (JK.01891).

UPC: 093285018914. Matt. 5:1-12, D&C 76:114.

Standing on the Promises, as performed by The Tabernacle Choir and arranged by the talented Ryan Murphy for SSAATTBB and piano, is sure to be a powerful addition to any setting.
This product includes access to rehearsal tracks in the Jackman Music app. Click here to see how it works.
Click here if you have copies of this piece purchased previous to the release of the Jackman Music Rehearsal Tracks. You can upgrade your sheet music.

Piano accompaniment part available: #01891ap (the accompaniment part does not include access to rehearsal tracks).
Orchestration Parts available: #01892
Words and Music: Russell K. Carter
Arranger: Ryan Murphy
Difficulty: Medium
Performance Time: 3:30
References: Matt. 5:1-12, D&C 76:114

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.

Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publications, Inc #31104M. Published by Mel Bay Publications, Inc

By Jerry Silverman. For Guitar (Flatpicking and Fingerpicking). Songbook. Folk. Level: Beginning-Intermediate. Book. Size 5.5x8. 128 pages. Published by Mel Bay Publications, Inc.

With chords suitable for all melody instruments. By Dave Mallinson. For Fiddle. Songbook. Mally's Presents. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 44 pages. Published by Mel Bay Publications, Inc.

Books and Journals

SKU: UT.APS-4

Ad Parnassum Studies. Edited by Luca Lévi Sala. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 4. Published by Ut Orpheus (UT.APS-4).

ISBN 9788881094677. 6.5 x 9.5 inches.

Essays by Tomasz Baranowski, Andrzej Chwalba, Stephen Downes, Peter Franklin, Stefan Keym, Ryszard D. Golianek, Agata Mierzejewska, Michael Murphy, Jadwiga Paja-Stach, Luca Sala, Renata Suchowiejko, Emma Sutton, Andrzej Tuchowski, Alistair Wightman, James L. Zychowicz

In this volume I aim to examine the figure of Mieczyslaw Karlowicz in the broader sociocultural context which fostered his work. The attempt to contextualize an immense intellectual patrimony -- despite being restricted to a tiny number of works when compared to more prolific authors, especially in the context of the xix and the xx centuries -- is always a complex and hazardous task. My primary intention in organizing the volume has been to explicate Karlowicz the man as well as Karlowicz the composer, against the complex background of the European fin-de-siecle. The various essays aim to present the reader with an exhaustive reconstruction of Karlowicz's intellectual work. Karlowicz's oeuvre offers a broad artistic portrayal of Poland at the end of the nineteenth century as a fast-evolving country, politically divided and filled with contradictions. Hence the necessity to investigate the fin-de-siecle context with its social and historical implications, showing the influence of the European cultural milieu on the composer's poetics and on his thought. We shall examine the spectrum of relationships and affinities linking Karlowicz's works to the Polish cultural world (on the wave of the rising 'autochthonous' avant-garde movements) and to the wider cultural life pulsating beyond its borders, with special reference to German Wagnerism and Symphonism. Essentially, we are striving to define the uniqueness of his oeuvre, which -- in relation to the manifold influences co-existing in Poland, an insubstantial nation from the political viewpoint and divided along three socio-cultural fronts -- could be defined as distinctively Polish, yet ultimately European. (Luca Sala).

By David Brody. For Banjo Tab, with chord symbols. Traditional, Bluegrass. Sheet Music. 216 pages. Published by Oak Publications.