Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

The Spirit of the Sequoia (Grade 4 - Score and Parts). By Philip Sparke (1951-). For Concert Band. Anglo Music Concert Band. Grade 4. Anglo Music Press #AMP067. Published by Anglo Music Press

(Baritone/Bass Voice). Edited by Lisa DeSpain. For Voice (Bass voice). Vocal Collection. Singer's Library of Musical Theatre. Broadway. Book and CD. 188 pages

(Christmas Carols For Mixed Voices) Edited by Graham Buckland. For SATB choir (unaccompanied). Format: a capella songbook. With choral notation, lyrics, performance notes, introductory text and index of first lines. Christmas and holiday. 224 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Orchestra

SKU: SU.25100400

For Orchestra. Composed by Bill Lorraine. Orchestra. Study Score. Gusthold Music Publisher #25100400. Published by Gusthold Music Publisher (SU.25100400).

A musical celebration of the River, the Cloud Forest, and the Trees.Orchestra [2,1 2,1 2,1 2,1; 4331; timp, 5perc, pno; stgs] Duration: 35’ Composed: 2017 Published by: Gusthold Music Publisher Performance materials available on rental:.

By Steve Kaufman. For Mandolin. Solos. Christmas. Level: Intermediate. Book/CD Set. Size 8.75x11.75. 112 pages. Published by Mel Bay Publications, Inc.

Violin, Orchestra, Electronics

SKU: HL.14034050

Composed by Niels Rosing-schow. Music Sales America. Score Only. Edition Wilhelm Hansen #KP01094. Published by Edition Wilhelm Hansen (HL.14034050).

Danish.

The title 'Trees' should be regarded as a metaphor, even though the electronic sounds in the piece are actually derived from trees. The piece is a metaphor of the multifaceted nature of the leaves on the trees the 'united difference' as the trees of the forest, the 'life-giving', as trees, transform CO2 into Oxygen). It is a metaphor of the ever returning and optimistic foliation each spring), and in a broader sense a metaphor of organic nature. The violin concerto is a sounding organism, which in more or less gradual transition appears in different shapes and states of condition. At some points the music is round and flexible, and at others it is edged and hard. Sometimes it might remind us of something well known, and from time to time it changes into something intangible - an indefinite state of nature. In contrast to the sonorous extreme, the solo violin is portrayed as a manifestation of maximum (human) presence.

Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For voice and piano. Includes piano/vocal songbook and instructional book. With vocal melody, lyrics and introductory text. Instructional and hymn. 48 pages. 9x12 inches. Published by Alfred.

Grade 1

SKU: CL.RWS-2007-01

Composed by Kroll. Young Concert Band. Extra full Score. Composed 2020. RWS Music Company #RWS-2007-01. Published by RWS Music Company (CL.RWS-2007-01).

Our adventurers trek through the darkest of woods. In the distance they see a light through the trees. As they get closer, they can see creatures of the forest performing a mystical dance. Beginners will enjoy this exciting concert piece using only the first six notes they have learned in your band.

Clarinet solo with piano accompaniment - Grade 1

SKU: CL.081-0099-08

Composed by F. Harris. Solo. Composed 1961. Duration 3 minutes, 30 seconds. C.L. Barnhouse #081-0099-08. Published by C.L. Barnhouse (CL.081-0099-08).

Bb Clarinet solo with piano accompaniment 1. The Bears at Play 2. The Stalking of the Wolf 3. The Scampering of the Squirrels and Rabbits 4. The Birds in the Trees 5. The Calm Meadowbrook These 5 short sections are filled with imagery!

Piano Solo

SKU: IS.PN7295EM

Composed by Guy Van Nueten. Keyboards - Piano. Metropolis Music Publishers #PN7295EM. Published by Metropolis Music Publishers (IS.PN7295EM).

ISBN 9790365072958.

Light the fire, James. We’ll take our digestive by the crackling of the hearth. Such were the thoughts that came to mind as I started listening to Guy Van Nueten’s new record. Because, yes, there is a certain aristocracy to this music. There’s the feeling of autumn and you immediately long to warm yourself on the sounds that issue from Van Nueten's bony fingers. But it could just as well be a car ride through soft rain at nightfall, where trees become freakish phantoms, and here and there a villa looms like a light beacon. Pacman is a record that makes you hunt for images, films you have seen before, feelings you have known and wish to relive, like a somewhat forbidden fruit, a secret pleasure. Melancholy? Absolutely. A vague sadness to make a person purr like a contented cat? Certainly. Yet at the same time, Van Nueten is cunning. While ensuring that his music pleases you, at the end of some compositions he’ll suddenly come up with a theme that he’ll stop abruptly, so that the notes remain hanging like snapshots of aerial acrobats in action. It is also investigative music as if Guy himself does not wish to know just where he will finish up. There is a stubbornness to it, an elegant fight perhaps between composer and pianist. It pursues you – exactly like a Pacman, in fact, chomping away at digital pieces of your heart. Yet it never seems to dissolve into thin air: time and again, right from the first listen, he makes you long to hear more. It is music that should protect a person like a secret, like an illegal fire in a forest that warms your hands and fills your head with dreams. It smells like cedar, this piano music. Or like a nice cigar offered to you by the imaginary James, who whispers: The fire is crackling, sir. Just as you like it. At which point the enchantment begins all over again.

SATB choir

SKU: CA.967000

Composed by Daniel Elder. Contemporary Choir Music. Sacred vocal music. Full score. 4 pages. Duration 3 minutes. Carus Verlag #CV 09.670/00. Published by Carus Verlag (CA.967000).

ISBN 9790007181727. Text language: English.

Since the release of his first two compositions, works by the young American Daniel Elder have won many prizes. Elder has set an erotic and sensuous text from the Song of Songs in this composition for four-part choir (without divisi). Although the metaphor of the uniqueness of the beloved like an apple tree between the trees in a forest has often been set, Elder succeeds in finding a completely individual, tender musical language for this text. The work is also easy for amateur choirs to sing: all the parts have cantabile lines in comfortable registers. This could become a very popular piece for church choirs to sing at weddings as well as in concerts. Elder creates a peaceful, intimate atmosphere, with vocal parts which are independent, singable and linear, frequently writing in passages with thirds or sixths. The setting is harmonic in style. However, the piece never descends into saccharine or kitsch, as there are brief flashes of dissonance, sparingly used unexpected alterations, and diminished chords.