SKU: PR.16400222S

UPC: 680160037841.

This work follows my Quartet No. 1 by five years. In terms of style and aesthetic aim, however, it seems light years away. Where the first work, a 28-minute, four-movement piece, took aim at cosmic conflicts and heroic resolutions, the present work is intended as a kind of divertissment. Harbor Music lasts a mere eleven minutes, is cast in a single movement with six sections, and should leave both performers and listeners with a feeling of good humor and affection.   The title comes from my experience as a guest in the magnificent city of Sydney, Australia. One of its most attractive features is its unique system of ferry boats: the city is laid out around a large, multi-channeled harbor, with destinations more easily approached by water than by land. Consequently, inhabitants of Sydney get around on small, people-friendly boats that come and go from the central docks at Circular Quay. During a week's visit in 1991, I must have boarded these boats at least a dozen times, always bound for a new location - the resort town of Manley, or the Zoo at Taronga Park, or the shopping district at Darling Harbour.   In casting about for a form for my second string quartet, a kind of loose rondo came to mind. Each new destination would be approached from the same starting-out point (although there are subtle variations in the repeating theme; it's always in a new key, and the texture is never the same). The result, I hope, is a sense of constant new information presented with introductory frames of a more familiar nature.   The embarkation theme, which begins the piece, is a sort of bi-tonal fanfare in which the violins are in G major and the viola and cello are in B-flat major. It is bold, eager, and forward-looking. The first voyage maintains this bi-tonality, beginning as a 9/8 due for second violin and viola in a kind of rocking motion -much as a boat produces when reaching the deeper water in the harbor. A sweet, nostalgic theme emerges over this rocking accompaniment. This music is developed somewhat, then transforms quickly into a much faster and lighter episode, filled with rising and falling scales (again, in differing keys). A scherzando interlude in short notes and changing meters provides contrast, and the episode ends with a reprise of the scales.   The second embarkation follows, this time in A major/C major. It leads quickly into a very warm and slow theme, in wide-leaping intervals for the viola. This section is interrupted twice by solo cadenzas for the cello, suggesting distant boat-horns in major thirds. The end of the episode becomes a transition, with boat-horns leading into the final appearance of the embarkation music, this time in trills and tremolos instead of sharply accented chords. The nostalgic theme of the first episode makes a final appearance, serving now as a coda. The rocking motion continues, in a lullaby fashion, leaving us drowsy and satisfied on our homeward journey.   Harbor Music was written for the Cavani Quartet, and is dedicated to Richard J. Bogomolny. Commissioned by his employees at First National Supermarkets as a gift, it represents a thank you from many of the people (including this composer) who have benefitted from his vision and generosity. An ardent advocate of chamber music (and a cellist himself), Mr. Bogomolny has for many years been Chairman of the Board of Chamber Music America. -- Dan Welcher.

SKU: PR.114422680

ISBN 9781491136041. UPC: 680160688197.

TACHUN (SPRING OUTING) was composed in 2021 for “The Joy Project,” to commission uplifting works for performance at free outdoor concerts in the San Francisco Bay region. The work’s title comes from the annual Chinese festival when people go outdoors and travel, to welcome the arrival of the new Spring season. This cheerful 5-minute work features energetic melodic lines in unison, contrasting with vivid rhythmic patterns, which the composer indicates as expressing our excitement upon breathing the fresh Spring air.
Tachun (Spring Outing) was commissioned by and dedicated to the Del Sol String Quartet as a part of The Joy Project in 2021. Tachun is also the name of a Chinese traditional festival when people go outdoors and travel, to welcome the arrival of the new spring season each year. Here is a statement from the Del Sol String Quartet about this project:“Del Sol has commissioned a body of short musical works written to give joy. As our gift to our community during these times, we are performing these pieces in numerous free concerts at public settings around the Bay Area — parks, schoolyards, open spaces — where people can soak up some musical “joy” while safely practicing social distancing in the open air.”My string quartet has active melodic lines in unison, contrasting with vivid rhythmic patterns, to express our excitement when we breathe the fresh air.