SKU: GI.G-MS1BSN
English.
For the teacher of instrumental music classes, individual differences among students are inevitable. Unfortunately, the lack of flexible materials frequently forces teachers to adopt a quasi-instructional procedure best described as lockstep, where all students in the class rehearse each exercise until the slow members of the class succeed or until the teacher gives up. The Individualized Instructor was designed with the expectation that students are different. With this method, high-, average-, and low-achieving students in a class are able to progress simultaneously at their own rate according to their interest and ability. In addition, the flexibility of the instructional format often allows twelve or more students to perform different musical material simultaneously, thereby eliminating the “follow the leader†approach to music learning. All study materials in the series are musical. Nonmusical exercises are excluded in favor of folk song literature, musical rounds, and musical ensembles. Furthermore, The Individualized Instructor encourages students to think about their music: to analyze unfamiliar material, generalize previously learned concepts and skills, and synthesize all elements into a musically proficient performance. In addition, this series develops many fundamentals (tonality, phrasing, tempo, and musical style) through the use of the singing voice. Singing best provides the “musical†experience that, subsequently, can be applied to the development of musically sensitive instrumental performance. Books 1, 2, and 3 and the supplementary books ensure that these fundamental ideas are carried well beyond the first year of instruction.
SKU: GI.G-M1BSN
SKU: GI.G-M2BSN
SKU: GI.G-MS2BSN
SKU: FZ.5944
ISBN 9790230659444. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Eugene JANCOURT. Table of contents: Jancourt Eugene: Methode theorique et pratique - 1847. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the bassoon.
SKU: FZ.5942
ISBN 9790230659420. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in four books. Frederic BERR - BLUMER - Alexandre Etienne CHORON (1-2) - Francois Joseph FETIS (2) - Jean Georges KASTNER (1 a 4). Table of contents: Berr Frederic: Methode complete de basson - 1836. Choron Alexandre Etienne: Manuel complet de musique - 1836. Choron Alexandre Etienne et Lafage Juste Adrien Lenoir: Nouveau manuel de musique - s. d. Kastner Jean Georges: Traite general d'instrumentation - 1836. Fetis Francois Joseph: Manuel des compositeurs - 1837. Kastner Jean Georges: Cours d'instrumentation - c. 1837. Kastner Jean Georges: Supplement au cours d'instrumentation - c. 1837. Kastner Jean Georges: Supplement au traite d'instrumentation - after 1837. Blumer: Nouvelle methode facile et progressive - 1840. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - British Library of London (France). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the bassoon.
SKU: HF.FH-7068
ISBN 9790203470687. 8.3 x 11.7 inches.
Gioacchino Rossini: 1. Die Liebesprobe; 2. Die Italienerin in Algier; 3. Semiramis; 4. Wilhelm Tell; 5. Der Barbier von Sevilla; 6. Die diebische Elster; Gaetano Donizetti: 1. Der Liebestrank; 2. Don Pasquale; Franz Schubert: 1. Symphonie Nr. 3; 2. Symphonie Nr. 5; 3. Symphonie Nr. 8 (Die Unvollendete); Albert Lortzing: 1. Zar und Zimmermann; 2. Der Wildschutz; Hector Berlioz: 1. Romischer Karneval, op. 9; 2. Symphonie fantastique, op. 14; 3. Fausts Verdammung; Michael Glinka: 1. Spanische Ouverturee Nr. 1; Felix Mendelssohn Bartholdy: 1. Symphonie Nr. 3 (Schottische), op. 56; 2. Musik zu Ein Sommernachtstraum, op. 61; 3. Die Hebriden, op. 26; 4. Ouverture Ruy Blas, op. 95; Robert Schumann: 1. Symphonie Nr. 1, op. 38; 2. Klavierkonzert a-Moll, op. 54; 3. Symphonie Nr. 2, op. 61; 4. Ouverture zu Genoveva, op. 81; 5. Symphonie Nr. 3, op. 97; 6. Ouverture zu Braut von Messina, op. 100; 7. Symphonie Nr. 4, op. 120; 8. Ouverture zu Manfred, op. 115; Otto Nicolai: 1. Die lustigen Weiber von Windsor; Frederic Chopin: 1. Klavierkonzert Nr. 1; Franz Liszt: Hungaria - Symphonische Dichtung Nr. 9.
SKU: HF.FH-7072
ISBN 9790203470724. 8.3 x 11.7 inches.
Pjotr I. Tschaikowski: 1. Sinfonie Nr. 1, op. 13; 2. Sinfonie Nr. 2, op. 17; 3. Sinfonie Nr. 3, op. 29; 4. Sinfonie Nr. 4, op. 36; 5. Sinfonie Nr. 5, op. 64; 6. Sinfonie Nr. 6, op. 74; 7. Manfred, op. 58; 8. Suite Nr. 1, op. 43; 9. Suite Nr. 2, op. 53; 10. Suite Nr. 3, op. 55; 11. Francesca da Rimini, op. 32; 12. Capriccio Italien; op. 45; 13; Schwanensee, op. 20; 14. Dornroschen, op. 66; 15. Nussknacker-Suite, op. 71 a; 16. Eugen Onegin, op. 24; 17. Pique Dame, op. 68; Antonin Dvorak: 1. Slawische Rhapsodie, op. 45/III; 2. Slawische Rhapsodie, op. 45/I; 3. Slawische Tanze, op.72; 4. Symphonie Nr. 8, op. 88; 5. Symphonie Nr. 9, op. 95; 6. Konzert fur Violoncello und Orchester, op. 104; 7. Konzert fur Klavier und Orchester, op. 33; 8. Die Teufelskrahe, op. 112; Nikolai Rimski-Korsakow: 1. Scheherazade, op. 35; 2. Capriccio espagnol, op. 34.
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