SKU: BA.BA11523
ISBN 9790260108578. 31 x 24.3 cm inches. Key: E-flat major.
When AntonÃn Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the “Slavonic†style, quickly achieved international renown and has remained among one of the most popular string quartets by Dvorák.The authoritative Dvorák scholar Hartmut Schick has consulted all accessible sources, most notably the printed score published by Simrock and the autograph. Now, after many decades, a definitive Urtext edition of this major work can be presented. In comparison to the old Supraphon edition of 1955, the new publication includes a detailed Critical Commentary (Eng) as well as edited early versions of the middle movements in the appendix. A detailed Foreword (Ger/Cz/Eng) by the editor is also contained.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.48024896
ISBN 9781540095800. UPC: 840126927818.
The title's Third Word of Creation refers to verses from Rilke's Book of Hours which indicate the fear of what other delicate experiments God might come up with after 'light' and 'man'. Schultz contradicts the text by combining it with the monolithic beginning of the First Book of Moses in the Old Testament, which is imbued with the rightness of God's actions, as well as with lines by the Persian poet Rumi in the translation by Friedrich Ruckert. The latter indicate the comforting certainty of rebirth as ahigher being up to the unfathomable spirit of God. The composer accomplishes the feat of weaving all three levels into a complex, ethereal structure in which the words nevertheless always remain clearly understandable.
SKU: AP.50770
ISBN 9781470669980. UPC: 038081591865. English.
In this GRAMMY-winning song, What Was I Made For?, from the Barbie movie, Billie Eilish and Finneas O'Connell captured a major theme from the movie---self-awareness. With beautiful melodies and soft rhythms, the violins, violas, and cellos cover the lovely melody with lush accompaniments in all sections. Arranger Bob Phillips set this hit perfectly for intermediate string orchestra while remaining very close to the original. An optional repeat allows for flexibility in the length of the piece.
SKU: HL.49019042
ISBN 9790001170345.
Even though the Frankfurt composer Kurt Hessenberg (1908-1994) made a lasting impression, especially by his sacred choral music - his motet 'O Herr, mache mich zum Werkzeug deines Friedens' forms part of the repertoire of every good choir - his career as a composer began with piano, chamber and orchestral music. All his life Hessenberg remained faithful to these genres. Between 1958 and 1963 he wrote five miniatures which he put together into Opus 71 and in which he let the five instruments of a wind quintet have their 'say' separately and with piano accompaniment: flute, oboe, clarinet, horn and bassoon.Created in 1958, 'Capriccio' Op. 71 No. 2 is dedicated to the oboe. It is an enjoyable and rewarding piece in a neoclassical style characterized by an extended tonality. This 'Capriccio' gives the oboist the possibility to play in an effective virtuoso, yet cantabile way and, in addition, uses piano accompaniment in a rewarding manner - a welcome addition to the oboe repertoire.
SKU: AP.46432
ISBN 9781470639228. UPC: 038081528113. English. Recording orch. Alan Billingsley; Tim Hayden; Steve Herold.
It's down to the wire and the remaining contestants in our confectionary cooking competition are assigned one final task---fantastic holiday treats! What will it be? Sugar cookies? Hot chocolate? A candy-covered gingerbread house? This delicious 30-minute musical delivers all the goodies with scrumptious songs and simple scenes that are guaranteed to satisfy any sweet tooth. Two hosts, a pair of judges, six star bakers, and a chorus of any size are just the right recipe for fun. Complete choreography videos are available for every song, from the tasty opening theme to the festive fruitcake finale! Recommended for grades three and up. Free choreography videos are online at alfred.com/bakeoff.
SKU: BR.SON-422
ISBN 9790004802670. 9 x 12 inches.
The music world has long been familiar with Mendelssohn's celebrated, standard-setting Piano Trio in D minor op. 49. No one, however, knew how many stages this masterpiece went through before it was finally published in 1840. According to preliminary sketches that can no longer be reconstructed, the early version of the of the work in its traditional piano-trio scoring was written in spring 1839. It was given its first performance at the Mendelssohn home in Berlin and remained unpublished. The following year, Mendelssohn brought out a version of the work with flute instead of violin at the request of an English publisher. He had already strongly reworked the original version for the publication. Another revision was made of the flute version, which not only took into account the different technical possibilities of a wind instrument, but also affected the compositional substance of the work. Thus Mendelssohn very nearly did write his D minor Piano Trio three times!
SKU: GI.G-10333G
Text by Liam Lawton.
** GIA no longer publishes nor sponsors the work of Paul A. Tate. Pieces for which Tate served as an arranger remain on our website as the original work of the composer.
SKU: CF.CPS117F
ISBN 9780825884986. UPC: 798408084981. 9 x 12 inches. Key: Ab major.
The famous Tchaikovsky orchestral classic is faithfully arranged for the modern concert band by arranger Joseph Compello. All the excitement and flair of the original work are preserved, while remaining within the technical grasp of this level. Your band will sound majestic and mature with this tried-and-true favorite.
SKU: HL.48024842
ISBN 9783793142584. UPC: 840126908824.
The Shoa never was a theme in the works of Ursula Mamlok - with the exception of Ruckblick for saxophone and piano which she wrote in 2002 on commission of the Temple University in memory of Kristallnacht. The contrast between slow and fast movements is much moreelaborate than in her other works from that period, with the fast movements appearing somewhat driven while the piano part for a fewmoments adopts an otherwise unknown severity. Near the end of the third movement, cantabile and fleeting gestures are suddenly pushed toward each other. The first fast movement arises from the destruction of attempted cantability. The Elegy (2nd movement) dies away with a four-fold reminder of its initial motif, the last attempt remaining fragmentary. The fourth movement Lament concludes with a figure that returns to its beginning.
SKU: BR.OB-4935-23
ISBN 9790004325551. 10 x 12.5 inches.
Thanks to Alois Schmitts supplements, the work became performable in its entirety for the first time in 1901. Basing himself on Mozarts sketches, Schmitt completed the instrumentation, which at times had not been definitely notated, constructed the Agnus Dei from the Kyrie of the Mass and compiled the missing parts of the Credo by borrowing from other works by Mozart.
SKU: CA.3106963
ISBN 9790007206710. Text language: German/English.
Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.
SKU: BT.ALHE32298
French.
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eleventh and final volume is indispensableto performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The eleventh volume, comprising Sonatas 507-55,includes the popular and recognisable Sonata in E major (K. 531). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royalfamilies, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.
SKU: XC.HRMG2391
Pulsating rhythmic ostinatos, cluster harmonies, and soaring melodic lines are all present in this exciting concert work, possessing all the elements to make your band sound great. Based on the 13th-century Dies Irae chant, the exciting minor texture contrasts driving rhythms and beautiful legato playing while still remaining accessible. A perfect way to showcase your band as a concert opener, closer, or for festival use.
SKU: BT.DHP-1155643-070
ISBN 9789043145954. English-German-French-Dutch.
Recorded by Swedish rock band Europe, Final Countdown has remained one of the classic rock tunes of all time. This international number 1 chart hit has been expertly arranged for String Quartet by Anthony Gröger. Let the Countdown begin!
SKU: CA.3110214
ISBN 9790007047436. Key: G minor / c minor. Language: German/English.
In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and part available separately - see item CA.3110200.
SKU: GI.G-8920G
English. Text by Jacque B. Jones.
SKU: BT.RSK200113
ISBN 9781789360882. English.
Rockschool Acoustic Grade 3 is for students who have been learning approximately eighteen months to two years and have established the basic skills, preliminary techniques and the beginnings of stylistic awareness through articulation and the introduction of solo and improvisation work.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the sound and resonance of their instrument. The remaining tracks aresession style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.
SKU: BA.BA09070-91
ISBN 9790006567591. 27 x 19 cm inches. Text Language: German, English.
The choral score of Felix Mendelssohn Bartholdy's oratorioElijahis based on the scholarly-critical edition edited by Mendelssohn specialist Douglass Seaton. In its 1847 version, this musical setting of the story of the Biblical prophet from the 1st Book of Kings has remained popular to the present day. The choral score is fully compatible with the existing performance material. It does not however contain the appendices found in the full score and vocal score (with numbers from the first version).
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