SKU: HL.14015982

11.75x8.25x0.43 inches.

1st performance at St Paul's Church, Covent Garden, December 15, 1969 by Nicholas Cleobury (at the memorial service for Maurice de Sausmarez). Duration c.5 minutes.

SKU: HH.HH241-SOL

ISBN 9790708059837.

The second instalment of the three volume collection of Zinck’s complete keyboard music contains the printed sonatas which followed his enormously successful 1783 set together with the first appearance in print of two sonatas from a manuscript source in the Royal Library, Copenhagen. The published sonatas show Zinck’s mastery of the styles of both C.P.E. Bach (his teacher) and Haydn, while the manuscript works are simpler in their technical demands, but include original fingering from the composer. All the sonatas in this volume would be effective on either clavichord or fortepiano.

SKU: HH.HH267-SOL

ISBN 9790708092162.

Though primarily known as an opera composer, Giovanni Paisiello did not neglect the instrumental repertoire. His Capriccio in D minor, written in St Petersburg for his pupil the Grand Duchess Maria Feodorovna and first published c.1799, is a fine example of this Southern Italian composer's keyboard style.

SKU: HH.HH300-SOL

ISBN 9790708092490.

Carl Fasch was notoriously reluctant to have his music made public and even asked that much of it should be destroyed. What remains, however, supports the view of the contemporary writer on music Johann Reichardt that Fasch was the true successor to C. P. E. Bach, with whom he shared keyboard duties for Frederick the Great. In this first volume of his complete keyboard works, the six sonatas, which appeared in print and were well regarded during the composer's lifetime, show him to be a minor master and an eloquent advocate for the eclectic expressive style then current in Berlin.