SKU: HL.14020990
ISBN 9780711923904. 5.5x7.5x0.283 inches.
If Davies's Cello Concerto has already evoked comparisons with Elgar's, that is perhaps an indication not only of its wealth of solo melody (there is hardly a page where the cello is not singing, or if not that, then dancing), and of its predominantly slow tempos, but also of its musical stature. This second Strathclyde concerto is a virtuoso piece for the entire ensemble, which is used almost throughout as a clutch of soloists rather than as a tutti block. The general tone is one of passionate but interior dialogue, especially in the opening Moderato and the slow movement; and though the finale is more extrovert, the work ends back in quietness and rumination.
SKU: HL.49008022
ISBN 9790001112574. UPC: 884088099268. 9.0x12.0x0.314 inches.
The solo part in this edition contains the annotations made for the first performance with the soloist Anne Sophie Mutter.
SKU: HL.14028003
ISBN 9788759862896.
Poul Ruders Polydrama (Manyfold Event) for cello and orchestra, is the last part of a drama trilogy otherwise consisting of Dramaphonia for piano and 11 instruments and Monodrama for percussion and 32 instruments. In this abstract drama, the individual listener is left entirely to his own associations. The composer has compared polydrama with the gradual defoliation of a big tree: the vigorously growing organism is attacked by a swarm of locusts until, finally, nothing remains but bare branches in a landscape of long shadows; a solitary, singing bird remains, however, like a streak of hope in an increasingly dark and pessimistic universe.
SKU: BR.PB-5434
ISBN 9790004212813. 10.5 x 14 inches.
My first violin concerto, The Psalms of Taciturnity, describes the inner feelings that cannot be expressed verbally, but that also cannot remain unexpressed. There is the human spirit's pain, sorrow and fortitude in the face of this big quandry. The Psalms stand for the praise of humanity and of life. And so in this concerto, the Psalms are lacking in words, but are full of music. (Ye Shen)World premiere: Tokyo, August 21, 2018.
SKU: BA.BA06999-65
ISBN 9790006531844. 32.5 x 25.5 cm inches. Key: D minor.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from B�¤renreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer�s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BR.PB-15132
ISBN 9790004214688. 10 x 12.5 inches.
Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.
SKU: BR.PB-15133-07
In Cooperation with G. Henle Verlag
ISBN 9790004214695. 6.5 x 9 inches.
SKU: BR.PB-4888
ISBN 9790004206850. 9 x 12 inches.
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