Composed by Thomas Fettke. For miscellaneous brass, rhythm, percussion. Sacred Anthem. Brass and Rhythm Score and CD with Print Parts. Crystal Sea Music Publishing #765762221604. Published by Crystal Sea Music Publishing

(Score and Parts). By John Williams. For Full Orchestra. John Williams Signature Orchestra. Published by Hal Leonard

By Alan Jay Lerner, music by Frederick Loewe. Arranged by John Whitney. Lyrics by Alan Jay Lerner, music by Frederick Loewe / arr. John Whitney. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Level: grade III-IV. Conductor Score. 36 pages. Published by Alfred Publishing.

Arranged by Calvin Custer. Arr. Calvin Custer. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Level: 3.5 (grade 3.5). Conductor Score and Parts. 308 pages. Duration 7:54. Published by Alfred Publishing.

By Alan Jay Lerner, music by Frederick Loewe. Arranged by John Whitney. Lyrics by Alan Jay Lerner, music by Frederick Loewe / arr. John Whitney. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Level: Medium Easy to Medium (grade III-IV). Conductor Score and Parts. 296 pages. Published by Alfred Publishing.

Orchestra (3(picc).2.cor angl.2.B-clar.2.dble bsn. - 4.3.3.0. - timp - str)

SKU: BR.PB-5587-07

Tone Poem - Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Jean Sibelius. Edited by Kari Kilpelainen. Orchestra; stapled. Partitur-Bibliothek (Score Library). Symphonic poem; Late-romantic; Early modern. Study Score. 80 pages. Duration 20'. Breitkopf and Haertel #PB 5587-07. Published by Breitkopf and Haertel (BR.PB-5587-07).

ISBN 9790004213971. 6.5 x 9 inches.

... a forest god in New YorkThe symphonic poem Tapiola is the final major composition for orchestra that Sibelius was able to complete and publish. In January 1926 he had accepted the commission from the conductor Walter Damrosch to compose an orchestral work of at most 20 minutes in length for a performance in New York at the end of that year. Shortly thereafter Sibelius was successful in getting Breitkopf & Hartel to do the first publication of this tone poem. The premiere of Tapiola took place on 26 December 1926. The edition takes over the music text published in volume I/16 of the complete edition Jean Sibelius Works.

Orchestra - Grade 4

SKU: HL.14000916

Composed by Hans Abrahamsen. Music Sales America. Classical. Score. Composed 2002. 55 pages. Edition Wilhelm Hansen #WH29689. Published by Edition Wilhelm Hansen (HL.14000916).

ISBN 9788759859179. 12.0x16.5x0.538 inches. English.

Stratifications was composed by Hans Abrahamsen in 1973-75 and was premiered in the summer 1977 by the Iceland Symphony Orchestra at the Young Nordic Music Festival in Reykjavik. Programme note: The stratifications referred to in the title unfold two different levels. There is the stratification of the time dimension produced by the opposition of contrasting parts, at the same time the polyphony, the presence of several simultaneously sounding layers, is of great importance to the music. By garish colours and clear-cut outlines a polyrhythmic simultaneousness of simple melodies is produced with more gestic music and other material which give a peculiar set piece-like effect inthe sound picture. The new simplicity details are here woven together in a new kind of complex whole. Stratifications begins with a series of concretistic masklike pictures of the music. It is like seeing lantern slides. But this fictive form crackles and the music gets attentive and real. The music is in a night-mare condition, where it is not getting anywhere in spite of a great dynamic display. But finally is liberating itself and rising in triumph.

Orchestra

SKU: HL.14042598

Composed by Poul Ruders. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31776. Published by Edition Wilhelm Hansen (HL.14042598).

ISBN 9788759827482.

Programme Note Poul Ruders WIND-DRUMMING WIND-DRUMMING was written in 1979 on a commission from The Danish Percussion Ensemble. The piece is a clash of two kinds of sound-associations, the mystic, exotic impact of Latin-American drumming, and the more well dressed reputation of Western concert-instruments, in this case a wind-quintet (w. electric flute). The two instrumental camps either melt into one soft humming ritual or are split wide apart, the winds tearing their way through the undergrowth of rainforest-drumming. There is more than one way of getting on to WIND-DRUMMING: obviously it is about the confrontation of two incongruent ways of living, a lament on the damage done tothe tropical rainforests of the world by modern civilisation. One can hear it plainly as a direct rhythm-show, a downright number or a joyous homage to the most exiting kind of folkloristic music at all: the carnal spell of the Brazilian Samba. Poul Ruders.