SKU: BO.B.3522
Impromptu for piano is a short, rapid, surprising and playful work. It should sound free, fluid and almost improvised. At some moments it becomes tender, but always be alert since i tit is not well controlled by the pianist it can run away. The piece was written with great pleasure on a sunny day in London.
SKU: M7.ART-42199
ISBN 9783866421998.
Ein unkompliziertes Spielvergnügen auf dem Piano! 'Meine schönsten Klaviernoten!' enthält 55 weltberühmte klassische Klavierstücke & moderne Lieder passend zum Einstieg ins Klavierspielen. Die Stücke sind einfach arrangiert und zumeist in Viertelnoten gehalten, sodass sich der Start leicht und mit Motivation gestalten lässt. Freudige Erfolgserlebnisse am Klavier sind schnell möglich und der Spaß am vielseitigen Klavierspiel steht im Vordergrund. Die Audiodateien zum Herunterladen helfen beim Kennenlernen des jeweiligen Stückes und unterstützen dabei ein gutes Spielgefühl zu entwickeln. Zudem enthält das Buch Liedtexte, die zum Mitsingen einladen. Ohrwurmgarantie! Von Kinder- über Weihnachtslieder bis hin zu Piano-Evergreens, deutsche und englische sowie weitere internationale Volkslieder (Traditionals) und klassische Meisterwerke - für jeden Geschmack und für unterschiedliche Anlässe ist etwas Passendes dabei. Weltbekannte Stücke aus den Genres Pop, Rock, Jazz und Klassik sind vertreten. Lust auf Amazing Grace, Bella Ciao, Jingle Bells, The Entertainer, Happy Birthday oder Schneewalzer? Alle Klavier-Begeisterten - Kinder, Erwachsene und Wiedereinsteiger - werden hier Stücke finden, die ihnen gefallen! Die Lieder sind nach Themenbereich geordnet und enthalten hilfreiche Fingersätze und Tempoangaben. Da es sich um ein reines Notenbuch handelt, sollten Notenkenntnisse bereits vorhanden sein. Wer sich fürs Klavierspielen interessiert und mit Spaß berühmte Klassiker erlernen möchte, sollte sich diese Klaviernoten unbedingt zulegen!
SKU: HL.645919
ISBN 9781936098040. UPC: 008148009466. 9.0x12.0 inches. Compiled, arranged & edited by John W. Schaum.
These revered Jewish folk and holiday songs have been simplified so that they are easily playable by most students. Respectful arrangements retain the traditional characters of the music. This collection is intended for all types of youth and adult Jewish organizations, clubs and groups. The selections are mainly in Hebrew in either the Ashkenazic or the Sephardic dialect. There are a few songs in Yiddish and English. The vocal ranges of the melodies are in suitable keys for group singing. 21 songs, including: Adon Olam * Chauka Song * Eli Eli * Hatikvah * Hava Nagila * Shalom Chaveyreem * Zum Gali Gali * and more.
SKU: HL.49046560
ISBN 9781705126554. UPC: 842819104643. 9.0x12.0x0.138 inches.
Commissioned for the 150th anniversary of the Izmir Metropolitan Municapality. Contents: I. Waves on the gulf • II. Brahms in Izmir • III. Quiet morning on the Kordon • IV. Chopin in Izmir • V. Urla Poetry • VI. Rachmaninov in Izmir • VII. Finale “Jazz-Zeybekâ€.
SKU: BT.MUSUMP22348
ISBN 9781785586736.
Nueva Biblioteca Espanola de musica de teclado Vol.7 revised and transcribed by Antonio Baciero.
SKU: M7.AHW-3028
English.
This theoretical book is meant to improve contemporary jazz styles and techniques for all players of modern jazz. This study investigates jazz pianist and composer Herbie Hancock's seven albums recorded as a bandleader for Blue Note Records between 1962 and 1969. Recorded during Hancock's tenures with Donal Byrd and Miles Davis, his early works are highly mature musical conceptions, with all the major elements of Hancock's personal musical style already present. A mixed-methods approach combining sever forms of qualitative data analysis is used to identify the formal construction, the musical meanings, and the cultural significance of this body of music. The study surveys the thirty-six compositions that comprise these seven albums, and selects for in-depth analysis seven pieces that are proportionally representative of the formal characteristics of this larger repertoire: The Maze, The Pleasure Is Mine, Jack Rabbit, One Finger Snap, Little One, Toys, and I Have A Dream. Hancock's improvisations on these repretative compositions are transcribed, and each improvisation and composition is analyzed for its historical context and significance of each recording is examined through interviews with persons involved in the original recording process, as well as other jazz musicians and scholars with deep knowledge of Hancock's life, music and oeuvre. Aesthetic analyses, informed by the theories of of Kivy and Elliot, investigate the expressive or representational qualities of each composition, and examine how formal musical elements contribute to these expressive or representational qualities. Formal analyses examine elements of Hancock's compositional and improvisational style. The study concludes the Hancock's compositions and improvisations of the period exhibit a number of consistent style elements, such as sophisticated harmonic and rhythmic superimposition, that were very important influences on jazz pianists of the following generation.
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