Full Orchestra (Full Score) - Grade 4

SKU: HL.4492291

Composed by Pasek and Paul. Arranged by Sean O'Loughlin. HL Full Orchestra. Movies. Softcover. Published by Hal Leonard (HL.4492291).

UPC: 888680738952. 9.0x12.0x0.059 inches.

From the songwriting team who brought us Dear Evan Hansen and La La Land, the blockbuster movie musical The Greatest Showman is based on the true story of P.T. Barnum with Hugh Jackman in the title role. This arrangement of the powerful songs from the film is a dynamic musical montage for the concert stage. Includes Come Alive, The Greatest Show, A Million Dreams, Rewrite the Stars and This Is Me.

Orchestra - Grade 2

SKU: AP.45874S

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert; Ragtime. Score. 8 pages. Duration 1:40. Highland/Etling #00-45874S. Published by Highland/Etling (AP.45874S).

UPC: 038081523781. English.

Here's a fun, jazzy, all-pizzicato selection for early beginners to play at one of their first concerts! Showtime Rag is built around a strong, steady beat. This original by Doug Spata uses only the D and A strings, and half, quarter, and eighth notes with very limited independence to keep everyone together. Each section gets a melody, making it the perfect way to show off those beginning skills. (1:40).

Orchestra - Grade 2

SKU: AP.45874

Composed by Doug Spata. Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Light Concert; Ragtime. Score and Part(s). 62 pages. Duration 1:40. Highland/Etling #00-45874. Published by Highland/Etling (AP.45874).

UPC: 038081523774. English.

Here's a fun, jazzy, all-pizzicato selection for early beginners to play at one of their first concerts! Built around a strong, steady beat, this original by Doug Spata uses only the D and A strings, and half, quarter, and eighth notes with very limited independence to keep everyone together. Each section gets a melody, making it the perfect way to show off those beginning skills. (1:40).

Orchestra

SKU: LO.30-2422L

Composed by Ruth Elaine Schram. Choral. Sacred Anthem, General, Lent. Orchestral score and parts. Lorenz Publishing Company #30/2422L. Published by Lorenz Publishing Company (LO.30-2422L).

UPC: 000308121483.

How great is the Father’s love for us! Full of awe and wonder, this song of reverent faith opens quietly, with unison voices. The vocals thicken gradually as the verses rise in successive keys, warmly supported by the artful accompaniment. Lyrical and reflective, it’s a gift of love for our gracious, compassionate God. (From the cantata The Living Last Supper. SATB – 55/1110L; SAB – 55/1116L.) Instrumentation: Flute, Oboe, 2 Clarinets, Percussion, Violin 1 & 2, Viola, Cello, and Bass.

By Howard Shore. Arranged by Douglas E. Wagner. Orchestra. Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Light Concert; Movie. Grade 3. 252 pages. Published by Alfred Music Publishing

Philadelphia Orchestra Critical Edition. Composed by Howard Hanson (1896-1981). Edited by Clinton F. Nieweg. Contemporary. Full score (large). With Standard notation. 104 pages. Carl Fischer #SC00042L. Published by Carl Fischer (CF.SC42L).

(Featuring: Lily?s Theme / Underworld / Dragon Flight / Neville / A New Headmaster / The Resurrection Stone / Showdown / A New Beginning with Hedwig's Theme). By Alexandre Desplat and John Williams. Arranged by Jerry Brubaker. Orchestra. Full Orchestra; Part(s); Score. Pop Concert Full Orchestra. Form: Medley. Light Concert; Movie; Pop. Grade 4. 226 pages. Published by Alfred Music Publishing

Orchestral Score. Composed by John Powell. This edition: Paperback/Softcover. Sheet music. Study score. Composed 2010. 412 pages. Omni Music Publishers #OMNI 50792. Published by Omni Music Publishers

Composed by Howard Shore, arranged by Victor Lopez. Full score and set of performance parts for full orchestra. Published by Alfred Publishing.

Composed by Hanson Howard. Arranged by Todd Parrish. Folio. Score and part(s). 138+Cover pages. Duration 4 minutes, 47 seconds. Carl Fischer Music #AS66. Published by Carl Fischer Music

By James Newton Howard. Arranged by Paul Lavender, Ted Ricketts. Full Orchestra. Published by Hal Leonard.

(Featuring: Another Opâ??ninâ?? / Another Show / In the Still of the Night / Anything Goes / Night and Day). By Cole Porter. Arranged by John Whitney. Orchestra. Full Orchestra. Pop Concert Full Orchestra. Grade 4. Conductor Score. 32 pages

Score and Parts. Composed by James Newton Howard. Symphony Pops. Published by Hal Leonard

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.