SKU: HL.14030062
ISBN 9788759851586. 8.25x11.75x0.065 inches. English.
Scene Lyrique is the third part of Jean Sibelius' work for Solo Piano dating from 1923.
SKU: CF.CM8852CD
ISBN 9780825855153. UPC: 798408055158.
The choral pieces for concert and school from Carl Fischer present several offerings that range from folk and gospel to popular standards. Carl Fischer brings you original works and arrangements from America’s leading composers and respected arrangers.
SKU: HL.14040484
French.
SKU: HL.14040168
SKU: HL.14039116
UPC: 888680837358. 8.5x12.0x0.105 inches.
SKU: HL.14033733
ISBN 9780711988118. UPC: 884088454579. 8.5x11.75x0.099 inches. English-Spanish.
Doce Canciones Populares Espanolas para Canto y Piano.
SKU: HL.14002720
SKU: HL.14012420
English-Spanish.
SKU: HL.14040666
SKU: CF.YPS189F
ISBN 9781491148112. UPC: 680160905614. 9 x 12 inches.
The march Defenders Day is named for the legal holiday in Maryland which commemorates the successful defense of the city of Baltimore on September 12, 1814 from an invading British force during the War of 1812. This event would lead to the writing of the United States of America's national anthem, The Star-Spangled Banner. The form and style follow the standard American march format and is perfect for festival performance.
SKU: HL.14029674
ISBN 9780853606208. 8.5x11.75x0.44 inches.
A selection of collected Folk Songs arranged by Cecil Sharp and Ralph Vaughan Williams.
SKU: HL.14019845
SKU: HL.14026318
ISBN 9788759871072. Danish.
SKU: HL.14031799
ISBN 9788759871669. English.
SKU: HL.14010086
SKU: HL.14035338
Written for SATB choir. Edited by H.B. Collins.
SKU: HL.14031816
8.5x11.75x0.3 inches.
Though conceived as four separate movements, my second string quartet has a single motif which is common to them all. This is the three-note Muss es sein? from Beethoven's last quartet, Op. 135. But whereas Beethoven's theme is notated G E A flat, thus giving it an F minor connotation, I have sued an alternative spelling - G E G sharp - which suggests an ambiguous E minor-major. This ambiguity, in fact, becomes the tonal basis of the whole work, only to be resolved at the end of the final movement. Each movement begins with a variant of the basic motif on the cello. The first has the original form of the theme, while the second has a majorised version which is also expressed as a chord. The third movement, with its scherzoid middle section, reverts to the major-minor ambiguity of the first, and the finale begins with the majorised version as an ostinato accompaniment on pizzicato cello. The slow movement is sub-titled In memoriam DSCH and concludes with a quotation of Shostakovich's motto - D E flat C B - which is basically the same as Beethoven's with the addition of one note. This is not to imply that the work contains no other thematic material. One important theme, a rising fifth and a second, is also common to three of the movements, and is ultimately derived from my first quartet, Op. 1 of 27 years earlier, to which this second contribution to the form is in many ways like a sequel. Like the earlier work, too, this quartet is dedicated to my wife.
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