SKU: CY.CC2949

ISBN 9790530057681.

The English Suites are an early set of six suites written for harpsichord around 1718-1720. The name English has come from a claim that these works may have been composed for an English nobleman.
This very imaginative arrangement for Trombone Quartet by Mr. Burgstahler is appropriate for advanced performers and is in eight movements:
Prelude, Allemande, Courante, Sarabande, Sarabande embellished (added by the arranger), Gavotte I, Gavotte II and Gigue.
This arrangement can be played in its entirety or even just a few of the movements, still with much satisfaction for the performers.

SKU: CY.CC2930

ISBN 9790530057490.

Bach's great Chaconne from the Partita in d minor BWV 1004 for Violin was arranged for piano left-hand by Brahms and now has been arranged yet again for Trombone Quartet by Phil Brink. This 8-minute work is appropriate for advanced performers and will make a great addition to any recital.

SKU: CY.CC2448

Ralph Sauer has beautifully arranged Bach's famous melody Arioso taken from Cantata No. 156 & Clavier Concerto No. 5. Each part of the melody is repeated, the first time with the simple Cantata phrasing and the second time from the ornamented Clavier Concerto. The end result is a beautiful melding of a piece of music from heaven for four part Trombone Ensemble. This work can be performed by moderately advanced musicians.

SKU: CY.CC2475

Equali were works written for equal, or similar, instruments; in the eighteenth century they were almost always used for funeral services and usually employed a quartet of trombones. The most famous of these were the three Beethoven wrote for the Linz Cathedral in Austria on All Soul's Day 1812. Two of these were adapted later for male voices and were sung at Beethoven's funeral.

These pieces are some of the most famous works for trombones, no doubt due to the fact that they were composed by Beethoven. They were commissioned by Franz Xaver Gloggl, Kappelmeister of the city of Linz, while Beethoven was visiting his brother. According to later accounts by Gloggl's son, although his father had a complete collection of trombones (soprano, alto, tenor, bass or quart) the three Equali were performed by a traditional quartet of alto, tenor and bass trombones.

This edition offers a compromise: the original score and parts are given exactly as written in the complete works, and a version designed for the less experienced players: the three movements are transposed down one step, edited with minor musical suggestions, and all four parts are written in bass clef.

Dr. Mathie has done the Trombone world a great service in bringing this great work in its two forms to publication.