By PDQ Bach. Arranged by Peter Schickele. Text by Peter Schickele. For 2 Trumpet, 2 Violin, Viola, Violoncello, Contrabass, 2 Slide Whistles, 2 Kazoos, Tromboon, Windbreaker, Shower Hose, Foghorn, Soprano, Alto, Tenor, Bass, SATB, Timpani. Piano/Vocal Score. S. 1! tsp. Duration 20:0. Published by Theodore Presser Company.

Opera buffa in 4 acts. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Ludwig Finscher. Arranged by Eugen Epplee. This edition: urtext edition. Hardback. Barenreiter Urtext. Vocal score vokal. KV 492. Baerenreiter Verlag #BA04565- 93. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo

SKU: CA.3116214

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, basso continuo. Composed 1716. BWV 162. 12 pages. Duration 18 minutes. Carus Verlag #CV 31.162/14. Published by Carus Verlag (CA.3116214).

ISBN 9790007208936. Text language: German/English.

The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.

SATB vocal soli, SATB choir, flute, Cor da tirarsi, 2 violins, viola, basso continuo

SKU: CA.3116213

Cantata for the 20th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frauke Heinze. Arranged by Masaaki Suzuki. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun, Mourning, death. Single Part, Viola. Composed 1716. BWV 162. 4 pages. Duration 18 minutes. Carus Verlag #CV 31.162/13. Published by Carus Verlag (CA.3116213).

ISBN 9790007208929. Text language: German/English.

The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and part available separately - see item CA.3116200.

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913319

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Stehe auf, Nordwind. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. TVWV 1:1397. Duration 12 minutes. Carus Verlag #CV 39.133/19. Published by Carus Verlag (CA.3913319).

ISBN 9790007139766. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score and parts available separately - see item CA.3913300.

By Franz Joseph Haydn (1732-1809). Edited by Andreas Traub. For SATB Soli, SATB Choir, Flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 Violin, viola, basso continuo. This edition: Paperbound. B-Dur (B-flat major). Stuttgart Urtext Edition. German title: Harmoniemesse in B XXII:14. Masses, Latin. Full score. Language: Latin. Hob. XXII:14. 216 pages. Duration 45 minutes. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913312

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. TVWV 1:1397. 2 pages. Duration 12 minutes. Carus Verlag #CV 39.133/12. Published by Carus Verlag (CA.3913312).

ISBN 9790007056018. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score and part available separately - see item CA.3913300.

SATB vocal soli, SATB choir, 2 flute (2 recorder), 2 violin, viola, basso continuo - Level 3

SKU: CA.3913314

Kantate zum 2. Pfingsttag. Composed by Georg Philipp Telemann. Edited by Wolfram Steude. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Violoncello/double bass. Sacred vocal music, Cantatas, Whitsun. Single Part, Cello/Double Bass. TVWV 1:1397. 4 pages. Duration 12 minutes. Carus Verlag #CV 39.133/14. Published by Carus Verlag (CA.3913314).

ISBN 9790007056032. Language: German.

This early work, probably composed during the period 1701-1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict gentle breezes giving place to the rushing wind at the coming of the Holy Spirit. Suitable for Whitsun. Score and part available separately - see item CA.3913300.

SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3106961

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. BWV BWV 69a. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.069/61. Published by Carus Verlag (CA.3106961).

ISBN 9790007206697. Text language: German/English.

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.

SATB vocal soli, SATB choir, recorder, oboe I/oboe d'amore, oboe II-III, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3106962

Cantata for 12th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. BWV BWV 69a. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.069/62. Published by Carus Verlag (CA.3106962).

ISBN 9790007206703. Text language: German/English.

Bach's Cantata BWV 69a of 1723, which has remained largely unknown to the present day, is now available for the first time in a practical edition with this Carus publication. It has been unjustly neglected as it was overshadowed by the Cantata BWV 69 of the same name, a piece which Bach reworked to celebrate the inauguration of Leipzig Town Council in 1748. On that occasion Bach re-used the parts from 1723 for simplicity, and adapted them for the new use by means of cuts, alterations, and additions - something which certainly did not mean that he rejected the 1723 version. This version can readily be recovered from the parts of 1723, if we explore beyond the alterations of 1748. With its rich wind instruments and great opening chorus, the 1723 cantata is in no way inferior to the later festive music in terms of musical splendor. The text takes the Gospel reading about the healing of the deaf and dumb man as a reason for praise and thanks for God's good deeds. In contrast to the later version, in which God is thanked for the wisdom of the Leipzig authorities, the original version of 1723 is free of such contemporary references, and is suitable for use in worship and concerts in many different ways. Score and part available separately - see item CA.3106900.

Orchestra SATB vocal soli, SATB choir, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 clarinos/trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.4061205

Composed by Franz Joseph Haydn. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Harmoniemesse In B Xxii:14. Sacred vocal music, Masses, Latin. Choral Score. Hob. XXII:14. 24 pages. Duration 45 minutes. Carus Verlag #CV 40.612/05. Published by Carus Verlag (CA.4061205).

ISBN 9790007129125. Key: B flat major. Language: Latin.

The Harmoniemesse is the last of the High Masses which Haydn composed between 1796 and 1802 for the name day of the Princess Esterhazy, and at the same time it was the last composition which Haydn ever completed. It was given its name because of the important role which the wind instruments play in the Mass. In a number of passages the present critical edition differs from previous editions and, consequently, it follows other readings of the sources. Hence it is also to be regarded as a contribution towards a new evaluation of the work. Score available separately - see item CA.4061200.