| Symphony No. 5 in E minor Op. 64 Orchestra [Score] Breitkopf & Härtel
Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.PB-5558...(+)
Orchestra (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.PB-5558 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Full score. 212 pages. Duration 44'. Breitkopf and Haertel #PB 5558. Published by Breitkopf and Haertel (BR.PB-5558). ISBN 9790004213681. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $150.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Violin 2 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-...(+)
Violin 2 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-16 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-16. Published by Breitkopf and Haertel (BR.OB-5558-16). ISBN 9790004344668. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Daphnis et Chloe [Score] Breitkopf & Härtel
Chorus (with soloists) and orchestra (choir: SATB - orch: 3(2picc).A-fl.2.cor an...(+)
Chorus (with soloists) and orchestra (choir: SATB - orch: 3(2picc).A-fl.2.cor ang.Eb-clar.2.B-clar.3.dble bsn - 4.4.3.1 - timp.perc(8) - 2hp.cel - str) SKU: BR.PB-5650 Ballet en 3 parties - Urtext. Composed by Maurice Ravel. Edited by Jean-Francois Monnard. Choir; Softbound. Partitur-Bibliothek (Score Library). Music theatre; Ballet; Early modern. Full score. 284 pages. Duration 50'. Breitkopf and Haertel #PB 5650. Published by Breitkopf and Haertel (BR.PB-5650). ISBN 9790004215470. 10.5 x 14 inches. Daphnis et Chloe is certainly not only one of Ravel's best works, but also one of French music's most beautiful creations, thus, Stravinsky's view of this ballet in his memoirs, published in 1935. Composing the work, commissioned by the Ballets Russes, turned out to be problematic, involving linguistic differences and remuneration disagreements that dragged on among the choreographer, impresario, and composer. Too few rehearsals, a difficult choreography, tricky 5/4-meter, and other oddities in the music probably led, ultimately, to a subdued reception of the work at its Paris premiere in 1912. Only a later production with costumes and set by Chagall significantly contributed to the ballet's success. Today the work is a monument to Impressionist orchestration, incorporating the narration within the sound material. Each instrument is treated in the most effective way possible. Remarkable are the strings' extreme divisi, their harmonics' glissandi, and other enigmatic effects, such as utilizing a wordless chorus. Individual performances without choir likely go back to a makeshift arrangement that Ravel produced to facilitate performance at less prominent venues. The appendix to the Urtext edition includes this alternative version. The Ravel specialist Jean-Francois Monnard has also edited this ballet with detailed attention to the customary Urtext standard. The preface and critical report include numerous references to both genesis and performance history as well as interpretation, correcting also previously handed-down errors. The large format of the conductor's score and orchestral parts are easy to read and support the clarity and transparency of the modern notation without any loss to the magic of Ravel's music. Stay tuned for the publication of the corresponding suites in the upcoming years. $316.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Violin 1 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-...(+)
Violin 1 (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-15 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-15. Published by Breitkopf and Haertel (BR.OB-5558-15). ISBN 9790004344651. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Complete Works (JSW) Orchestra Breitkopf & Härtel
Orchestra SKU: BR.SON-625 Scenes historiques op.25, op.66. Compose...(+)
Orchestra SKU: BR.SON-625 Scenes historiques op.25, op.66. Composed by Jean Sibelius. Edited by Kari Kilpelainen. Linen. Complete Works. Late-romantic; Early modern. Complete Works. 228 pages. Breitkopf and Haertel #SON 625. Published by Breitkopf and Haertel (BR.SON-625). ISBN 9790004803271. 10 x 12.5 inches. In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244. $310.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Complete Works (JSW) Breitkopf & Härtel
Piano Quintet SKU: BR.SON-637 Composed by Jean Sibelius. Edited by Anna P...(+)
Piano Quintet SKU: BR.SON-637 Composed by Jean Sibelius. Edited by Anna Pulkkis. Chamber music. Complete Works. Late-romantic; Early modern. Complete Works. Breitkopf and Haertel #SON 637. Published by Breitkopf and Haertel (BR.SON-637). ISBN 9790004803929. 9 x 12 inches. In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244. $292.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Viola (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-19<...(+)
Viola (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-19 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-19. Published by Breitkopf and Haertel (BR.OB-5558-19). ISBN 9790004344675. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony No. 5 in E minor Op. 64 Breitkopf & Härtel
Violoncello (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-55...(+)
Violoncello (3(picc)2.2.2 - 4.2.3.1 - timp.(cym ad lib.) - str) SKU: BR.OB-5558-23 Urtext. Composed by Pjotr Iljitsch Tschaikowsky. Edited by Christoph Flamm. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Tchaikovsky's Hamburg Symphony in the Urtext Symphony; Romantic. Part. 24 pages. Duration 44'. Breitkopf and Haertel #OB 5558-23. Published by Breitkopf and Haertel (BR.OB-5558-23). ISBN 9790004344682. 10 x 12.5 inches. Like Hamlet Overture, originating at about the same time, Tchaikovsky's 5th symphony, composed in 1888, focuses on the human existential question: To be or not to be - triumph over fate or triumph of fate? The per aspera ad astra dramaturgy underlying the symphony culminates in triumphant certainty. If Tchaikovsky was initially euphoric, then severe self-doubts befell him after he conducted the premiere in St. Petersburg. These doubts demonstrably led him to make interpretative changes for the Hamburg performance in 1889, including a cut in the finale. Only with the extremely positive response to this performance did his doubts dispel. Nevertheless, Tchaikovsky himself never again conducted the 5th symphony. It was only posthumously established in the repertoire through Arthur Nikisch's commitment. The new edition's textual criticism takes into account besides the autograph and first edition also the first edition's orchestral parts, together with the piano arrangement produced from the autograph by Sergei Taneyev. In addition to thoroughly clarifying dynamics and articulation, the source comparison also corrected many errors and solved problematical passages, such as, for instance, the trombone entry in m. 372 of the finale. Considered, moreover, for the first time has been the composer's doubts about his work and its ambiguities, frequently successfully suppressed in the history of its performance and reception. Tchaikovsky's conductor's copy is unfortunately lost, hence his alterations made for the Hamburg performance are not precisely known. They have survived only indirectly through remarks that Willem Mengelberg left to posterity, for which he could draw on Tchaikovsky's conductor's score and oral references by the composer's brother Modest. So, anyone wishing to deal seriously with the work's certainties will not be able to do so in the future without having also to deal with its uncertainties.
Tchaikovsky's Hamburg Symphony in the Urtext. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Fantasy on Beethoven's Ruins of Athens, S. 122 Concert band [Score] LudwigMasters Publications
Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score SKU: AP.36-A816701 Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A816701. Published by LudwigMasters Publications (AP.36-A816701). ISBN 9798892703253. UPC: 659359825590. English. As an inexhaustible proponent of Beethoven's life and work, Franz Liszt (1811-1886) produced a number of arrangements and transcriptions in homage to the great composer. His FANTASIE ÜBER MOTIVEN AUS BEETHOVENS RUINEN VON ATHEN, S. 122 (FANTASY ON BEETHOVEN'S RUINS OF ATHENS) for piano and orchestra is one of three existing versions, all of which he dedicated to Nikolay Rubinstein. The work on which the piece is based, incidental music for a play by August von Kotzebue, was written in 1811 in Pest, Hungary for the dedication of a new theater. The first performance of the FANTASY took place, also in Pest, on June 1, 1853. Instrumentation: 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score. Reprint edition. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $35.00 - See more - Buy online | | |
| Genoveva Op. 81 Breitkopf & Härtel
Violin 2 (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-16 Overture ...(+)
Violin 2 (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-16 Overture to the Opera - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The Urtext debut of Schumann's beloved overture. Overture; Romantic. Part. 8 pages. Duration 10'. Breitkopf and Haertel #OB 5255-16. Published by Breitkopf and Haertel (BR.OB-5255-16). ISBN 9790004342237. 10 x 12.5 inches. Robert Schumann placed great importance on the genre of the overture, as can be seen in the chronology of the genesis of his sole opera Genoveva. In his Haushaltbuch the composer entered as his first idea thoughts of an overture, then produced the score even before having begun working on the actual opera. Schumann was right on the mark when he suspected that the overture alone should enjoy a favorable reception. The Overture appeared in print at about the same time that the opera was premiered. It established itself in the concert hall as an autonomous work and ranks today - along with the Manfred Overture - among Schumann's most beloved concert overtures. The Genoveva Overture is being released in a text-critical Breitkopf Urtext edition for the first time. The main source is the first printing revised by Schumann.
The Urtext debut of Schumann's beloved overture. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Fantasy on Beethoven's Ruins of Athens, S. 122 Concert band [Score and Parts] LudwigMasters Publications
Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in ...(+)
Concert Band; Orchestra 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score SKU: AP.36-A816702 Composed by Franz Liszt. Full Orchestra, Solo Keyboard with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A816702. Published by LudwigMasters Publications (AP.36-A816702). UPC: 659359502255. English. As an inexhaustible proponent of Beethoven's life and work, Franz Liszt (1811-1886) produced a number of arrangements and transcriptions in homage to the great composer. His FANTASIE ÜBER MOTIVEN AUS BEETHOVENS RUINEN VON ATHEN, S. 122 (FANTASY ON BEETHOVEN'S RUINS OF ATHENS) for piano and orchestra is one of three existing versions, all of which he dedicated to Nikolay Rubinstein. The work on which the piece is based, incidental music for a play by August von Kotzebue, was written in 1811 in Pest, Hungary for the dedication of a new theater. The first performance of the FANTASY took place, also in Pest, on June 1, 1853. Instrumentation: 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(2-3) Str (9-8-7-6-5 in set): Solo Pno in Score. Reprint edition. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $65.00 - See more - Buy online | | |
| Genoveva Op. 81 Breitkopf & Härtel
Viola (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-19 Overture to ...(+)
Viola (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-19 Overture to the Opera - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The Urtext debut of Schumann's beloved overture. Overture; Romantic. Part. 8 pages. Duration 10'. Breitkopf and Haertel #OB 5255-19. Published by Breitkopf and Haertel (BR.OB-5255-19). ISBN 9790004342244. 10 x 12.5 inches. Robert Schumann placed great importance on the genre of the overture, as can be seen in the chronology of the genesis of his sole opera Genoveva. In his Haushaltbuch the composer entered as his first idea thoughts of an overture, then produced the score even before having begun working on the actual opera. Schumann was right on the mark when he suspected that the overture alone should enjoy a favorable reception. The Overture appeared in print at about the same time that the opera was premiered. It established itself in the concert hall as an autonomous work and ranks today - along with the Manfred Overture - among Schumann's most beloved concert overtures. The Genoveva Overture is being released in a text-critical Breitkopf Urtext edition for the first time. The main source is the first printing revised by Schumann.
The Urtext debut of Schumann's beloved overture. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Woodwinds (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-30 (+)
Woodwinds (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-30 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Classical. Set of parts. 16 pages. Duration 27'. Breitkopf and Haertel #OB 15134-30. Published by Breitkopf and Haertel (BR.OB-15134-30). ISBN 9790004341513. 10 x 12.5 inches. Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin. $23.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Violin 1 (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-15 ...(+)
Violin 1 (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-15 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 12 pages. Duration 27'. Breitkopf and Haertel #OB 15134-15. Published by Breitkopf and Haertel (BR.OB-15134-15). ISBN 9790004341476. 10 x 12.5 inches. Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Double concerto (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.PB-15135-07<...(+)
Double concerto (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.PB-15135-07 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag Solo concerto; Classical. Study Score. 60 pages. Duration 27'. Breitkopf and Haertel #PB 15135-07. Published by Breitkopf and Haertel (BR.PB-15135-07). ISBN 9790004214718. 6.5 x 9 inches. Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin. $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Genoveva Op. 81 Breitkopf & Härtel
Violin 1 (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-15 Overture ...(+)
Violin 1 (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-15 Overture to the Opera - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The Urtext debut of Schumann's beloved overture. Overture; Romantic. Part. 8 pages. Duration 10'. Breitkopf and Haertel #OB 5255-15. Published by Breitkopf and Haertel (BR.OB-5255-15). ISBN 9790004342220. 10 x 12.5 inches. Robert Schumann placed great importance on the genre of the overture, as can be seen in the chronology of the genesis of his sole opera Genoveva. In his Haushaltbuch the composer entered as his first idea thoughts of an overture, then produced the score even before having begun working on the actual opera. Schumann was right on the mark when he suspected that the overture alone should enjoy a favorable reception. The Overture appeared in print at about the same time that the opera was premiered. It established itself in the concert hall as an autonomous work and ranks today - along with the Manfred Overture - among Schumann's most beloved concert overtures. The Genoveva Overture is being released in a text-critical Breitkopf Urtext edition for the first time. The main source is the first printing revised by Schumann.
The Urtext debut of Schumann's beloved overture. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Genoveva Op. 81 Breitkopf & Härtel
Woodwinds (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-30 Overture...(+)
Woodwinds (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-30 Overture to the Opera - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). The Urtext debut of Schumann's beloved overture. Overture; Romantic. Set of parts. 56 pages. Duration 10'. Breitkopf and Haertel #OB 5255-30. Published by Breitkopf and Haertel (BR.OB-5255-30). ISBN 9790004342275. 10 x 12.5 inches. Robert Schumann placed great importance on the genre of the overture, as can be seen in the chronology of the genesis of his sole opera Genoveva. In his Haushaltbuch the composer entered as his first idea thoughts of an overture, then produced the score even before having begun working on the actual opera. Schumann was right on the mark when he suspected that the overture alone should enjoy a favorable reception. The Overture appeared in print at about the same time that the opera was premiered. It established itself in the concert hall as an autonomous work and ranks today - along with the Manfred Overture - among Schumann's most beloved concert overtures. The Genoveva Overture is being released in a text-critical Breitkopf Urtext edition for the first time. The main source is the first printing revised by Schumann.
The Urtext debut of Schumann's beloved overture. $75.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Basso (cello/double bass) (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB...(+)
Basso (cello/double bass) (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-26 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 15134-26. Published by Breitkopf and Haertel (BR.OB-15134-26). ISBN 9790004341506. 10 x 12.5 inches. Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Violin 2 (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-16 ...(+)
Violin 2 (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-16 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 15134-16. Published by Breitkopf and Haertel (BR.OB-15134-16). ISBN 9790004341483. 10 x 12.5 inches. Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto in C major K. 299 (297c) Breitkopf & Härtel
Viola (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-19 Urt...(+)
Viola (solos: fl.hp - 0.2.0.0 - 2.0.0.0 - str) SKU: BR.OB-15134-19 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Andras Adorjan. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). In Cooperation with G. Henle Verlag Solo concerto; Classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 15134-19. Published by Breitkopf and Haertel (BR.OB-15134-19). ISBN 9790004341490. 10 x 12.5 inches. Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.Cadenzas in the piano reduction by Robert D. Levin. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Genoveva Op. 81 Orchestra Breitkopf & Härtel
Orchestra (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-5549-07 Overture...(+)
Orchestra (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-5549-07 Overture to the Opera - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; stapled. Partitur-Bibliothek (Score Library). The Urtext debut of Schumann's beloved overture. Overture; Romantic. Study Score. 40 pages. Duration 10'. Breitkopf and Haertel #PB 5549-07. Published by Breitkopf and Haertel (BR.PB-5549-07). ISBN 9790004213599. 6.5 x 9 inches. Robert Schumann placed great importance on the genre of the overture, as can be seen in the chronology of the genesis of his sole opera Genoveva. In his Haushaltbuch the composer entered as his first idea thoughts of an overture, then produced the score even before having begun working on the actual opera. Schumann was right on the mark when he suspected that the overture alone should enjoy a favorable reception. The Overture appeared in print at about the same time that the opera was premiered. It established itself in the concert hall as an autonomous work and ranks today - along with the Manfred Overture - among Schumann's most beloved concert overtures. The Genoveva Overture is being released in a text-critical Breitkopf Urtext edition for the first time. The main source is the first printing revised by Schumann.
The Urtext debut of Schumann's beloved overture. $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Genoveva Op. 81 Breitkopf & Härtel
Violoncello (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-23 Overtu...(+)
Violoncello (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-23 Overture to the Opera - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The Urtext debut of Schumann's beloved overture. Overture; Romantic. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 5255-23. Published by Breitkopf and Haertel (BR.OB-5255-23). ISBN 9790004342251. 10 x 12.5 inches. Robert Schumann placed great importance on the genre of the overture, as can be seen in the chronology of the genesis of his sole opera Genoveva. In his Haushaltbuch the composer entered as his first idea thoughts of an overture, then produced the score even before having begun working on the actual opera. Schumann was right on the mark when he suspected that the overture alone should enjoy a favorable reception. The Overture appeared in print at about the same time that the opera was premiered. It established itself in the concert hall as an autonomous work and ranks today - along with the Manfred Overture - among Schumann's most beloved concert overtures. The Genoveva Overture is being released in a text-critical Breitkopf Urtext edition for the first time. The main source is the first printing revised by Schumann.
The Urtext debut of Schumann's beloved overture. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Genoveva Op. 81 Breitkopf & Härtel
Double bass (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-27 Overtu...(+)
Double bass (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-5255-27 Overture to the Opera - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The Urtext debut of Schumann's beloved overture. Overture; Romantic. Part. 8 pages. Duration 10'. Breitkopf and Haertel #OB 5255-27. Published by Breitkopf and Haertel (BR.OB-5255-27). ISBN 9790004342268. 10 x 12.5 inches. Robert Schumann placed great importance on the genre of the overture, as can be seen in the chronology of the genesis of his sole opera Genoveva. In his Haushaltbuch the composer entered as his first idea thoughts of an overture, then produced the score even before having begun working on the actual opera. Schumann was right on the mark when he suspected that the overture alone should enjoy a favorable reception. The Overture appeared in print at about the same time that the opera was premiered. It established itself in the concert hall as an autonomous work and ranks today - along with the Manfred Overture - among Schumann's most beloved concert overtures. The Genoveva Overture is being released in a text-critical Breitkopf Urtext edition for the first time. The main source is the first printing revised by Schumann.
The Urtext debut of Schumann's beloved overture. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Mass in Ab major D 678 [Score] Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 1.2.2.2 - 2.2....(+)
Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 1.2.2.2 - 2.2.3.0 - timp - org - str) SKU: BR.PB-5506 Urtext. Composed by Franz Schubert. Edited by Peter Jost. Choir; Softbound. Partitur-Bibliothek (Score Library). To strive for the highest in art - these are the words with which Franz Schubert announced his A flat major Mass in 1828. Mass; Romantic. Full score. 236 pages. Duration 45'. Breitkopf and Haertel #PB 5506. Published by Breitkopf and Haertel (BR.PB-5506). ISBN 9790004211779. 10 x 12.5 inches. To strive for the highest in art - these are the words with which Franz Schubert announced his A flat major Mass in 1828, a work which he designated as Missa solemnis in his autograph. Alone the genesis of the work shows the importance which the composer placed on this work. Schubert wrote the score between 1819 and 1822, an unusually long period of time for him. He later fundamentally revised the mass when he applied for the post of Vice Court Kapellmeister in Vienna, which he did not obtain. After this disappointment, he rejected his original intent of dedicating the mass to the Emperor or Empress. Thanks to Peter Jost's Breitkopf Urtext edition, Schubert's Missa solemnis once again adds its luster to the publisher's catalogue: Breitkopf & Hartel published its final version in the Schubert Gesamtausgabe in 1887. Previously Jost produced an equally exemplarily prepared edition of Schubert's E flat major Mass D 950.Wie immer bei Breitkopf ist das Satzbild der Neuausgabe der Zweitfassung in der Gestalt vorbildlich. (Goede, Kirchenmusikfuhrer)Eine Ausgabe, die hochsten wissenschaftlichen Anspruch mit bester Praktikabilitat ganz selbstverstandlich verbindet. (Chor aktuell)
To strive for the highest in art - these are the words with which Franz Schubert announced his A flat major Mass in 1828. $104.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hermann und Dorothea Op. 136 Breitkopf & Härtel
Double bass (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-27 ...(+)
Double bass (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-27 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Urtext of Revolutionary Overture Overture; Romantic. Part. 4 pages. Duration 10'. Breitkopf and Haertel #OB 5320-27. Published by Breitkopf and Haertel (BR.OB-5320-27). ISBN 9790004341391. 10 x 12.5 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hermann und Dorothea Op. 136 Breitkopf & Härtel
Violin 2 (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-16 ...(+)
Violin 2 (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.OB-5320-16 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Stapled. Orchester-Bibliothek (Orchestral Library). Urtext of Revolutionary Overture Overture; Romantic. Part. 8 pages. Duration 10'. Breitkopf and Haertel #OB 5320-16. Published by Breitkopf and Haertel (BR.OB-5320-16). ISBN 9790004341360. 10 x 12.5 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hermann und Dorothea Op. 136 Orchestra Breitkopf & Härtel
Orchestra (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.PB-5548-07 (+)
Orchestra (picc.2.2.2.2 - 2.2.0.0 - small dr - str) SKU: BR.PB-5548-07 Overture to Goethe's Hermann und Dorothea - Urtext. Composed by Robert Schumann. Edited by Christian Rudolf Riedel. Orchestra; stapled. Partitur-Bibliothek (Score Library). Urtext of the Revolutionary. Overture; Romantic. Study Score. 40 pages. Duration 10'. Breitkopf and Haertel #PB 5548-07. Published by Breitkopf and Haertel (BR.PB-5548-07). ISBN 9790004213582. 6.5 x 9 inches. The Overture to Hermann and Dorothea is the only compositional result that Schumann reaped from Goethes epic poem. He had originally planned an entire opera, then a Singspiel, and finally an oratorio. In the end (1851), he quickly produced an orchestral score that remained unprinted during his lifetime. The striking thematic use of the Marseillaise is multiply motivated: Goethes poem unfolds in 1796, when the two eponymous lovers are fleeing from the French revolutionary troops; Schumann had directly experienced the revolutionary uprisings of 1848 in Dresden; finally, Louis Napoleons coup detat of 2 December 1851 must also have made an impact on the composer. The primary source of the Urtext edition of Schumanns Revolutionary Overture is the carefully written autograph.
Urtext of the Revolutionary. $17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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