SKU: HL.49047498
UPC: 842819121770.
Contents: I Allegro molto appasionato II Andante molto tranquillo III Quasi un Minetto, ma con gravitá IV Presto possibile.
SKU: HL.49011070
ISBN 9790001113700. 9.0x12.0x0.09 inches.
Three challenging pieces by the Latvian-born composer, in his characteristic idiom of traditional and folk elements incorporated with contemporary influences.
SKU: TI.TR00244
ISBN 9790692042020.
SKU: P2.30093
The titular confusion of this work came about in this way: the tunes first appeared in a 1991 musical I wrote based on Moliere's Le Malade Imaginaire (The Imaginary Invalid). Lacking faith in the musical but liking the tunes, I fashioned a few of them into the symphony - a comic symphony. Yet, it seemed to lack luster. When the opportunity came to write a work for my friend and fellow Snark Ensemble performer Ben Redwine, I decided what the material lacked was a solo voice. The tunes are still there, but now greatly elaborated and expanded upon. The final work is still very much a symphony - and no other title seems to suit it - but symphonies are generally for orchestra. Still, the size and the instrumentation for the form we call symphony have varied greatly over the years, so perhaps it's the nature of the music that makes it a symphony and not the scoring.
SKU: P2.30110
Nick DiBerardino says, Madison Avenue is a work full of whimsy, bustle and effervescent energy. Composed with New York City's famous Madison Avenue in mind, this piece attempts to capture the action of New York's busy streets, the mass of its towering buildings and the thrill - and occasional anxiety - of participating in its frenetic rituals. Madison Avenue's celebrated advertising history plays a role here, as well; I like to think you can hear somewhere in the work the furious typing of secretaries or the insistence of a hard sell. Above all, this is a playful piece, a romp and a gallop, a miniature rhapsody infused with the spirit and drive of the city. In it, I hope you hear an unbridled enthusiasm and an unyielding optimism, both marked on the music by the persistent energy of the human spirit..
SKU: M7.DOHR-88835
ISBN 9790202098356.
There comes a time in life when your parents have passed on. What we are left with is the memories of their love, guidance, support, and the happy times together. Last August when my mum sadly passed away, I wrote an Elegy as part of my grieving. However, as a family we had happy times together and it seemed only right to compose a work which would celebrate this. So, I added a first and last movement to create a short concertino. The movements are: Prelude: Peter John Connell: The Cheeky Chap Elegy: Mavis June Connell (Time To Remember) Rondo: Family Fun (Adrian Connell) Performance note A version with accompaniment of string orchestra and Harp is also available (E.D. 88833). This version for clarinet and piano is also the piano reduction of that version.
SKU: BT.EMBZ15061
Zoltán Kocsis (1952 - 2016) was not just a phenomenal pianist. He was also regarded as a musical 'polymath' whose genius embraced the activities of a composer, conductor, editor, instrumentalist, and arranger. In the last capacity, he added some 150 works to symphonic, chamber, song and piano repertoire. He gladly adapted music of the turn of the 20th century, as appears from his transcriptions of Richard Strauss, Ravel, Rachmaninoff, Enescu, and above all, Debussy. (Many of these are distributed by Editio Musica Budapest.) 'In Debussy's case, (...) I was always interested in works that offered possibilities beyond the bounds of the piano, possibilities for orchestration.Just as with Liszt it was often possible to see that certain of his works had been written for piano for publication purposes, so with Debussy it is clear that mainly his song accompaniments exceeded the bounds of possibility for the piano,' Kocsis stated in one interview. Perhaps that recognition also encouraged him to arrange the popular piano work Valse romantique (1890) for clarinet and piano. The arrangement superbly pinpoints the sensitive, almost ingratiating tunefulness of the Waltz, adding a piece that sounds great and is rewarding to perform to the clarinet repertoire. Mit dem unlängst verstorbenen Zoltán Kocsis betrauert die Nachwelt nicht nur einen phänomenalen Pianisten, sondern auch einen 'Polyhistor der Musik': Sein außergewöhnliches Talent entfaltete sich ebenfalls in seiner Tätigkeit als Komponist, als Dirigent, als Herausgeber und nicht zuletzt auch als Arrangeur und Bearbeiter organisch. Durch letztere Aktivität bereicherte er die symphonische, Kammer-, Lied- und Klavierliteratur um etwa einhundertfünfzig Werke. Sehr gern adaptierte er die Musik aus der Zeit der Wende zum 20. Jahrhundert, wie auch seine Richard-Strauss-, Ravel-, Rachmaninov-, Enescu- und vor allem Debussy-Transkriptionen belegen. (Mehrere davon werden auch von unseremVerlag vertrieben.).
SKU: P2.30094
Mark My Words, originally for tuba (but just as fun to play on clarinet), was composed by James Grant in February of 2007 as a heartfelt gift to his great friend and staunch musical ally, tubist Mark Nelson, in celebration of their first collaboration fourteen years earlier (Three Furies for solo tuba). Grant writes, When I began composing Mark My Words, I told Mark to be prepared for something fun that sounded like Charlie Brown doing a funky bossa nova (think jazz pianist/composer Vince Guaraldi's Linus and Lucy). I did not tell him that the middle section of Mark My Words would make overt references to all of the principal shapes, motives and themes from the Three Furies - my way of thanking Mark Nelson, specifically, for opening wide the door of composing for tuba and euphonium those many years ago and for so enthusiastically escorting me over that threshold. I am but one of many grateful composers whom Mark has supported over the years by commissioning, then recording their music. Mark My Words is my humble attempts at giving back to this devoted educator, consummate musician, fervent promoter of new music for tuba, and - yes - kickass player..
SKU: BT.DHP-1145590-401
ISBN 9789043136808. International.
The heat of the day ebbs away as the sun slowly dips from view over the western horizon. A dazzling display of warm hues, vibrant yellows, glowing oranges and burning reds, lights up the evening before cooling to calm blues, dark, cool purples andfinally the black of night. Such are the unforgettable sunsets that inspired Jan de Haan to write this piece.De hitte van overdag ebt weg terwijl de zon in het westen langzaam achter de horizon verdwijnt. Een schitterend schouwspel van warme schakeringen - levendig geel, gloedvol oranje en vurig rood - verlicht nog even de avond, waarna koele kleuren volgenmet serene tinten blauw, donkere nuances van paars en ten slotte het zwart van de nacht. Fraaie zonsondergangen als deze vormden voor Jan de Haan de inspiratie tot het schrijven van dit sfeervolle werk voor blaasinstrument en piano.Die Hitze des Tages verebbt, während die Sonne langsam am westlichen Horizont versinkt. Ein schillernder Reigen warmer Farben aus pulsierendem Gelb, glühendem Orange und brennendem Rot erhellt den Abendhimmel, bevor ruhige Blautöne, kühle Lilaschattierungen und schließlich die Schwärze der Nacht Abkühlung bringen. Solcheunvergesslichen Sonnenuntergänge inspirieren Jan de Haan zur Komposition dieses Stückes für diverse Blasinstrumente und Klavierbegleitungen. La chaleur de la journée s’atténue peu peu alors que le soleil plonge lentement derrière l’horizon. Un éblouissant spectacle met en scène des jaunes vibrants, des oranges lumineux et des rouges br lants qui illuminent le début de soirée alors quedéj , apparaissent les premières nuances bleutées et pourpres, synonymes de fraîcheur. Ces inoubliables couchers de soleil ont inspiré Jan de Haan lorsqu’il a composé cette pièce pour instrument vent diverses et piano.Il calore del giorno si stempera mentre il sole scompare lentamente all`orizzonte. Una brillante combinazione di calde tonalit di giallo vibrante, arancio luccicante e rosso incandescente riscalda la sera. Colori che lasciano il passo a un blu cherilassa, a rinfrescanti tonalit del viola, e infine al nero della notte. Questi sono i tramonti indimenticabili che hanno ispirato Jan de Haan nel scirvere questo brano per diversi strumenti a fiati e pianoforte.
SKU: HL.48025290
UPC: 196288172147. 9.0x12.0x0.074 inches.
'While composing Joy in a Minor Key I attempted to achieve a fleeting, light, poetic, almost never “touching the ground†quality. The piece is written in my favourite form of rondo waltz with a coda,' says Elena Kats-Chernin. The composition was commissioned by an Australian patroness for the 50th birthday of her husband, who had recently recovered from serious illness. On first hearing the atmospherically ambivalent sounds, she then felt more reminded of her mother, a great lover of music, to whose memory Joy in a MinorKey was finally dedicated.
SKU: FL.FX072522
I wanted to build a Medley of this brilliant composer that was Vivaldi, on a version a bit more Rock'n Roll! The player will find a particular interest in studying this piece to assert her/his instrumental technique. - Jerome NAULAIS ; A perfect Piece for exams or auditions - for musicians with 6 years of instrument practice ; Instruments: 1 Bb Clarinet 1 Piano; Difficuly Level: Grade 4; Duration: 6 mn 10 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS;.
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