SKU: HL.49028528

ISBN 9790204004737.

SKU: HL.49033261

ISBN 9790001136679. German.

Ein Liebespaar, unter deren Gier der Boden nachgibt und deren Lust zu Treibholz wird: dies ist das Herz von Hans Thills Gedicht Paradox und stellt den ersten Moment der Inspiration fur Christian Jost dar, diesem Text musikalische Gestalt zu verleihen. Die reduzierte Sprache des Gedichts, seine surreale erotische Welt, eroffnet Raume, in denen Satze zu Romanen und einzelne Worter zu endlosen Linien werden. Kompositorisch hat dies fur Jost nicht nur die Moglichkeit geschaffen, eine Geschichte hinter der Geschichte zu erzahlen, sondern auch jedes einzelen Wort in Klange einzuschweissen, deren Richtung er bestimmt. Folgerichtig ist demnach im Text und nicht an ihm entlang komponiert worden. Was bedeutet: der ohnehin zerschnittenen Sprache wurde eine weitere Ebene hinzugefugt, indem die jeweiligen Textschwerpunkte in verschiedene Klangbilder gefasst wurden, deren Summe dann die Dramaturgie des Ganzen bestimmt hat. Dadurch haben sich grossere atmosplarische Unterschiede und Spannungen ergeben, als das sehr lyrische Gedicht vermuten liesse. So aber konnte der Komponist eine Dichte an Ausdruck und Intensitat entwickeln, die bereits im Text enthalten sind, auch wenn er sich in ein lyrisches Gewand verkleidet hat.

SKU: BR.EB-32083

With supplementary violoncello part marked by Maria Kliegel

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.

SKU: HL.50510699

ISBN 9790080136256. UPC: 073999554021. 9.0x12.0x0.053 inches. Gioacchino Rossini; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

SKU: HL.50482149

8.25x11.75x0.195 inches.

SKU: HL.14028648

ISBN 9781846092244. 9.0x12.0x0.175 inches.

Sallinen's Sonata For Cello And Piano Op.86 was commissioned by the Naantali Music Festival, Finland in 2004. It was first performed by Arto Noras and Rolf Gothoni at Naantali Church on 10th June 2005 as part of the festival. The piece is structured across four movements, a Barcarola, a Serenata, a Scherzo and an Epilogue.

Lullaby (Op. 57, No. 2) was first composed in 1908 for Voice and Piano, with lyrics by Christina Rosssetti. It was transcribed for Cello or Violin and Piano by the famous cellist Charles Warwick Evans (1885-1974) in 1918

SKU: M7.DOHR-93084

ISBN 9790202000847.

SKU: RM.CP5289

ISBN 9790232652894.

SKU: RM.CP8511

ISBN 9790232685113.