SKU: PR.416411770
UPC: 680160091508.
I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.
SKU: SU.92010120
Violin; 2222; 4331; timp, 3perc, pno; stgs Duration: 22' Composed: 1994 Published by: Subito Music Publishing Performance materials available on rental only:.
SKU: PR.416414600
UPC: 680160612246. 8.5 x 11 inches.
SKU: HL.14030959
ISBN 9788759857427. English.
Funeral Procession for Violin, Viola and Chamber Ensemble was composed in 1989 as a commission from the Sonanza Ensemble. The music is, apart from a few swarming bursts, slow and silent. Dynamic is almost stripped away, and the musicians play as faintly as possible - almost inaudibly.
SKU: PR.41641460L
UPC: 680160612253. 11 x 15 inches.
SKU: SU.28120340
Can be performed without vibraphoneViolin, Piano & Vibraphone Duration: 2'20 Composed: 1972 Published by: Alla Pavlova.
SKU: MB.99960M
ISBN 9780786689972. 8.75 x 11.75 inches.
Players of all kinds of instruments including flute, fiddle, mandolin, recorder, whistle, guitar, harp and more can use this collection of music which is popular at modern renaissance festivals. The music is presented simply, with melody lines and chord symbols, allowing for a wide range of interpretation. In addition to many period dance tunes, the book contains a selection of vocal numbers with lyrics included. Each selection is accompanied by text to suggest ideas for performance, place the music in a modern festival context and provide useful information to those interested in studying historical sources of early music. Cantigas arrangements of some of the tunes in this book can be heard on the companion recording. They are played at a listening tempo by the ensemble: Wooden flute or recorder, fiddle, cello, harp and percussion. Includes access to online audio.
SKU: BT.SINF315
ISBN 9788884002471.
Corde vuote in concerto 44 piccoli pezzi per violino ed altri strumenti Due violini a corde vuote - violino a corde vuote e chitarra, e strumento melodico, e pianoforte, e percussioni, e altri strumenti in diverse combinazioni.
SKU: SU.50032220
Published by: Seesaw Music.
SKU: HL.286537
Parts for The Deserted Churchyards by Bent Sorensen. Score available: WH30144.
SKU: RM.AZ1698
ISBN 9790231076981.
SKU: PR.44641212L
11 x 17 inches.
SKU: PR.446412120
UPC: 680160607419. 8.5 x 11 inches.
SKU: HL.50498962
SKU: RM.CP41
ISBN 9790232600413.
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