By Arcangelo Corelli (1653-1713). Arranged by Gary Bricault. Saxophone Quartet. For Soprano, Alto, Tenor, Baritone. 4

Orchestra; Violin

SKU: UT.NAP-4

Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4).

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

(Selected Works from Johann Christian Heinrich Rinck (op.48, 84/2, 56 and 108)). Edited by Eberhard Hofmann. For Organ. Orgelmusik der Klassik und Fruhromantik. Playing Score; Collection. Published by Baerenreiter Verlag

2 violins, cello and piano

SKU: HL.49013927

Sonate da camera a tre. Composed by Arcangelo Corelli. Edited by Gustav Jensen. Sheet music. Edition Schott. Classical. Individual part. Op. 4. 12 pages. Schott Music #ED 1009-02. Published by Schott Music (HL.49013927).

ISBN 9790001032445.

2 violins, cello and piano

SKU: HL.49013928

Sonate da camera a tre. Composed by Arcangelo Corelli. Edited by Gustav Jensen. Sheet music. Edition Schott. Classical. Individual part. Op. 4. 8 pages. Schott Music #ED 1009-03. Published by Schott Music (HL.49013928).

ISBN 9790001032452.

Score and Parts. By Arcangelo Corelli. Schott. Size 9x12 inches. 44 pages. Published by Schott.

By Arcangelo Corelli (1653-1713). For 2 Treble Recorders and Continuo. Chamber Music, Early Music. Score and parts. Op. 4 No. 3. 20 pages. Published by Ut Orpheus

Neun Kompositionen fur Blockfloten und Basso continuo. Edited by Rolf Schweizer. For Soprano Recorder (C), Alto Recorder (F,G), Piano/Harpsichord/Basso Continuo. Weihnachten, Barock (Christmas, Baroque). Collection/ Playing Score; Set of Parts. Published by Baerenreiter-Ausgaben (German import).

By Arcangelo Corelli (1653-1713). Arranged by Robert Madeson. For brass quintet. Quintet music. Grade 4. Published by Cimarron Music Press

For Treble Recorder and Piano. By Arcangelo Corelli. Arranged by Gwilym Beechey. Schott. 32 pages. Published by Schott.

By Arcangelo Corelli. (Study Score). Schott. Size 5.25x7.5 inches. 334 pages. Published by Eulenburg London (Schott).

By Arcangelo Corelli. Two violins and piano. Published by International Music Co.