SKU: BT.EMBZ8016

English-German-Hungarian.

Owing to its conceptual variety, the Wohltemperiertes Klavier constitutes one of Bach's most complete opuses. It equally comprises the world of the chorales and passions, the Baroque dance movements and concertos.The edition is based on Volume 14 of the complete edition of the Bach-Gesellschaft (Breitkopf and Härtel, Leipzig, 1864) as well as on Hermann Keller's new Urtext edition (Edition Peters, Leipzig, 1963). In shaping the text of the publication we also studied the major Urtext editions in general use today. The text variants of an Urtext validity which by and large equal the main text, are given in ossia. The editor's addenda are put in square brackets, or in the case ofligatures, are marked with broken lines. (István Lantos).

SKU: BT.EMBZ40042

SKU: BR.OB-4584-16

ISBN 9790004315873. 10 x 12.5 inches.

SKU: M7.DOHR-11287

ISBN 9790202022870.

SKU: CA.3118714

ISBN 9790007209995. Text language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.

SKU: CA.3118713

ISBN 9790007209988. Text language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.

SKU: CA.3118711

ISBN 9790007209964. Text language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235. Score and part available separately - see item CA.3118700.

SKU: CA.3118700

ISBN 9790007171650. Language: German/English.

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from Psalm 104 shows in its formal diversity Bach at the height of his powers. The second part of the cantata begins with a biblical text (Matthew 6, 31 ff.), not as a choral movement here, but as an extended bass arioso (Vox Christi). A meditative soprano aria with solo oboe forms the high point of the second part. Bach re-used the opening chorus, both the arias and even the bass arioso later in the G minor Mass BWV 235.

SKU: CA.3108714

ISBN 9790007046064. Key: D minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.

Score available separately - see item CA.3108700.