SKU: HL.1117979

UPC: 847986000163. 8.0x10.0x4.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Fantastic sound on snare The MTP 440 DM features a high-performance capsule that delivers remarkably lively sound. Perfect for miking your snare drum. Made for guitar amp recording The MTP 440 DM reproduces high-SPL sources like guitar amplifiers with high clarity and full details. The slight bass roll-off and defined midrange provide a punchy and unique sound that works like a charm with cabs of any size. Amazing sound on wind instruments Wind instruments produce high sound pressure levels, not every microphone is capable of handling. The MTP 440 DM has proven itself on countless stages and gives your instrument the clear sound quality it needs to stand out in the mix. What's in the box? The MTP 440 DM comes with a snap-in mic clip, a windscreen and a transport bag.

SKU: HL.1117978

UPC: 196288301660. 8.25x10.25x4.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Clear and precise condenser sound The MTP 350 CMs is a condenser vocal microphone with a lightweight diaphragm condenser capsule. This brings a high level of sonic clarity to your vocal performance. Durable materials for longevity To make sure your beloved microphone survives even your roughest touring routines, the enclosure is made out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise. The built-in wind and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture. Cardioid polar pattern Its cardioid polar pattern picks up sound coming mainly from the front of the microphone. Sound coming from directly behind the mic is dampened to guarantee high monitor levels. A solid show is assured as you don't have to worry about nasty feedback issues. What's in the box? The MTP 350 CMs comes with a snap-in mic clip, a windscreen and a transport bag.

SKU: HL.1117985

UPC: 847986000859. 8.25x10.0x7.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Exceptional sound for bass drums and other bass-heavy instruments The DTP 640 REX is a dual-capsule microphone specifically designed to capture the sound of your drums and percussion instruments. It features two phase-aligned capsules, a condenser and a dynamic one. Both capsules can be adjusted to emphasize your sound for studio and live applications. Dual-capsule bass drum microphone The DTP 640 REX features two phase-aligned microphones in a single housing. The dynamic side ensures accurate attack reproduction of the bass drum, while the condenser element captures more of the body resonance and decay. Each element has a dedicated output. This enables you to shape the bass drum sound in unique ways. Three switchable sound characteristics =//= Both elements with neutral frequency response. +//= Dynamic element boosts frequencies between 3 and 5 kHz; condenser stays neutral. +//+ Dynamic boosts the range of 3-5 kHz, condenser boosts frequencies 70-150 Hz to deliver full-bodied sound. Great on all kinds of bass-heavy instruments With the DTP 640 REX you get massive yet clear bass drum and bass recordings, in the studio and on stage. Both capsules, dynamic and condenser, are specifically designed to replicate low frequencies with precision and punch.

SKU: HL.1117964

UPC: 847986002129. 7.0x10.25x4.25 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Two switchable sound characteristics, AIR and FLAT. The 140 AIR has two sound characteristics, AIR and FLAT. AIR delivers an open, sparkling character which is the right choice if you need great sound without spending time on post-production. FLAT provides a linear frequency response for “as-it-is” reproduction of drums, strings, acoustic guitars, and choirs. It is perfect if you aim for realistic sonic images. The best stereo matching you can get. LEWITT has one of the most precise matching processes in the industry. The difference between the two mics of a stereo pair is inaudible. How come? The frequency response and sensitivity of every single microphone is measured. A measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 140 AIR. Then, an algorithm compares the measured frequency response of each microphone and finds the perfect pairs. Excellent transient response and full flexibility on all instruments Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 140 AIR delivers an excellent transient response. To be prepared for all eventualities, the LCT 140 AIR has a low-cut and a PAD. You won't break a sweat with loud sources, nor will you have to deal with low-frequency noise when you don't want to. The LCT 140 AIR is great for: Acoustic Guitar Drums Strings Choirs Piano Ukulele Durable and light aluminum housing The LCT 140 AIR is very durable yet lightweight thanks to its CNC'ed aluminum housing. Positioning and setup become easy tasks. What's in the box? The 140 AIR Stereo Pair comes with two snap-in mic clips, a transport bag with two pockets, and two windscreens.

SKU: HL.1117999

UPC: 847986001375. 6.25x8.0x4.0 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Shock mount for LCT 240 PRO, LCT 440 PURE and LCT 441 FLEX, black color.

SKU: CF.YAS19

ISBN 9780825854859. UPC: 798408054854. 8.5 X 11 inches. Key: D major.

Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yetA legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerfulA divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel. A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out. In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.
Summer Dance is a melodic, up-tempo piece with plenty of musical and technical challenges for every player. Musicians should strive to play it with an energetic yet legato feel.A spirited introduction features an opening melody in the violins and active repeated-note pedal patters in the violas and low strings. An AABA form begins at m.5 and the orchestration is immediately pared down to feature violin I and cello. It then builds again in density to the B section, where a quick dynamic drop allows a question-and-answer melody between the two parts to sing out.In m. 29, the melody is harmonized and a countermelody in violin I introduced. The violins take the melody soaring in octaves in m. 33, as the piece again builds to the B section and suddenly quiets. Measure 55 then provides more question-and-answer interplay, this time for viola and cello, while violin continues with its newly harmonized melody. Summer Dance finishes with a soft recurrence of the opening figure and a build toward a powerful divisi voicing on beat 3 of m. 63, right before the final chord.

About Carl Fischer Young String Orchestra Series

This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

SKU: HL.1117959

UPC: 847986001733. 7.5x14.5x3.5 inches.

Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Sturdy and resilient casing This extremely sturdy dynamic microphone features an omnidirectional polar pattern. Its capsule is fully rubber mounted. In combination with the INTERVIEWERs new coating technology all handling noise is reduced to a minimum while offering safe and comfortable grip. Best speech intelligibility Tailored for voice reproduction the INTERVIEWER provides you with crystal clear results in almost any situation. This hassle-free tool makes it easy to concentrate on what is essential. Camera connection cable The INTERVIEWER comes with a connection cable for your camera. This way you are fully equipped, and you can record even more comfortable on-the-go. The perfect companion With the purpose-built Dust Protection Membrane and its heavily rugged, most resilient housing, the INTERVIEWER will be the perfect companion even under the roughest conditions. Designed and engineered in Vienna, Austria Like all LEWITT microphones, the INTERVIEWER is designed and engineered in Vienna, Austria.

SKU: HL.44005139

ISBN 9789043120661. UPC: 073999538441. English-German-French-Dutch.

These book/CD packs feature cool tunes for those who haven't been plaing very long, but still intend to steal the show! Includes solos with accompaniment and accompaniment only on CD for each of the 23 pieces in the book.