SKU: HL.49045487
ISBN 9790001157179. UPC: 888680747992. 8.25x11.75x0.41 inches. Latin - German.
Deeply moved by his first visit to the city of Jerusalem with its seven gates, Krzysztof Penderecki composed this major vocal work to celebrate the city's 3,000th anniversary in 1995. Two years later, it was premiered as Symphony No. 7 in which the magic number seven has a special meaning: From the seven movements representing the seven gates to the seven powerful fortissimo chords concluding the oratorio, the biblical number runs through the entire work.4 (3. u. 4. auch Picc.) * 3 * Engl. Hr. * 3 (3. auch Es-Klar.) * Bassklar. * 3 * Kfg. - 4 * 3 * 4 (3. auch Basstrp.) * 1 - S. (I.: P. * Beckenpaar * 2 Tamt. (t.) * Rohrengl. * gr. Tr. m. Beck. * Crotalenbaum * 5 Tomt. * Marimba * Bin-Sasara * kl. Tr. * Ruhrtr.; II.: Trgl.-baum * 4 hg. Beck. * Tamt. (t.) * Rohrengl. * Kirchengl. * Tubaphon * Glsp. * Xyl. * Vibr. * Ruhrtr. * Tempelbl. * 2 Gongs; III.: 3 hg. Beck. * Mil. Tr. * Tubaphon * Kuhgl. * Tempelbl. * 2 Gongs; IV.: P. * hg. Beck. * 2 Tamt. * Beckenpaar * 5 Tomt. * gr. Tr. * Ruhrtr. * Bin-Sasara) (12 Spieler) - Cel. * Klav. * Org. ad lib. - Str.Im Saal: 0 * 0 * 3 * Bassklar. (auch Es-Klar.) * 3 * Kfg. - 4 * 3 * 4 * 1.
SKU: AP.36-A213048
ISBN 9798892705271. UPC: 659359875526. English.
Richard Strauss (1864-1949) wrote his VIOLIN CONCERTO IN D MINOR, Op. 8, between 1881 and 1882, and it remained his only foray in that genre. Composed while a teenager and still in school. While still very much a product of the Romantic era tradition, the work is not considered as distinctive as the works he would produce only a few years later, and Strauss himself later ridiculed the work. Still, with inventive and bold writing in the solo and hints of his mature harmonic style to come, there is much to enjoy in the work, including its warmth, youthful sincerity, and lyrical expression, so that it should not be dismissed as mere juvenilia, either by contemporary audiences or Strauss himself. The chamber version of the concerto was first performed in Vienna on December 5, 1882, with the dedicatee Benno Walter on the violin while Strauss played his own piano reduction. The premiere for the orchestral version would take place seven years later in Cologne on March 4, 1890, with Walter again performing the solo with an orchestra conducted by Franz Wüllner. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A213001
ISBN 9798892705264. UPC: 659359870385. English.
SKU: AP.36-A213002
UPC: 659359873225. English.
SKU: AP.FO9912C
UPC: 654979000365. English.
The world has waited years, and finally, last May, the motion picture event of the century exploded on the screen. Jerry Brubaker presents a highly creative mix of these great themes from the power-packed John Williams' score: Star Wars (Main Theme), Anakin's Theme, Augie's Great Municipal Band, Duel of the Fates, and the End Credits. Every orchestra in the world will be playing this one! (7:24).
SKU: AP.36-A241002
UPC: 659859220901. English.
Sergei Prokofiev (1891-1953) dedicated his CONCERTO for Piano No. 1 in D-flat, Op. 10, to his teacher Nikolai Tcherepnin. Composing it in the years 1911 and 1912, he gave the premiere in Moscow on May 18, 1912 under the baton of Konstantin Saradzhev. On July 25, his performance of the work for the Saint Petersburg Conservatory earned the Anton Rubinstein Prize and a newly-built grand piano. About thirteen minutes in length, it is performed in one continuous movement, displaying the ambitious energy of the young composer. Instrumentation: 2+Picc.2.2.2+CBsn: 4.2.3.1: Timp.Perc(1) Str (9.8.7.6.5 in set) [solo piano not included]. Reprint edition.
SKU: AP.36-A162202
UPC: 659359719493. English.
Édouard Lalo (1823-1892) wrote Concerto for Cello in D minor a few years after the popular Symphonie espagnole in 1876 for Belgian cellist Adolphe Fischer. The following year, Fischer was the soloist for the premiere at the Cirque d'Hiver on December 9, 1877. Influenced by his Symphonie espagnole, this concerto evokes a Spanish atmosphere. At the time of its premiere, there were few serious cello concerti, leading Lalo's Concerto to serve as a catalyst for the cello to be considered a more soloistic instrument. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Vc in set.
SKU: AP.36-A162201
ISBN 9798892700856. UPC: 659359871832. English.
SKU: AP.36-A162248
ISBN 9798892700863. UPC: 659359562518. English.
SKU: HL.48024880
ISBN 9781784545154. UPC: 840126918670. 7.25x10.25x0.319 inches.
This publication presents under one cover various short works for sundry orchestral scorings. Larghetto for Orchestra is MacMillan's orchestration (2017) of his celebrated Miserere for a cappella mixed choir (2009), a setting in Latin of Psalm 51, 'Have mercy upon me, O God, according to thy great mercy', the penitential text famously set in the 17th century by Gregorio Allegri. The Larghetto orchestration was commissioned by the Pittsburgh Symphony Orchestra in celebration of Manfred Honeck's 10th Anniversary as Music Director. Memoire imperiale is one of a number of variations on General John Reids march tune Old Gaul commissioned from Scottish composers to mark the centenary in 1994 of the Faculty of Music at Edinburgh University. The Faculty was established following a bequest by General Reid (1721-1807), a former law student at the University and a renowned flute player and composer of marches for the BritishArmy, and he asked that an annual concert be organised at which one or more of his compositions be played. Composed in 2012 for the Britten Sinfonia, One is a monody in which a single line is passed around the instruments, painting it with different colours as it emerges and develops. Lasting only a few minutes, its singularity is maintained until blossoming in the lastfew bars. For Sonny (2011, orch 2013) and Ein Lamplein verlosch (2018, orch 2019) are short, private memorial tributes originally for string quartet and here rescored for string orchestra. Hirta was composed in 2016 as part of Deccas The Lost Songs of St Kilda project. Nearly a century ago, the last 36 residents were evacuated from the most remote part of the British Isles, St Kilda, an isolated archipelago off the beautiful and rugged western coast of Scotland. After 86 years, the music of St Kilda was rediscovered, recorded in a Scottish care home by Trevor Morrison, an elderly man who had been taught piano by an inhabitant of St Kilda. The songs were 'reimagined' for the Decca album by various.
SKU: FG.55011-734-1
ISBN 9790550117341.
Concert Overture (1900) is a 12-minute work for small orchestra. Sibelius conducted the premiere performance in Turku, Finland on 7 April, 1900. The work has not been performed since the first years of the 20th century. Concert Overture has its origins in stage work Jungfrun i tornet, and is in a way hidden inside of the stage music. Conductor and scholar Tuomas Hannikainen discovered the existence of the overture during his research in 2019. He has edited and reconstructed the work.
SKU: HL.48024646
ISBN 9781784544041. UPC: 888680949105. 7.25x10.25x0.363 inches.
New edition, with preface by Gerard McBurney. The work was composed in 1933-38 for one of the greatest cellists of the 20th century, Gregor Piatigorsky. McBurney explains that, somehow this concerto had come to seem jinxed to the composer. And when, in 1947, he heard it in Moscow once again, this time played by the young Mstislav Rostropovich, he decided to recast it (albeit using much of the same material) as an entirely new piece, the Sinfonia Concertante, op 125. The earlier version never entirely disappeared, however, with a scattering of cellists always preferring it to the later one. And in recent years, it has found new favor and new champions, its spectacularly difficult cello writing and virtuosic orchestral effects offering a brilliance, pungency and fascination all of their own..
SKU: BA.BA07568
ISBN 9790006558285. 33 x 24 cm inches. Preface: Sylvie Bouissou. Text: Louis Fuzelier.
The new scholarly-critical edition of the score of Rameau’s “ballet hroïque†Les Indes galantes finally clears up its convoluted source history. At the first performance, on 23 August 1735, it consisted of a prologue and three acts: Le Turc gnreux, Les Incas du Prou and Les Fleurs. But Les Fleurs already proved controversial in the early performances, and from 11 September of that same year it was given a wholly new form. For the revival on 10 March 1736 Rameau and Fuzelier added an entirely new act Les Sauvages, and in the years that followed, the “ballet hroïque†was presented either complete (1743, 1751 and 1761) or abridged with a prologue, Les Incas du Prou and Les Sauvages (1751–73).With regard to the instrumental movements (dances and descriptive pieces), the present publication is based on the complete edition Opera Omnia Rameau (OOR) volumes IV/2 and IV/7 edited by Sylvie Bouissou which are currently in preparation. It includes not only the orchestral pieces in the version deemed valid by Rameau in 1736 (with version 2 of Les Fleurs and Les Sauvages), but also those from the first version of Les Fleurs (1735) as well as its 1743 and 1773 revisions. Performers are thus given a complete selection of all the orchestral numbers from one of Rameau’s central stage works for use also in concert performance.
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MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.48023736
ISBN 9781784540630. UPC: 888680611644. 7.25x10.25x0.34 inches.
One of several concert pieces that Britten extracted from his 1953 coronation opera, a work which has only received its rightful due in recent years.
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