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Arthur Bliss: Discourse: Orchestra: Score
Orchestra
[Sheet music]
Novello & Co Ltd.
Discourse
37.50 GBP - Sold by Musicroom UK
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Benet Casablancas: Darkness Visible (Orchestra): Orchestra: Score
Español
Orchestra
Unión Musical Ediciones
Benet Casablancas was inspired by a passage of John Milton?s ?Paradise Lost? and...
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Benet Casablancas was inspired by a passage of John Milton?s ?Paradise Lost? and its further interpretation by the Portuguese writer Fernando Pessoa in order to name one of his key works Darkness Visible.The versatile use of the Orchestra as well as the great timbral and textural differentiation may prevail as structure to this work. Moreover the way Benet Casablancas formulates the harmonic thought and its involvement in the development of his discourse seem to be a more crucial characteristic of Darkness Visible.This work deepens into the exploration of the unfathomable mystery of the night.It is conceived as a nocturne of big proportions that goes near quiet and rarefied atmospheres but is punctually disturbed by more agitated passages suddenly illuminated by gleams of light.
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Schlemihl (MANTOVANI BRUNO)
Français
Orchestra
[Sheet music]
Lemoine, Henry
Par MANTOVANI BRUNO. This piece is indeed a tone poem with allusions to Strauss ...
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Par MANTOVANI BRUNO. This piece is indeed a tone poem with allusions to Strauss (the orchestral composition Ein Heldenleben), and the theme found in Chamisso's book: Peter Schlemihl's Miraculous Story. The narration is not linear, but rather, metaphorical (in this sense, the model leans more towards Hamlet by Franz Liszt). In fact, the discourse vacillates between luxuriance (symbolising the infinite wealth of Chamisso's hero) and rarefaction, aridity (the growing psychological vacuum of this same hero). Though the language is modern, there are several references in this homage to Strauss (the use of the horns, for example) and above all, a dramaturgy based on contrast. Strauss is a composer who has always obsessed me, in particular for his orchestral hedonism. He greatly influenced Edgar Varèse, who, for me, is a constant reference. It is this composer's sonic opulence, that was, in part, my inspiration for Schlemihl./ Répertoire / Orchestre
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Richard Strauss: Romanze F-dur: Orchestra: Score
Orchestra
G. Henle
Romance in F major for Violoncello and Orchestra-Just a few months after complet...
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Romance in F major for Violoncello and Orchestra-Just a few months after completing his Cello Sonata op. 6 Strauss composed another work for this instrument: a Romance for cello and orchestra which remained unpublished during his lifetime. According to the autograph manuscript the composition was finished on June 27 1883 and Strauss also prepared the piano reduction himself. The Romance is regarded as one of Strauss??? most mature youthful works though it was long overshadowed by the cello sonata despite several quite successful performances given by the then-famous principal cellist of the Munich Court Orchestra Hanu? Wihan. Only since the posthumous first edition of 1986 has the music world been rediscoveringthis striking work which now also appears in a Henle Urtext edition.
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Igor Stravinsky: Funeral Song Op. 5: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
The music of Igor Stravinsky's Funeral Song op.5 composed by the young composer...
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The music of Igor Stravinsky's Funeral Song op.5 composed by the young composer as an orchestral memorial to his teacher Nikolai Rimsky-Korsakov disappeared after just one performance in 1909. Following its rediscovery in 2015 and world premiere in St Petersburg last December orchestras around the world have swiftly added Funeral Song into their current seasons. The Funeral Song score has been reconstructed from the complete set of parts by Dr. Natalia Braginskaya and the St Petersburg Conservatory in collaboration with Stravinsky?s publisher Boosey
17.50 GBP - Sold by Musicroom UK
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Gloria Shayne Noel Regney: Do You Hear What I Hear?: Orchestra: Parts
Orchestra
Shawnee Press
Orchestration-Here is one of the most recorded octavos of all time. This beloved...
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Orchestration-Here is one of the most recorded octavos of all time. This beloved standard is now available with a brilliant orchestration by Brant Adams. Every choir needs to rediscover the timeless beauty of a modern carol that has become partof the Christmas vocabulary of millions around the world. A true classic brought to you by Shawnee Press! Available separately: SATB (opt. snare drums and finger cymbals); SSA (opt. snare drums and finger cymbals); TTBB (opt.snare drums and finger cymbals); SAB (opt. snare drums and finger cymbals); SA (opt. snare drums and finger cymbals); Brass and Timpani parts; Orchestration Score and Parts; StudioTrax CD.
69.99 GBP - Sold by Musicroom UK
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Roy Harris: Symphony No. 9 (1962): Orchestra: Score
Orchestra
Associated
Score-Roy Harris (1898-1979) was an American composer who often wrote on America...
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Score-Roy Harris (1898-1979) was an American composer who often wrote on American subjects. His Ninth Symphony (1962) was dedicated to the city of Philadelphia and took inspiration from the Philadelphia Convention using phrases from the preamble to the U.S. Constitution as subtitles for each movement. Harris was a major force behind the creation of the home-grown American symphonic style that endures to this day. While he best remembered for his 3rd Symphony his later orchestral works provide perhaps even more reward for the listener. His Ninth reflects the perceived decline in morals among 20th Century America and as such is heavier and more angst-driven than many of his earlier works. While this is initially disconcerting it provides this piece with a unique character and sets it aside from and above its contemporaries.
79.99 GBP - Sold by Musicroom UK
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Malcolm Arnold: Symphony No.6: Orchestra: Study Score
Orchestra
-
Intermediate/advanced
Faber Music Limited
Ivan March of Gramophone says '. . .a bleak unease in the unrelenting energy of ...
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Ivan March of Gramophone says '. . .a bleak unease in the unrelenting energy of the first movement which becomes even more discomforting in the desolate start to the Lento. This leads to a forlorn suggestion of a funeral march which then ironically quickens in pace but is suddenly cut down; the drum strokes become menacingly powerful and the despairing mood of the movement's opening returns. . . and grips the listener in the music's pessimism. . .'This is a Study Score of Arnold’s Symphony No.6 Op.95.
22.00 GBP - Sold by Musicroom UK
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Stewart R. Craggs: A Catalogue: Orchestra: Reference
Orchestra
Oxford University Press
This revised updated and expanded edition of the definitive catalogue of works...
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This revised updated and expanded edition of the definitive catalogue of works by Sir William Walton (1902-83) follows the completion of the William Walton Edition. A comprehensive source of musical and documentary information relevant to Walton's life and work the catalogue features full details of composition dates instrumentation first performance publication the location of autograph manuscripts critical comment and significant recordings as well as previously undiscovered pieces. Appended are a helpful bibliography for further reading and indexes including for works authors of texts first lines and dedicatees.
45.50 GBP - Sold by Musicroom UK
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Rheinberger: Konzertouvertüren (Gesamtausgabe, Bd. 25) (RHEINBERGER JOSEF GABRIEL)
Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely be...
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Par RHEINBERGER JOSEF GABRIEL. Rheinberger's concert overtures are completely beholden to the tradition of the genre established at least since the 1820s. The spread of this genre was favored in equal measure by the growth of bourgeois musical culture and the overwhelming model of Beethoven's nine symphonies, which sowed a certain perplexity and discouragement among composers of the next generation and led them to turn increasingly to the smaller single-movement genre in their orchestral music. Soon a generic distinction arose between two types of overture. One was the autonomous overture, whose character results from its specific introductory function. Rheinberger's Academic Overture follows in thissame line of tradition. The other type was the overture with subject-matter, in which the romantic inclination to recreate extra-musical material in music found an expecially fruitful field of exploration. Having originated as the opening item of an opera or play, the overture had, after all, long been accustomed to accommodating the contents of the work that followed. The concert overture on an extra-musical subject is in turn associated in particular with the works of Felix Mendelssohn Bartholdy. Rheinberger too, closely modeled his opp. 11 and 110 on Mendelssohn's overtures./ Répertoire / Orchestre
173.90 EUR - Sold by LMI-partitions
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Discopat
Orchestra
IMD (International Music Diffusion)
/ Orchestre
54.10 EUR - Sold by LMI-partitions
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Bf Discomanie
Orchestra
IMD (International Music Diffusion)
/ Orchestre
28.50 EUR - Sold by LMI-partitions
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Bf Discomanie
Orchestra
IMD (International Music Diffusion)
/ Orchestre
54.10 EUR - Sold by LMI-partitions
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Orchestra
IMD (International Music Diffusion)
/ Orchestre
26.00 EUR - Sold by LMI-partitions
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Bf Discomanie
Orchestra
IMD (International Music Diffusion)
/ Orchestre
26.00 EUR - Sold by LMI-partitions
(Seller in french langage)
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Orchestra
IMD (International Music Diffusion)
/ Orchestre
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