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Ike
PERCUSSION
Flute and Piano
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Mike Mower: Sonata Latino: Flute: Instrumental Work
Flute and Piano
Itchy Fingers Publications
This is a lively sonata written in London on October 1994 for flute and piano by...
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This is a lively sonata written in London on October 1994 for flute and piano by Mike Mower. This piece will prove to be highly enjoyable to play and is at an intermediate level.
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Shin-ichiro Ikebe: Silence ... Lui Ou Coucou: Flute
Flute and Piano
Zen-on
Flute Piano. Ikebe S
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Mark Tanner: Flute Pastilles Grades 1-3 Vol.1: Flute: Instrumental Album
Flute and Piano
[Sheet music]
Spartan Press
With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other...
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With Plenty To Chew On-Seven concert pieces including 'Carmina Banana' and other favourites!When I began putting together a few piano pieces back in 2007 I didn't imagine they would quickly spawn a thriving eleven-volume series entitled Eye-Tunes taking players from 'easy' to grade 8 level. Nor did I imagine these might trigger a further five volumes of arrangements for flute and piano two called Creature Comforts (which predictably enough are comprised of animal-inspired pieces) or indeed the three volumes in this current series Flute Pastilles. While it goes without saying that not all pieces conceived for piano will work equally well for the combination of flute andpiano I'm a great believer that a good tune is frequently one which will transcribe easily. I like to think of these cherry-picked arrangements concise though they are as being 'proper' pieces in that they can earn their keep beyond the confines of the practice room or flute lesson. From Book 1 you will find a sprinkling of more thoughtful pieces such as Wind over Goonhilly Forget-Me-Not and Follow the North Star to offset the more jaunty pieces. These in particular call for a little extra attention to tone colour dynamics and phrase-shaping with some awareness of what the piano part is doing too. Think hard about choosing your tempo for each piece as this is a major contributor to musical character and in the faster moving music aim to articulate the rhythms as crisply as you can so that the music can really spring off the page and come to life for your audience.I must acknowledge as before the inestimable contribution to the success of these pieces made by Gillian Poznansky whose suggestions over the appearance of the scores has made such a difference to how the music is likely to be played. She also came up with a fair number of the titles to these pieces and has done them further service by performing them with me to great aplomb on innumerable occasions in far-flung corners of the globe.
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Mark Tanner: Cornish Pastiche: Flute: Instrumental Album
Flute and Piano
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Easy
Spartan Press
Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can...
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Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
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Peter Maxwell Davies: Temenos With Mermaids And Angels (Flute/Piano): Flute:
Flute and Piano
[Sheet music]
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Intermediate/advanced
Chester
This dreamlike and evocative piece from Peter Maxwell Davies was originally comp...
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This dreamlike and evocative piece from Peter Maxwell Davies was originally composed for Flute and orchesta. Here it is presented as Flute with Piano reduction and still captures the wonder and sanctuary of the composer's home surrounded by seabirds and seals that fire the imagination in childlike ways evoking images of mermaids and angels. The Flute solo is both tranquil and highly virtuosic and is well supported by the Piano accompaniment. The piecewas first performed in May 1999 at the Royal Concert Hall Dublin.
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Sonata in B minor: Flute and Accomp.: Instrumental Album
Flute and Piano
Lauren Keiser Music Publishing
Flute and Piano-A respected pianist violinist and composer the career of Swed...
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Flute and Piano-A respected pianist violinist and composer the career of Sweden's Amanda Maier (1853-1894) was tragically cut short from tuberculosis. Her musical activities brought her into contact with the likes of Brahms Grieg and Reinecke and her own style exudes the Romantic spirit of her time. Her Sonata for Violin and Piano in b minor (1878) is a brilliant and substantial work which is finally gaining the recognition it deserves. This new edition makes the work available to flutists for the first time with very few alterations to the original violin part. We hope that this edition will make this unjustly neglected sonata accessible to students performers and music lovers.
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Sergei Rachmaninov: Vocalise Op.34 No.14: Flute: Instrumental Work
Flute and Piano
Boosey and Hawkes
Rachmaninov wrote Vocalise for Voice and Piano but did not set a text to it un...
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Rachmaninov wrote Vocalise for Voice and Piano but did not set a text to it unlike the other songs in the Op. 34 set. It immediately became popular and the composer fashioned several transcriptions of the work including one for Piano and another for Orchestra. This edition is arranged for Flute and Piano.
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Gabriel Grovlez: Sérénade: Flute: Instrumental Album
Flute and Piano
[Sheet music]
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Intermediate/advanced
Spartan Press
From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively ...
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From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important
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Revelation: Flute and Accomp.: Instrumental Album
Flute and Piano
Southern Music Ltd
Composed originally for flute and alto flute duo with chamber orchestra this tu...
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Composed originally for flute and alto flute duo with chamber orchestra this tuneful and songlike piece was later arranged by the composer for various duo and solo combinations with both orchestra and piano accompaniment. This version for solo flute and piano is part of the James Galway Presents series designed to introduce players of all abilities to noteworthy contemporary works and composers for flute.
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Albert Roussel: Joueurs de flûte Opus 27 für Flöte und Klavier: Flute:
Flute and Piano
G. Henle
Joueurs de flûte op. 27 for Flute and Piano-The stimulus for this work compo...
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Joueurs de flûte op. 27 for Flute and Piano-The stimulus for this work composed in 1924 was given by the French flautist Louis Fleury who also gave the first performance of the work. As suggested by the title the four single movements are dedicated to particularflautists yet not real people but imaginary ones in mythology religion and literature. “Pan” “Tityre” “Krishna” and “Monsieur de la Péjaudie” (a character in anovel by Henri de Régnier) are the individual titles in the composition which is a loose type of Sonatine. The specific cast of the pieces is given by the sophisticated rhythm and striking harmony. It is fitting that thischarming work has recently been enjoying increasing popularity.
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Wolfgang Amadeus Mozart: W.A. Mozart Concerto In G: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the com...
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Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute making it one of the most important Concerti in the instrument's repertoire. Concerto in G is in three movements; 1. Allegro maestoso 2. Adagio ma non troppo and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of D major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozart for four Flute quartets and three Flute concerti. However thecomposer who famously disliked the Flute only completed three quartets and two concertos. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. This edition of Mozart's Concerto in G includes cadences by virtuosos Taffanel Gaubert and Bozza making for an unmissable version of the famed work.
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Wolfgang Amadeus Mozart: Concerto No.2 In D K314: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of th...
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Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in D is an adaptation of the original Oboe Concerto in C which the composer reworked in 1778. The Concerto remains widely studied and performed on both instruments making it one of the more important Concerti in the woodwind repertoire. Concerto in D is in three movements; 1. Allegro aperto 2. Adagio non troppo and 3. Rondo: Allegretto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of G major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozartfor four Flute quartets and three Flute concerti. However the composer who famously disliked the Flute only completed three quartets and one concerto. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. De Jean did not approve yet the Concerto in D for Flute remains as popular to this day as the Concerto in C for Oboe.
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Concerto for flute and orchestra (1985)
Flute and Piano
[Sheet music]
Fennica Gehrman
Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1...
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Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano
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Wolfgang Amadeus Mozart: Concerto In G For Flute And Orchestra K.313: Flute:
Flute and Piano
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Advanced
Schirmer
In a letter dating from 1777 Mozart reported to his father from Mannheim that Jo...
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In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.
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Pop Performance Pieces: Flute: Mixed Songbook
Flute and Piano
[Sheet music]
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Intermediate
Chester
Pop Performance Pieces includes 10 carefully selected contemporary and classic ...
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Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Flute with a Piano accompanimentsuitable for Grade 2-5 students as well as teachers. With a Piano score separate Flute part and performance hints and tips these fun pieces will hone your skills and develop ensemble playing.Thesepieces present a fun alternative to graded exam material and many are suitable for GCSE performance exams. The tunes will be familiar to most players with classics like Simon & Garfunkel's Bridge Over TroubledWater and Elton John's Your Song as well as contemporary pop songs like Adele's When We Were Young and Katy Perry's Firework. These 10 songs can be played in instrumentallessons in the classroom and of course on stage. The separate booklet with the Flute part features tips by professional musicians with some fingering guidance while the Pianoscore also includes the tips along with chord symbols and helpful fingering suggestions.
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Colin Cowles: Power Up!: Flute: Instrumental Work
Flute and Piano
[Sheet music + CD]
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Intermediate
Fentone Music
Short entertaining Pieces for Flute and Piano-Power Up! - ten short entertainin...
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Short entertaining Pieces for Flute and Piano-Power Up! - ten short entertaining pieces in a variety of styles for solo instrument and piano. The structured technical and musical challenges make these pieces ideal for the developing instrumentalist of around grade three to five standard or simply as short concert items. The music has â??power connectionsâ??; the imaginative titles give each piece its individual character and should bring a smile to the face of performer and listener alike. A piano accompaniment part is also included for concert performances.
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O Holy Night: Flute and Accomp.: Instrumental Album
Flute and Piano
[Sheet music + Audio access]
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Intermediate
Hal Leonard
These lush carol settings bring home the beauty of the season to any gathering. ...
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These lush carol settings bring home the beauty of the season to any gathering. Each arrangement captures all at once what is beloved contemporary and creative in each carol. Listeners and performers alike will wonder at the new beauty Smith and Snyder bring out in these well-known carols; and the intermediate-level Flute parts are enjoyable for virtually any player. Includes the songs Angels We Have Heard on High ? Away in a Manger ? Christmas Carol Suite ? Deck the Hall Variations ? Gesu Bambino ? It Came Upon the Midnight Clear/Silent Night ? Lo How a Rose E'er Blooming ? Jesu Joy of Man's Desiring ? What Child isThis/Coventry Carol ? O Holy Night ? We Three Kings of Orient Are and Three Carols in 6/8 time.The audio tracks are accessed online for download or streaming and include both full performance demos as well as Piano accompaniments only.
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Astor Piazzolla: Histoire Du Tango: Flute: Score
Français
Flute and Piano
Lemoine, Henry
Histoire Du Tango is an exciting and lively work composed by Astor Piazzolla a...
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Histoire Du Tango is an exciting and lively work composed by Astor Piazzolla and has been transcribed and arranged for Flute (or Violin )with Piano Accompaniment by Dmitriy Varelas. This piece will provide anenjoyable challenge for the accomplished flautist and pianist alike. This work is divided into four movements subtitled: Bordel 1900; Cafe 1930; Night-Club 1960; and Concert d'Aujourd'hui.
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Antonín Dvo?ák: Sonatina Op. 100: Flute: Instrumental Work
Flute and Piano
Schirmer
This piece was originally written for Violin and Piano and if the 'New World' S...
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This piece was originally written for Violin and Piano and if the 'New World' Symphony and the 'American' String Quartet are the best-known products of Anton n Dvorak's years in the United States the little Sonatina in G major(sometimes called the 'Indian Lament' Sonatina) may well be the most obscure; yet it is a charming work that deserves better than its relegation to the learning books of young violinists. The Sonatina is in four movements:Allegro risoluto Larghetto Scherzo (molto vivace) and Allegro. The first movement's principal tune has a firm rhythmic spine its second tune a gentle plaintiveness; there is just a hint of Americanfolk music in the movement.The following Larghetto earned the Sonatina its nickname. The succession of its three melodies - one in G minor one in B flat major and one in G major - has to it the same wistfulness and thesame sudden brightening and then softening of mood that we hear in the famous slow movement of the 'New World' Symphony.The Scherzo takes the very first gesture of the Allegro risoluto as its starting-point. The finale isa substantial sonata-allegro movement with three wonderful themes: the opening syncopated idea in G major a subsidiary thought in E minor very dancelike and built around a repeating marcato cell and finally a rich tranquillomelody that closes the exposition. This adaptation for Flute and Piano by James Galway conveys all the spirit of the original.
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Aaron Jay Kernis: Air: Flute: Instrumental Album
Flute and Piano
Associated
for Flute and Piano. Songlike and melodic Air is the purest and sparest piece c...
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for Flute and Piano. Songlike and melodic Air is the purest and sparest piece composed by Kernis in years. The original version for violin and piano was written in 1995 for Joshua Bell. This version was premiered by RansomWilson in Alice Tully Hall in NYC in February of 2004.
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Blue Baroque Flute: Flute: Instrumental Album
Flute and Piano
[Sheet music]
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Intermediate
Beliebte Stücke aus dem Barock mit einem gewissen Jazzfeeling!-Mike Cornick has...
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Beliebte Stücke aus dem Barock mit einem gewissen Jazzfeeling!-Mike Cornick has selected items from the Baroque flute vocal and recorder repertoires for this new addition to the popular Blue Baroque series. His publications in the field of music education are well-known but now middle grade to more advanced flautists can enjoy his arrangements.Honorable MentionThe National Flute Association Award 2008
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Adams-Morley: Concert Repertoire: Flute: Instrumental Album
Flute and Piano
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Intermediate
Faber Music Limited
Concert Repertoire for Flute combines imaginative arrangements with original pie...
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Concert Repertoire for Flute combines imaginative arrangements with original pieces all of which have been carefully selected and written for players of Grade 4-7 standard. The pieces are varied and fun ranging from Billy Mayerl's Bats in the Belfry to Brittens Gemini Variations the pieces in this book are bound to be a hit with both players and audiences alike.
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You Must Remember This…
Flute and Piano
Universal Edition
Ten Old Favourites In Easy To Intermediate-Level Arrangements. Ten wonderful arr...
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Ten Old Favourites In Easy To Intermediate-Level Arrangements. Ten wonderful arrangements, by James Rae, of some of the best known and well-loved melodies from 20th Century light music. 'You Must Remember This” is the title of this collection and you certainly will remember hits like 'Misty”, 'As Time Goes By” and 'Give my Regards to Broadway”. These easy to intermediate arrangements for flute include a piano accompaniment that teachers will find eminently manageable and there are chord symbols - maybe your guitarist friend could join in! They have been set in comfortable keys for the flute so that you can concentrate on bringing out your best tone and fully interpret these evergreen classics. Great pieces for teaching, concerts or just simple enjoyment and, once you have mastered them, you can go on to James Rae's earlier collections, including 'Take Ten” (UE16576) and 'Blue Flute” (UE19763) and many more. / Niveau : Facile à Difficile / Recueil / Flûte Traversière et Piano
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Otar Taktakishvili: Sonata for Flute: Flute: Instrumental Work
Flute and Piano
Associated
Otar Taktakishvili (1924-1989) was a Georgian composer conductor administrator...
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Otar Taktakishvili (1924-1989) was a Georgian composer conductor administrator and artistic director who played a leading role in the post-war revival of professional Georgian music. He graduated from the TbilisiConservatory in 1947 having composed the official anthem of the Georgian Republic while still a student and before long he became a professor there. Later in his career he was Chairman of the Georgian Composersâ?? Union andMinister of Culture of the Georgian Republic. Taktakishvili like most Georgian composers of his generation was heavily influenced by local folk music. Georgian choral polyphony is among the oldest in theChristian world and its distinctive techniques are seen in his lyrical and expressive style.In the west Taktakishviliâ??s best known work is perhaps his Sonata For Flute And Piano in C major. This44-page book contains all three movements and comes with a separate Flute score.
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Franz Schubert: Sonata In A Minor 'Arpeggione': Flute: Instrumental Work
Flute and Piano
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Intermediate/advanced
Zimmermann
Schubert's Sonata In A Minor subtitled Arpeggione was written in 1824 and was ...
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Schubert's Sonata In A Minor subtitled Arpeggione was written in 1824 and was inspired by an instrument invented by Mr. Georg Staufer which Schubert referred to as an Arpeggione. The instrument was a mixture of a Guitar and a Cello and was held between the knees like a Cello but had frets on the fingerboard like a Guitar. This edition of the work has been wonderfully arranged for Flute and Piano by Peter Lukas Graf.
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Musique Française: Flute: Instrumental Album
Flute and Piano
Leduc, Alphonse
Between the late 19th century and the early 1960s French music experienced a Go...
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Between the late 19th century and the early 1960s French music experienced a Golden Age during which the flute played a prominent role: this age-old instrument played by fauns and shepherds spun numerous arabesques whose sensuous contours seemed to celebrate ?the mysterious connections between nature and the imagination? (Debussy). It was therefore quite tempting to draw on the rich catalogue of French works from the Editions Leduc and Heugel and put together this collection of pieces for flautists in the fourth year of study and up. It?s simply impossible to resist the compelling lyricism that floats up from such celebrated pages asFauré?s Sicilienne or the Pièce en forme de Habanera a composition by Ravel superbly transcribed by Theodore Doney. Philippe Gaubert?s Orientale and Sicilienne ? two bestsellers ? are also included. Original pieces such as the Aria for flute and piano by Roussel rub shoulders with delightful arrangements such as the one by Marcel Moyse based on Jacques Ibert?s gentle Histoires or the successful adaptation of Hahn?s À Chloris; while famous pieces ? like Debussy?s Le Petit Nègre ? nestle against a few rare gems (Pierné Bozza) that are utterly charming.
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Carl Reinecke: Undine - Sonata For Piano and Flute Op. 167: Flute and Accomp.:
Flute and Piano
G. Henle
From among Reinecke?s abundant oeuvre, a very few works have from the beginning ...
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From among Reinecke?s abundant oeuvre, a very few works have from the beginning maintained their position in the concert repertoire. First and foremost among these is the Flute Sonata op. 167 with the sobriquet ?Undine?, composed in 1882 and inspired by the eponymous fairy tale by Friedrich de la Motte-Fouqué about the ill-fated love of a mermaid. It is not, however, meant programmatically, but rather, like Schumann?s poetic titles, as a framework of associations for this highly romantic, in places very virtuoso sonata in traditional, four-movement form. As the autograph is lost, the printed editions form the basis for the new critical edition of this sonata, which is solidly anchored in the flute repertoire and is now finally available as a Henle Urtext edition.
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