SKU: HL.1117975
UPC: 847986001399. 8.0x10.0x4.5 inches.
Please note: although we don't keep stock on hand, this item will drop ship direct from the manufacturer at the time of your order. Tailored vocal sound The MTP 250 DM features full and clear live sound. Your voice sits well in the mix and you can hear yourself clearly on the monitors. Engage with your fans. They can hear you loud and clear! Durable materials for longevity To make sure your beloved microphone survives even your roughest touring routines, the enclosure is made out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise. The built-in wind and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture. Cardioid polar pattern A cardioid polar pattern picks up sound coming mainly from the front of the microphone, sound from directly behind the MTP 250 DM is dampened. You can run your monitor signal at high volume without having to worry about nasty feedback issues. You'll perform confidently, and a solid show is assured. What's in the box? The MTP 250 DM comes with a snap-in mic clip, a windscreen and a transport bag.
SKU: LP.765762139329
UPC: 765762139329.
We Celebrate the King combines the classic, traditional carols with new songs of worship to deliver the true message of Christmas in a fresh and exciting way. Moving from the explosive Latin rhythms of the surprise opener Emmanuel Has Come to the fresh new arrangements of beloved carols to children's voices to power ballads to the vibrant and celebrative Forever King as the closer, We Celebrate the King is widely eclectic in style and offers something for everyone. With vocal parts that are accessible for most choirs and the opportunity for both children's choir and congregational participation, this exciting new work from the Worship Ministry of Community Bible Church is an excellent resource for your Christmas programming this year and for years to come.
SKU: HH.HH145-FSP
ISBN 9790708041962.
This cantata, from an important manuscript in Berlin containing 18 Albinoni cantatas for soprano and continuo, is on a more serious subject than most. Standing at the deathbed of Lidio, who has undeviatingly loved her without reciprocation all his life, Clori is stricken by remorse at her ingratitude and enjoins others to surrender to Cupid. As usual, Albinoni does not wallow in the lachrymose, but there is an affecting tenderness that suffuses the whole cantata.
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