SKU: PR.114422830
UPC: 680160685776.
SKU: PR.114408220
UPC: 680160012657. 8.5 x 11 inches.
SKU: HL.4008323
ISBN 9781705198001. UPC: 196288148357.
The “Doobidoo for Christmas†books are the result of a collaboration between the composer Otto M. Schwarz and the trombonist and composer Leonhard Paul. Leonhard Paul is known the world over as one of the creative minds behind the ensemble Mnozil Brass. He studied music pedagogy and jazz and is now a lecturer at the University of Music and Performing Arts Vienna (MDW). These books are containing works (Solo Instrument and Piano Accompaniment) in various styles, often equipped with ironic instructions.
SKU: BT.DHP-1125294-400
ISBN 9789043141802. 9x12 inches. English-German-French-Dutch.
Performance pieces for piano and trombone in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book ? arrangements of well-known tunes as well as original compositions ? are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team ? after all playing together is almost always at the heart of music!Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en trombone waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek ? zowel bewerkingen van bekende liedjes als originele composities ? zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team ? in de muziek draait het immers vrijwel altijd om samenspel!Es gibt immer Bedarf an Stu?cken fu?r Klavier und Posaune, in denen die Stimmen fu?r beide Spieler ähnlich schwer sind. Die 20 Stu?cke in diesem Buch ? die sowohl bekannte Melodien als auch originale Kompositionen umfassen ? richten sich an Instrumentalschu?ler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt SpaÃ?. Two is a Team ? denn schlieÃ?lich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!La littérature musicale semblerait être dénuée de morceaux de concert pour piano et trombone dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil ? arrangements dâ??airs connus et compositions originales ? sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec dâ??autres est un des grands plaisirs quâ??apporte la pratique de la musique !Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile unâ??esecuzione con lâ??accompagnamento del piano.
SKU: CL.081-0098-33
The troubador in this piece can definitely carry a tune! You may even be humming it by the end.
SKU: CY.CC3136
ISBN 9790530111055. 8.5 x 11 in inches.
This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
SKU: CY.CC2234
John Dowland (1563-1626) was an English Renaissance composer, singer and lutenist. He is well known for his melancholy songs and instrumental music, especially for lute and guitar. Mr. Beghtol's lovely transcription for intermediate Trombone is a wonderful short work that combines lyrical and Renaissance dance styles. The Trombone part is in bass clef.
SKU: BT.DHP-1196144-404
ISBN 9789043157445. Spanish.
Hoy en d a, Escuchar, leer and tocar es el manual de referencia en la enseñanza de los instrumentos de viento metal y viento madera. Estos magn ficos paquetes de libros y CD de metodolog a para principiantes contienencanciones, acertijos musicales y juegos para aumentar la comprensión de la música por parte de los alumnos, información sobre los instrumentos y muchas piezas divertidas para tocar. Los tres volúmenes del método que constituyenlos primeros de la serie, están acompañados por otros libros que contienen material complementario acordes al nivel correspondiente.
En el Libro de clásica, las melod as se organizan en orden creciente de dificultad y sepueden utilizar junto con los tres volúmenes de la serie Escuchar, leer and tocar. Los alumnos viajarán a través de la historia de la música y conocerán a los compositores más importantes de la música clásica, desde TielmanSusato hasta Anton n Dvo ák, con explicaciones históricas que les ayudarán a entender el contexto de las obras. La presente edición incluye partituras de acompañamiento de piano de moderada dificultad, grabadas y disponibles paraser utilizadas tanto on line como para ser descargadas.
SKU: MA.EMR-33863
Possible instrumentations:Alto Trombone & CD Play Back / Play AlongAlto Trombone & Organ (+ Play Back / Play Along CD optional)Alto Trombone & Piano (+ Play Back / Play Along CD optional).
SKU: BT.DHP-1165691-401
ISBN 9789043150033. English-German-French-Dutch.
For young trombone players: impressive landscapes illustrated by the rich and majestic sound of the trombone. The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions forthe most diverse instrumentations. He wrote Fjords for trombone players at the level of approximately one year’s study and paid special attention to an easy-to-follow, attractive musical style. As a result, Fjords is an idealperformance or competition work for young musicians.Voor jonge trombonisten: indrukwekkende landelijke taferelen ge llustreerd door de rijke en majestueuze klank van de trombone. De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderdencomposities voor de meest diverse instrumentaties. Hij schreef Fjords voor trombonisten die ongeveer een jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor isFjords een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.Für sehr junge Posaunisten: Atemberaubende Landschaften werden durch den vollen und majestätischen Klang der Posaune dargestellt. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvreumfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Fjords für Posaunisten mit ungefähr einem Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischenStil. Dadurch eignet sich Fjords ideal als Vortrags- und Wettbewerbsstück für junge Musiker.Pour les très jeunes trombonistes : des paysages vertigineux illustrés par la sonorité ample et majestueuse du trombone. Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogued’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Fjords pour trombonistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, Fjords est lapièce idéale pour tout examen ou audition de jeunes musiciens.
SKU: CY.CC2494
Alexander Scriabin's music has been described as mystical, lyrical and idiosyncratic. He was a most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as sincere expression(s) of genius.
The Three Etudes for Trombone and Piano are early works of Scriabin, originally written for solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression.
Mr. Sauer has once again brought three wonderful new works for advanced performers who wish to explore this area, largely unknown to the Trombone world. Those who do will be richly rewarded with the depth of musicanship found in these works.
SKU: FL.FX071925
The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...
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