SKU: GI.G-9600

In creating the African American ecumenical hymnal, One Lord, One Faith, One Baptism it was imperative to the core committee that the hymnal serve as a needed resource for the many denominations in the African American Church. It was the committee’s strong desire that this hymnal would represent and preserve the rich theological, cultural, and musical heritages of these traditions and offer a full breadth of music representing historical as well as vibrant contemporary worship, while looking toward the future. It was also of utmost importance that this hymnal draw the body of Christ together so that it may be enlarged, enriched, and inspired to live and worship based on what unites us: “one Lord, one faith, one baptism.” This hymnal contains selections of diverse styles and genres, including traditional ecumenical hymns, contemporary texts written for the twenty-first-century church, praise and worship selections, music from Taizé, choral responses, responsorial psalmody, traditional and contemporary gospel music, and Negro spirituals. The editors maintained a remarkably high degree of excellence in selecting and presenting this repertoire, and church musicians of all tastes could find this anthology useful either as a reference or as a repository for imaginitive congregational song. Jason Overall, The Journal of the Association of Anglican Musicians, Volume 27, Number 10, December 2018.

SKU: HH.HH453-SOL

ISBN 9790708146605.

George Berg’s eight keyboard suites, Op. 5, were published in London around 1760, while the composer was travelling in Italy. They are his most varied and resourceful compositions, following generally in the tradition of Handel’s suites but adding stylistic elements culled from Italian, German and French music in a playfully eclectic manner. This sparkling, idiomatic music – barely known until now – is equally suitable for private enjoyment and concert use.

SKU: GI.G-9600K

ISBN 9781622772650.

In creating the African American ecumenical hymnal, One Lord, One Faith, One Baptism it was imperative to the core committee that the hymnal serve as a needed resource for the many denominations in the African American Church. It was the committee’s strong desire that this hymnal would represent and preserve the rich theological, cultural, and musical heritages of these traditions and offer a full breadth of music representing historical as well as vibrant contemporary worship, while looking toward the future. It was also of utmost importance that this hymnal draw the body of Christ together so that it may be enlarged, enriched, and inspired to live and worship based on what unites us: “one Lord, one faith, one baptism.” This hymnal contains selections of diverse styles and genres, including traditional ecumenical hymns, contemporary texts written for the twenty-first-century church, praise and worship selections, music from Taizé, choral responses, responsorial psalmody, traditional and contemporary gospel music, and Negro spirituals.