SKU: M7.SMP-619
Bill Holman, well known for his solo features, originally arranged this iconic tenor saxophone feature, 'Out of Nowhere,' for Bill Perkins and the Stan Kenton Orchestra in the mid '50s. Set as an up-tempo swing, the tenor saxophone is featured throughout and has lots of solo space to make this tune its own. Combine that with a cookin' rhythm section and great swinging ensemble passages, this chart is really happening! This new Finale edition provides cleaner, more correct parts and is easier to read with better page turns. This 'pro' version is the original chart requiring 10-brass. Brass ranges are reasonable in both versions (highest note for trumpet is a written D). 5-5-5-3.
SKU: M7.SMP-693
English.
This is one of the many wonderful charts arranged by Lennie for the Stan Kenton Orchestra. He was able to capture the Kenton sound without a lot of high-range problems or difficult concerns for the players. Solo space for baritone sax and trumpet. A great addition to any jazz and/or dance library. This chart swings like crazy!.5-4-4-3 (w parts for 10 brass).
SKU: M7.SMP-1178
This chart was originally written for Charlie Parker to perform with the Stan Kenton Orchestra. Eventually it was recorded by Lee Konitz. The ensemble writing is very playable with no range concerns in the brass. If you have a great alto saxophone player (the solo is mostly chord symbols), this is an easy tune to put together with your band and will be a spectacular addition to any concert program. 5-5-5-3.
SKU: BT.DHP-0970921-140
9x12 inches.
Jan de Haan took as a starting point for Music for a Solemnity an old custom from the Dutch town of Hoogeveen, by which the faithful are called to church with drums. It was also inspired by the music of John Williams. This unusual combination has resulted in a solemn work in which old traditional methods are united with modern rhythms and melodic lines. Voor Music for a Solemnity liet Jan de Haan zich enerzijds inspireren door de eeuwenoude traditie in de Drentse stad Hoogeveen om met trommels tot de kerkgang op te roepen en anderzijds door de muziek van de succesvolle Amerikaansecomponist John Williams. Deze bijzondere combinatie resulteerde in een feestelijk werk met ritmische patronen en melodische lijnen die getuigen van respect voor Williams’ oeuvre.Zu Music for a Solemnity ließ sich der Komponist einerseits vom alten Brauch der niederländischen Stadt Hoogeveen, mit Trommeln zum Kirchgang zu rufen, und andererseits von der Musik von John Williams inspirieren. Diese ungewöhnliche Kombination mündete in ein festliches Werk, in welchem sich alte Tradition in schönster Weise mit modernen Rhythmen und melodischen Linien vereinen. Il y a quatre siècles, l’église de la ville d’Hoogeveen aux Pays-Bas n’avait pas de carillon. Les fidèles décidèrent de se rassembler pour le culte dominical au son d’un tambour. Aujourd’hui, Hoogeveen possède plusieurs carillons mais continue d’honorer cette tradition ancienne. Music for a Solemnity (Musique pour une occasion solennelle) est une oeuvre festive en hommage au tambour d’Hoogeveen. Les lignes mélodiques et les motifs rythmiques sont inspirés de la musique du célèbre compositeur américain John Williams qui Jan de Haan voue une grande admiration.Una composizione che riprende le vicende del villaggio olandese di Hoogeveen nel XVII secolo. Dato che la chiesa non aveva un campanile, fu deciso di utilizzare un tamburino per chiamare i cittadini a messa. Benché oggi la cittadina sia ricca di campane, Hoogeveen onora questa antica tradizione del tamburino. Music for a Solemnity è un brano festivo ispirato dal tamburino da un lato, ma anche dalla musica di John Williams, le cui linee melodiche e la scrittura ritmica influenzano da sempre Jan de Haan.
SKU: M7.SMP-1133
This is an easy, medium-rock chart, accessible by any middle school band. Patty Darling has written a very cute and playable piece. The improvised section has the blues scale included for solo reference. Soloists can be chosen by the director. 5-4-4-5.
SKU: M7.SMP-1037
Bob Curnow took Ken Hanna's wonderful, latin, medium-tempo tune and made it a bit more accessible for good bands. The ranges are a bit more realistic and practical. This also features alto sax and trumpet (not trombone as originally arranged). The original version is recorded on the Live at Butler University CD. 5-5-5-3 (can be played with only 8 brass).
SKU: M7.SMP-323
This chart was a staple in the Buddy Rich Big Band library for a long time, spinning off of the incredible excitement of that band. Recorded on the CD Swingin' New Big Band by Buddy, this chart starts off roaring and never quits. Rich used it as an Opener for years. 5-4-4-4.
SKU: M7.BARN-32395300
Take your students and audiences on a quick tour of the History of Jazz with this impressive Les Hooper chart for better bands. Starts in the 1920's and moves forward about a decade for each following chorus until you get to the present. A great way to teach many jazz styles and features short solos(written) for piano, trombone,trumpet and drums. Even includes a short section for dixieland band. Totally unique!
SKU: CL.032-2426-01
Feature the your drums on this outstanding Andy Clark arrangement of this Sebesky classic. Completely retains all the color and excitement of the original! This tune simply ROCKS! Double Time Feel.
SKU: HL.48184450
UPC: 888680834869. 9x12 inches.
“Drum Lesson is a very progressive method in four books written by Emmanuel Boursault (born in 1949) and Guy Lefèvre (1931-2004), both Drum teachers and founders of the Emmanuel Boursault School of Drums. This second book for beginner and upper beginner level builds up on the basics learnt in the first book. It familiarises players with binary rhythm, Jazz, bossanova, shuffle and solos. With Drum Lesson - Vol. 2, Drummers should develop enough knowledge and skills to get into intermediate classes.&rdquo.
SKU: OU.9780193571433
ISBN 9780193571433. 11 x 9 inches.
For SAB and piano, with optional bass and drum kit A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written or serve as a guide, and bass and drums can join in ad lib. Also available for SATB and SSA.
SKU: KN.02500S
UPC: 822795025002.
Recorded by Count Basie & His Orchestra in the late 1960's, this classic blues for developing ensembles features written or ad lib solos for trombone and drums. Midway through, shortly after the trombone solo ends, the full band gradually builds intensity and volume before launching into a roaring shout that'll blow your audience away. Rhythm section parts are partially notated with chords cued.
SKU: AP.47504
UPC: 038081546711. English.
This wonderful jazz standard swings at 160 BPM with the opening melody line played by alto, tenor, trumpet, and trombone. Sample jazz solos are provided for tenor 1, trumpet 2, drums, and the lead trumpet range is up to written B-flat above the staff. Sax solis, a shout chorus, and superb writing throughout create a top-shelf chart.
SKU: HP.2662R
UPC: 763628226626. By Green Day.
Popular secular rock-song by Green Day With its infectious melody and recognizable rhythm, this megahit by the rock band Green Day is a staple at graduation ceremonies. The optional rhythm parts lend a touch of authenticity. Program this fun, easily playable 3-5 octave arrangement for your concert/promotion/graduation, and listen as your group, and your audience, has the time of its life.
SKU: LO.60-1067H
UPC: 000308076639.
This new composition redefines the jazz ensemble ballad. Exotic timbres and vertical sonorities evoke cerulean blue colors that make this true chamber music for your ensemble. Using effects drawn from Romantic music of the late nineteenth century, muted Brass, saxophones, guitar, bass and drums combine to create lush backdrops for the showcased tenor sax and piano soloists.
SKU: CL.032-3953-01
SKU: KN.42832S
UPC: 822795428322.
Written in the style of Slide Hampton's Slide's Derangement (recorded by Maynard Ferguson on Message From Newport), this medium-uptempo blues captures the spirit of Slide's chart in a fresh, accessible original. Alternating between G minor and Bb major, it includes written lines for two open solo sections for all instruments. The chart closes out strong with drums soloing over held chords. Rhythm section parts are notated with chords cued. Duration 4:40.
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