| Jazz Is Elementary Musical course - Solfege [Sheet music + Audio access] Berklee
Creativity Development Through Music Activities, Movement Games, and Dances fo...(+)
Creativity Development Through
Music Activities, Movement
Games, and Dances for K-5.
Berklee Guide. Classroom
Resources, Jazz Instruction,
Teacher Resource. Softcover
Video Online. 160 pages.
Published by Berklee Press
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Homecoming Choral SATB SATB Mark Foster Music
By Joseph M. Martin. For SATB Choir. Sheet Music. Published by Mark Foster Music...(+)
By Joseph M. Martin. For SATB Choir. Sheet Music. Published by Mark Foster Music.
(1)$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cello Repertoire Level 7 Cello - Intermediate The Frederick Harris Music Company
Cello - Late Intermediate SKU: FH.VC7 Cello Series, 2013 Edition. ...(+)
Cello - Late Intermediate SKU: FH.VC7 Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC7. Published by The Frederick Harris Music Company (FH.VC7). ISBN 978-1-55440-543-5. This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique. Level 7: Il barbiere di Siviglia: Overture - Rossini, Gioachino Carmen: Prelude to act 1 - Bizet, Georges Coriolan Overture, op. 62 - Beethoven, Ludwig van Symphony No. 94 (Surprise), Hob. I:94: I,IV - Haydn, Franz Joseph Ruslan and Ludmilla: Overture - Glinka, Mikhail Peer Gynt Suite No. 1, op. 46: I,III,IV - Grieg, Edvard Level 8: Incidental Music to A Midsummer Night's Dream, op. 61: I - Mendelssohn, Felix Symphony No. 8, op. 88: I,IV - Dvorak, Antonin The Nutcracker, op. 71: Russian Dance, Waltz of the Flowers, Pas de deux - Tchaikovsky, Pyotr Il'yich Symphony No. 8 (Unfinished), D 759: I,II - Schubert, Franz Die Zauberfloete, K 620: Overture - Mozart, Wolfgang Amadeus Symphony No. 40, K 550: I,IV - Mozart, Wolfgang Amadeus Level 9: Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig van Symphony No. 8, op. 93: III - Beethoven, Ludwig van Serenade for Strings, op. 22: III,IV,V - Dvorak, Antonin Piano Concerto No. 2, op. 83: III - Brahms, Johannes Serenade for Strings, op. 48: I,II,III,IV - Tchaikovsky, Pyotr Il'yich Symphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, Felix Symphony No. 3, op. 90: III,IV - Brahms, Johannes Symphony No. 35 (Haffner), K 385: I,IV - Mozart, Wolfgang Le nozze di Figaro, K 492: Overture - Mozart, Wolfgang Amadeus Level 10: Group 1: Variations on an Original Theme (Enigma), op. 36: Variation 12 - Elgar, Edvard Dichter und Bauer: Overture - Suppe, Franz von Messa da Requiem: III - Verdi, Giuseppe Guillame Tell: Overture - Rossini, Gioachino Group 2: Symphonie fantastique: II,III,V - Berlioz, Hector Symphony No. 4, op. 36: I,II,IV - Tchaikovsky, Pyotr Il'yich Symphony No. 5, op. 67: I,II,III - Beethoven, Ludwig van Symphony No. 4, op. 98: I,II,III,IV - Brahms, Johannes Symphony No. 6 (Pathetique), op. 74: I,II - Tchaikovsky, Pyotr Il'yich Symphony No. 2, op. 73: I,II,IV - Brahms, Johannes Associate: Group 1: Symphony No. 5, op. 100: I,II,III,IV - Prokofiev, Sergei La mer: I,II - Debussy, Claude The Bartered Bride: Overture - Smetana, Bed_ich Symphony No. 5, op. 47: I,II,III - Shostakovich, Dmitri Group 2: Matthaus-Passion, BWV: Komm, suesses Kreutz - Bach, Johann Sebastian Don Juan, op. 20 - Strauss, Richard Ein Heldenleben, op. 40 - Strauss, Richard Verklaerte Nach1, op. 4 - Schoenberg, Arnold. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mama Said Choral SATB SATB divisi, A Cappella - Intermediate Galaxy Music Corporation
Composed by Ruthie Foster and Paul Rardin. Instrument parts. Galaxy Music Cor...(+)
Composed by Ruthie Foster and
Paul Rardin. Instrument
parts. Galaxy Music
Corporation #7.0742.
Published by Galaxy Music
Corporation
$3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hornpipe (from Water Music) Orchestra [Score and Parts] - Easy Alfred Publishing
By George Frideric Handel (1685-1759). Arranged by Richard Meyer. Orchestra. Ful...(+)
By George Frideric Handel (1685-1759). Arranged by Richard Meyer. Orchestra. Full Orchestra; Masterworks. First Philharmonic. Baroque; Masterwork Arrangement. Grade 2. Conductor Score and Parts. 102 pages. Published by Alfred Music Publishing
$53.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Lessons, Level 3
Piano solo [Sheet music] - Easy Kjos Music Company
By James Bastien. For piano. Bastien Piano. Bastien Piano Library. Level: Level ...(+)
By James Bastien. For piano. Bastien Piano. Bastien Piano Library. Level: Level 3. Music Book. Published by Neil A. Kjos Music Company.
$6.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Progressive Quartets for Strings - Bass 4 Double Basses [Sheet music] Carl Fischer
32 Quartets That Can Be Played by Any Combination of String Instruments. Compose...(+)
32 Quartets That Can Be Played by Any Combination of String Instruments. Composed by Bernard De La Monnoye, Christopf Von Gluck, etc., J. Spilman, Spiritual American, Willy Geisler, Stephen Foster (1826-1864), Edvard Grieg (1843-1907), Engelbert Humperdinck (1854-1921), French carol, Traditional, English Folk Song, American Folk Hymn, Henry Carey, and Catalonian Carol. Arranged by Doris Gazda. SWS. Back To School. Book. With Standard notation. Carl Fischer Music #BF72. Published by Carl Fischer Music
$16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Grown-Up Christmas List Choral 3-part SSA, Piano Alfred Publishing
Composed by David Foster and Linda Thompson Jenner. Arranged by Mark Hayes. Choi...(+)
Composed by David Foster and Linda Thompson Jenner. Arranged by Mark Hayes. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. Christmas; Secular; Winter. 12 pages. Published by Alfred Music
$1.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Grown-Up Christmas List Choral SATB SATB, Piano Alfred Publishing
Composed by David Foster and Linda Thompson Jenner. Arranged by Mark Hayes. Choi...(+)
Composed by David Foster and Linda Thompson Jenner. Arranged by Mark Hayes. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Christmas; Secular; Winter. 12 pages. Published by Alfred Music
$2.10 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Grown-Up Christmas List Choral TTBB TTBB, Piano Alfred Publishing
Composed by David Foster and Linda Thompson Jenner. Arranged by Mark Hayes. Choi...(+)
Composed by David Foster and Linda Thompson Jenner. Arranged by Mark Hayes. Choir Secular. Men's Choir. Choral Octavo. Pop Choral. Christmas; Secular; Winter. 12 pages. Published by Alfred Music
$1.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Nutcracker Suite Selections - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5 SKU: CF.CAS110 Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 24+24+6+15+15+15+7+24 pages. Duration 5:57. Carl Fischer Music #CAS110. Published by Carl Fischer Music (CF.CAS110). ISBN 9781491151297. UPC: 680160908790. 9 x 12 inches. Key: E minor. Bud Caputo presents Nutcracker Suite Selections for string orchestra featuring three abridged movements of?Tchaikovsky's Nutcracker Suite:?Dance of the Sugar Plum Fairy, March, and Trepak. These abridged movements are sure to be crowd-pleasers around the?winter holidays or a favorite for?any time of the year. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5.To the Director:Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March:  Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak:  Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Perfect Union Concert band Carl Fischer
Concert band SKU: CF.CFD1 Compact Disc - the Washington Winds. Com...(+)
Concert band SKU: CF.CFD1 Compact Disc - the Washington Winds. Composed by Daron Hagen, Elliot Del Borgo, Franz von Suppe, Henry Fillmore, Larry Clark, Nikolay Andreyevich Rimsky-Korsakov, Peter Mennin, Quincy C. Hilliard, Warren Benson, and Zo Elliott. Carl Fischer Concert Band Recordings. Audio CD. With Standard notation. Composed February 20 2000. Duration 51:55:00. Carl Fischer Music #CFD1. Published by Carl Fischer Music (CF.CFD1). ISBN 9780825840357. UPC: 798408040352. The Carl Fischer heritage of publishing fine band music has been a fact of music publishing almost since the firm's founding in 1872. With a huge and expanding repertoire to draw on, it is a logical step for Fischer to issue a series of compact discs of band music for sale. With this release, the Carl Fischer Media Group begins what we intend to be the annual release of a recording devoted to classic band music. Bleecker Street Records is the name of the label developed for this purpose and A Perfect Union is our first commercial CD. It contains first-rate performances of classic original works for upper grade band such as Canzona by Peter Mennin, editions of celebrated transcriptions such as Procession of the Nobles in an edition by Van Ragsdale of the classic Eric Leidzen arrangement of Rimsky Korsakov's original and Robert Foster's edition of Henry Fillmore's celebrated transcription of Von Suppé's Light Cavalry Overture. Also included are terrific pieces by Daron Aric Hagen, Larry Clark, Quincy C. Hilliard and Elliot Del Borgo. The performances by the Washington and show the music and the players to best advantage. This will be a recording to own and treasure. Winds under the inspired direction of Edward Petersen, are invigorating. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| This Jubilant Song Choral 3-part SSA, Piano Alfred Publishing
Choir Secular (Women's Choir) SKU: AP.49002 Composed by Douglas E. Wagner...(+)
Choir Secular (Women's Choir) SKU: AP.49002 Composed by Douglas E. Wagner. MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-49002. Published by Alfred Music (AP.49002). UPC: 038081563268. English. Words by Walt Whitman. Captivate your audience and adjudicators with this masterful work for three-part mixed and treble groups. Grand, awe-inspiring music and a compelling Walt Whitman text make for an impressive festival selection, worthy of the rehearsal time. A sturdy piano accompaniment anchors the kind of classic choral singing that will foster a new level of excellence. Destined to become a staple of choral repertoire. This title is available in MakeMusic Cloud. About Alfred Choral Designs The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests. $2.05 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| This Jubilant Song Choral 3-part SAB Alfred Publishing
Choir Secular (SAB choir/3-Part choir Mixed) SKU: AP.49001 Composed by Do...(+)
Choir Secular (SAB choir/3-Part choir Mixed) SKU: AP.49001 Composed by Douglas E. Wagner. MakeMusic Cloud; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Secular. Choral Octavo. 12 pages. Alfred Music #00-49001. Published by Alfred Music (AP.49001). UPC: 038081563251. English. Words by Walt Whitman. Captivate your audience and adjudicators with this masterful work for three-part mixed and treble groups. Grand, awe-inspiring music and a compelling Walt Whitman text make for an impressive festival selection, worthy of the rehearsal time. A sturdy piano accompaniment anchors the kind of classic choral singing that will foster a new level of excellence. Destined to become a staple of choral repertoire. This title is available in MakeMusic Cloud. About Alfred Choral Designs The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests. $2.05 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Everything Alfred Publishing
Choir Secular (Women's Choir) SKU: AP.49658 Composed by Alan Chang, Amy F...(+)
Choir Secular (Women's Choir) SKU: AP.49658 Composed by Alan Chang, Amy Foster, and Michael Buble. Arranged by Kirby Shaw. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Contemporary A Cappella; Pop; Radio; Secular. Choral Octavo. 12 pages. Alfred Music #00-49658. Published by Alfred Music (AP.49658). UPC: 038081567457. English. Here's a cute, quick (two-minute) rendition of the Michael Bublé hit. Heartfelt lyrics recognize that despite living in crazy times, a special person in your life makes it worthwhile. No solo or vocal percussion required---this contemporary a cappella arrangement covers the tune with the choir and incorporates aspirated chk's as built-in rhythm. Additionally, doom's in the lowest voice part layout a supportive bass line, and a catchy La la refrain stays in the ear long after the final cutoff. Equally effective with large groups or small ensembles. About Alfred Pop Choral Series The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs. $2.10 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Everything Choral SATB Alfred Publishing
Choir Secular (SATB choir) SKU: AP.49657 Composed by Alan Chang, Amy Fost...(+)
Choir Secular (SATB choir) SKU: AP.49657 Composed by Alan Chang, Amy Foster, and Michael Buble. Arranged by Kirby Shaw. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Contemporary A Cappella; Pop; Radio; Secular. Choral Octavo. 12 pages. Alfred Music #00-49657. Published by Alfred Music (AP.49657). UPC: 038081567440. English. Here's a cute, quick (two-minute) rendition of the Michael Bublé hit. Heartfelt lyrics recognize that despite living in crazy times, a special person in your life makes it worthwhile. No solo or vocal percussion required---this contemporary a cappella arrangement covers the tune with the choir and incorporates aspirated chk's as built-in rhythm. Additionally, doom's in the lowest voice part layout a supportive bass line, and a catchy La la refrain stays in the ear long after the final cutoff. Equally effective with large groups or small ensembles. About Alfred Pop Choral Series The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs. $2.10 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Camptown Variations Concert band [Score] - Easy FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1040S Score Only. Com...(+)
Concert Band Concert Band - Grade 2 SKU: FJ.B1040S Score Only. Composed by Brian Balmages. Arranged by Brian Balmages. Concert Band. FJH Young Band. Patriotic. Score. Duration 2:00. The FJH Music Company Inc #98-B1040S. Published by The FJH Music Company Inc (FJ.B1040S). English. Lots of smiles will appear while performing this small set of variations on the Stephen Foster classic. From fanfares to short chorales, enjoy this delightful and humorous rendition, complete with stoptime chorus and woodblock. Certain to be a concert favorite. (2:00). About FJH Young Band Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5 $6.00 - See more - Buy online | | |
| Camptown Variations Concert band - Easy FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1040 Composed by Brian Balma...(+)
Concert Band Concert Band - Grade 2 SKU: FJ.B1040 Composed by Brian Balmages. Arranged by Brian Balmages. Concert Band. FJH Young Band. Patriotic. Score and Part(s). Duration 2:00. The FJH Music Company Inc #98-B1040. Published by The FJH Music Company Inc (FJ.B1040). UPC: 674398206339. English. Lots of smiles will appear while performing this small set of variations on the Stephen Foster classic. From fanfares to short chorales, enjoy this delightful and humorous rendition, complete with stoptime chorus and woodblock. Certain to be a concert favorite. (2:00). About FJH Young Band Appropriate for middle school and smaller high school groups. Second clarinets usually stay below the break. Parts are written with more independence, and instrumentation increases slightly. There is still adequate doubling in the lower voices. Grades 2 - 2.5 $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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