SKU: DS.SA1740
Easy Instrumental Worship Library Vol. 8 Bass Clef Solos. A Collection of three solos with piano accompaniment that are at an easier level including the following hymns: Hark! The Herald Angels Sing, Come, Thou Long Expected Jesus, and, Go, Tell It On The Mountain. These works are interchangeable with other keyed instruments in the same volume.
SKU: BT.MUSM570366064
English.
Sarah Dacey 's Cruel Brother for three voices (SSA). Duration: 4 minutes Composed: 2011 Also published as part of UYMP's Songspin Songbook, ISMN M 57036 603 3. The only two recordings I found of this ballad were very different from one another and as I wasn’t really sure I liked either of them, I decided to compose my own version and amend the lyrics.
SKU: CA.2780400
ISBN 9790007167790.
Today Monteverdi's Selva morale et spirituale (1641) stands entirely in the shadow of his famous Vespers 1610. The editions from 1610 and 1641 both include music for the Mass and Vespers, but each of these collections was composed under much different circumstances during Monteverdi's lifetime. If the works of 1610 are a bold combination of traditional compositional techniques and avant garde music, which were intended by this weary Court Composer at Mantua as an application portfolio for a new job, the 1641 collection is the only church music by the mature Monteverdi which was published after almost thirty years in his position as Music Director of St. Mark's Cathedral: the latter, a kind of best of collection from his many years of experience as a church musician. In Venice the composer had not only a fabulous, but a large ensemble at his disposal (finally, about 35 singers, alone)! The combination of soloistic and weighty tutti sections makes a big effect in this music, it makes the music, with its clearly defined sections and, for the most part homophonic choral passages more easily performable than the Vespers for today's choirs. The new edition, comprised initially of three volumes, also includes those works from the Selva Morale (a Mass and two Magnificats) which have already been published by Carus, as well as all further liturgical compositions for use in the church. Volume III, Motetti, Salve Regina, Himini, contains compositions for 1 to 3 voices and basso continuo, some with two violins (the psalms are included in both the Salmi I and Salmi II volumes). The edition is based on the methods employed in the much acclaimed Carus edition of the Vespers: * It contains a detailed foreword with suggestions for notation, scoring and for the liturgical use of individual compositions. * For the present edition four of the five surviving printed copies, as well as contemporary manuscript were consulted. Facsimiles illustrate special characteristics of the edtion of 1641. A Critical Report makes clear all of the editorial decisions made in the edition. * All of the pieces are printed untransposed and using the original note values. * All of the pieces are available in single editions with complete performance material. * Vocal scores of all works with obbligato instruments facilitate rehearsal. * Instrumental parts for collaparte accompaniment of tutti-sections (including text underlay).
SKU: DS.SA1720
Easy Instrumental Worship Library Vol. 4 Bass Clef Solos. A Collection of three solos with piano accompaniment tha are at an easier level including the following hymns: Joy To The World, All My Heart This Night Rejoices, and, O Little Town Of Bethlehem. These works are interchangeable with other keyed instruments in the same volume.
SKU: DS.SA1723
Easy Instrumental Worship Library Vol. 5 Eb Solos. A Collection of three solos with piano accompaniment that are at an easier level including the following hymns: Crown Him With Many Crowns, What A Friend We Have Jesus, and, O To Be Like Him. These works are interchangeable with other keyed instruments in the same volume.
SKU: BT.AMP-238-130
9x12 inches. English-German-French-Dutch.
The tune Old Hundredth is one of the best-known melodies in all Christian musical traditions and first appeared in the 1551 psalter Pseaumes Octante Trois de David, where it is used as a setting for a version of Psalm 134; it is usually attributed to the French composer Louis Bourgeois (c.1510 - c.1560). The melody was then used in 1561 by the Scots clergyman, William Kethe in Sternhold and Hopkins’ Psalter for his paraphrase of Psalm 100 - All People that on Earth do Dwell<(I>, which is still the most familiar hymn sung to this noble tune. When Tate and Brady’s New Version of the Psalms was published in 1696, the melody became know as the ‘old’ version - henceits current title. This arrangement presents three contrasting verses and is effective as a concert piece as well as an instrumental interlude as part of a church service or wedding. De melodie van Old Hundredth is een van de bekendste in alle christelijke muziektradities, ze verscheen voor het eerst in Pseaumes Octante Trois de David uit 1551. De muziek wordt meestal toegeschreven aan de Fransecomponist Louis Bourgeois (ca.1510-ca.1560). In 1561werd de melodie gebruikt door de Schotse geestelijke William Kethe voor zijn parafrase van psalm 100. Later werd de melodie in Engeland bekend als de ‘oude’ versie - daar komt ookde huidige titel vandaan. Dit arrangement, met drie contrasterende coupletten, is geschikt als concertwerk of als instrumentaal tussenspel tijdens een kerkdienst of huwelijksceremonie.Old Hundtredth ist eine der bekanntesten Melodien aller christlichen Musiküberlieferungen. Es erschien erstmals in dem Psalter Pseaumes Octante Trois de David von 1551, wo es als Satz für zwei Psalmen verwendet wurde. Diese Bearbeitung präsentiert drei kontrastierende Strophen und kann sehr wirkungsvoll sowohl als Konzertwerk als auch als instrumentales Zwischenspiel in einem Gottesdienst oder während einer Hochzeitszeremonie eingesetzt werden.L’hymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560).En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696,Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ».
SKU: BT.DHP-0920369-030
In 1868 William Francis Allen published a collection of spirituals, songs sung by slaves whilst they worked. This book started a flood of enthusiasm for the spiritual which continues to this day. Jubilation (a time for celebration) uses the spiritual 'My Lord, What A Morning' as the main melody for transitions and modulations throughout and to introduce three further spirituals: I'm Gonna Sing, Steal Away and Ev'ry Time I Feel the Spirit.
SKU: LO.30-2886L
UPC: 000308132809.
Greet Resurrection morning with this exciting arrangement of three beloved Easter hymns that lets your ringers shine and offers the opportunity to feature a trumpet soloist or brass quintet. A variety of handbell techniques will keep your ringers interested as you present this uplifting Easter piece. Instrumentation: 2 Tpt, Hn, 2 Tbn.
SKU: CA.4041819
ISBN 9790007218447. Language: Latin.
After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and parts available separately - see item CA.4041800.
SKU: CL.CTS-8017-00
Arranged for clarinet quintet (4 Bb clarinets and bass clarinet), Gospel Time includes three familiar hymns, Amazing Grace, I've Got Peace Like A River and A Closer Walk. An audience pleaser! A little Jazzy!
SKU: CA.3112149
ISBN 9790007207397. Language: German/English.
This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame two arias for tenor and bass, and two secco recitatives for alto and soprano. The first and sixth movements are in old-fashioned style, with four-part vocal writing and colla parte instruments. In the aria (movement 2) the tenor is accompanied by an obbligato oboe d'amore, and in the 4th and most striking movement, the three string parts accompany the bass. The demands on the singers, instrumentalists, and chorus are typical of a Bach cantata. Score and part available separately - see item CA.3112100.
SKU: WD.080689309175
UPC: 080689309175. Orchestrated by Rick Averill.
Mike Speck fulfills his dream to compile and create medleys of the most loved classic hymns, contemporary choruses, and old-time gospel songs in Timeless Praise, creating a collection for worship leaders that allows the varying styles to flow together seamlessly. Each medley utilizes about six songs and is five to seven minutes in length. They are organized by the great themes of our faith including The Cross, The Resurrection, Second Coming, Grace, and more. Each medley includes repeat endings and song endings so that they can be adapted to any worship situation. The choral edition contains easy four-part voicing with chord symbols. The Piano/Vocal edition also includes a complete accompaniment in addition to the contents of the choral book and is contained in a three ring binder. The preview paks contain special editions which preview 10 of the 22 medleys.
SKU: CA.530200
ISBN 9790007159542. Language: Latin.
Vexilla Regis prodeunt, by Venantius Fortunatus (the Bishop of Poitiers in the 6th century) ist the text of one of the most important hymns of the Catholic liturgy. It is sung on Good Friday and, with variatons in the text, can be sung on the feast of the raising of the Holy Cross. A very young Puccini (between 1874 and 1880) set the first and third strophes of the hymn in three parts. It was written for an amateur organist in Bagni di Lucca, where Giacomo occasionally played in a dance orchestra.
SKU: GI.G-10430G
UPC: 785147043072.
** This is the spiral-bound guitar edition.  The third volume in this popular series, Revival III features arrangements of fourteen familiar Christmas carols for contemporary ensembles. Christmas carols, like many traditional hymns, are often arranged for four-part choir and organ. With this collection, Tony Alonso focuses instead on the needs of the piano- or guitar-based ensemble, creating accessible carol arrangements for SAB voices, piano, and guitar. Also included is an optional alternate harmonization for the final stanza of each piece featuring a soprano descant. Although these arrangements can be utilized as choral anthems, they are truly intended to lead and inspire congregational song. They are compatible with the texts found in GIA’s hymnals and yet can be edited easily to agree with the version of the carol most familiar to the assembly. CONTENTS: Angels We Have Heard on High (G-10431) • Away in a Manger (G-10432) • Hark! The Herald Angels Sing (G-10434) • It Came Upon a Midnight Clear (G-10435) • We Three Kings of Orient Are (G-10443) • O Little Town of Bethlehem (G-10439) • Joy to the World (G-10436) • Once in Royal David’s City (G-10440) • What Child Is This? (G-10444) • O Come, All Ye Faithful (G-10437) • The First Nowell (G-10442) • O Come, O Come Emmanuel (G-10438) • Good Christian Friends, Rejoice (G-10433) • Silent Night (G-10441).
SKU: DS.SA1714
Easy Instrumental Worship Library Vol. 3 F Solos. A Collection of three solos with piano accompaniment that are at an easier level including the following hymns: Now Thank We All Our God, We Gather Together, and, Rejoice, Ye Pure In Heart. These works are interchangeable with other keyed instruments in the same volume.
SKU: BT.DHP-0971017-120
Following a Christmas concert in German speaking Belgium, Jan Hadermann put together A Geman Christmas. Three well-known German Christmas carols O Tannenbaum, Alle Jahre Wieder and Süßer die Glocken nie klingen have been transcribed in this Christmas Medley. The romantic simplicity of the music makes it ideal for all bands. Naar aanleiding van een kerstconcert in het Duitstalige deel van België besloot Jan Hadermann tot het schrijven van A German Christmas. Drie zeer bekende kerstliederen worden in deze stemmige kerstmedley tot klinken gebracht:O Tannenbaum, Alle Jahre Wieder en Süßer die Glocken nie klingen. De romantische eenvoud maakt deze muziek uitermate geschikt voor alle orkesten.Anlässlich eines Weihnachtskonzerts im deutschsprachigen Teil Belgiens hat Jan Hadermann diese German Christmas verfasst. Drei bekannte Lieder wurden in diesem stimmungsvollen Weihnachtsmedley verarbeitet. Diese romantische und zugleich einfache, schnörkellose Musik eignet sich gut für alle Blasorchester. Jan Hadermann a réalisé ce recueil de Noël allemand suivant un concert de Noël en langue germano-belge. Dans ce pot-pourri empreint de la sérénité de Noël ont été retranscrits trois célèbres chants de Noël allemands: O Tannenbaum, Alle Jahre Wieder, et Süsser die Glocken nie klingen. La simplicité romantique de la musique la rend abordable tous types d’orchestres. Questo medley raccoglie tre canti tradizionali tedeschi: O Tannenbaum, Alle Jahre Wieder e Süßer die Glocken nie klingen. Un brano sontuoso, arrangiato dal belga Jan Haderman, da interpretare in occasione del prossimo concerto di Natale.
SKU: LO.99-3925L
UPC: 000308151589.
Performance/accompaniment CD for Our Grateful Praise! (10/5193L) Lloyd Larson’s dynamic anthem includes three beloved and timeless Thanksgiving hymns that are sure to appeal to choirs and congregations alike. The optional brass provides an additional dimension of inspiration as the choir lifts collective voices in a passionate acclamation of thanks!
SKU: BT.CMP-0122-97-040
The majestic hymn ‘Coronation’ is presented here in a setting that creates an atmosphere of dignity and praise. The music is written in a ‘classical’ style, interweaving original interludes with three complete verse settings.
SKU: PO.PEL12
ISBN 9781776605521.
This volume contains Lilburn's two piano sonatinas. Sonatina No.1 (1946) combines geometric patterning of classical forms with the distinctive simplicity of colour and line that the composer so admired in the work of the regionalist painters. The first movement hymns a fundamental vitality ‚Äì a fresh start in the morning land that is New Zealand; an almost geological majesty pervades the second movement and a three-note motive sets the finale in motion. Composed in the Autumn of 1962, Sonatina No.2, together with Symphony No.3, provides the fullest expression of Lilburn's last notated music before he turned to the electroacoustic medium. Spare, elegant and eloquent, both the sonatina and the symphony are rich and distinctive works that maintain a tension that keeps them taut as cords in our collective memory. Although the pianists who know the sonatina so well from the inside talk of its subtleties, beauty, delicacy and meaning, it will always be a work of immediate appeal, a work that is as much a delight to listen to as to play, a work that can be enjoyed as pure music.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version