| Reflections Piano solo Theodore Presser Co.
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by Lara
Downes. Collection. Theodore
Presser Company #440-40028.
Published by Theodore Presser
Company
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto Violin Theodore Presser Co.
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, ...(+)
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone, Trumpet 1, Trumpet 2, Viola, Violin 1 and more. SKU: PR.41641366L For Violin and Orchestra. Composed by Behzad Ranjbaran. Contemporary. Large Score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366L. Published by Theodore Presser Company (PR.41641366L). UPC: 680160585755. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violins open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movements primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violinas open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movementas primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violin's open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement's primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. $180.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Studio Ghibli Songs for Violin and Piano/English Version Violin and Piano - Easy Yamaha
Strings. Studio Ghibli. Score and part. Yamaha Music Media #GPW01096344. Publi...(+)
Strings. Studio Ghibli. Score
and part. Yamaha Music Media
#GPW01096344. Published by
Yamaha Music Media
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Disney Songs for Violin and Piano/English Version Violin and Piano SATB, Organ - Intermediate Yamaha
Violin and piano - Intermediate SKU: YM.GPW01096346 Strings. Disney. Scor...(+)
Violin and piano - Intermediate SKU: YM.GPW01096346 Strings. Disney. Score & part. Yamaha Music Media #GPW01096346. Published by Yamaha Music Media (YM.GPW01096346). ISBN 9784636963465. 8 arrngements for solo violin and piano in easy level. 8Shou Zhong Ji Nan Du Bian Pei De Xiao Ti Qin &Gang Qin He Zou Bian Pei Qu Pu . 8Shou Zhong Ji Nan Du Bian Pei De Xiao Ti Qin &Gang Qin He Zou Bian Pei Qu Pu .
1. Bibbidi-Bobbidi-Boo; 2. A Dream Is a Wish Your Heart Makes; 3. Part of Your World; 4. Under the Sea; 5. Be Our Guest; 6. Beauty and the Beast; 7. A Whole New World; 8. Let It Go 1. Mo Fa Zhi Ge ; 2. Meng Jiu Shi Ni Xin Zhong De Yuan Wang ; 3. Yu Ni Wei Ban ; 4. Zai Hai Di ; 5. Huan Ying Ni ; 6. Mei Nu Yu Ye Shou ; 7. Zhan Xin De Shi Jie ; 8. Sui Ta Ba. $11.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Fantasy from Ladies in Lavender Violin and Piano - Intermediate Faber Music Limited
By Nigel Hess (1953-). For Violin. Part(s); Score; Solo; String - Violin and Pia...(+)
By Nigel Hess (1953-). For Violin. Part(s); Score; Solo; String - Violin and Piano. Faber Edition. 20th Century; Masterwork; Movie. Advanced; Intermediate. Published by Faber Music
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violin Concert Pieces for Kids/English Version Violin Yamaha
Violin - Entry SKU: YM.GPW01096337 Strings. Combination. Sheet music. Yam...(+)
Violin - Entry SKU: YM.GPW01096337 Strings. Combination. Sheet music. Yamaha Music Media #GPW01096337. Published by Yamaha Music Media (YM.GPW01096337). ISBN 9784636963373. 16 short arranged pieces. Kids enjoy them as warm-up, solo, or duet with friends and teachers. 16Shou Le Qu Pian Duan . Rang Hai Zi Men Xiang Shou He Peng You Huo Lao Shi Yi Qi Re Shen , Du Zou , Zhong Zou De Le Qu .
0. Sunny and Cloudy; 1. Hug Shichao(Let's Hug); 2. Brahms's Symphony No.1; . 3La Cucaracha; 4. Yankee Doodle; 5. Old MacDonald Had a Farm; 6. Happy Birthday to You; 7. Wagner's Wedding March; 8. Hasty Santa Claus; 9. Ode to Joy; 10. Dvorak's Symphony From the New World; 11. My Neighbor Totoro; 12. Doraemon no Uta(Doraemon Main Theme); 13. Supercalifragilisticexpialidocious; 14. Edelweiss; 15. Edelweis(for Quartet) 0. Qing Lang Duo Yun Lian Xi Qu ; 1. Gei Wo Bao Bao (Let's Hug); 2. Bo La Mu Si De Di Yi Jiao Xiang Qu ; 3. Zhang Lang Ge ; 4. Yang Ji *Du De Er ; 5. Lao Mai Ke Tang Na You Ge Nong Chang ; 6. Sheng Ri Kuai Le Ge ; 7. Wa Ge Na De Hun Li Jin Xing Qu ; 8. Cong Mang De Sheng Dan Lao Ren ; 9. Huan Le Song ; 10. De Wo Xia Ke Jiao Xiang Qu Zi Xin Da Lu ; 11. Lin Jia De Long Mao ; 12. Chi La AMeng Zhi Ge (Doraemon Main Theme); 13. Supercalifragilisticexpialidocious; 14. Xue Rong Hua ; 15. Xue Rong Hua (Si Zhong Zou Yong ). $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Solos and Duets - for C Instruments and Accompaniments (Volume II) Violin and Piano Hope Publishing Company
Arranged by John F. Wilson. For C instrument solo (or duet) and piano accompanim...(+)
Arranged by John F. Wilson. For C instrument solo (or duet) and piano accompaniment. Format: instrumental solo/duet book. With standard notation, solo part, harmony part and piano accompaniment. Christian. 9x12 inches. Published by Hope Publishing Company.
(3)$26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Disney Songs for Violin and Piano/English Version Violin and Piano SATB, Organ - Easy Yamaha
Violin and piano - Easy SKU: YM.GPW01096347 Strings. Disney. Score & part...(+)
Violin and piano - Easy SKU: YM.GPW01096347 Strings. Disney. Score & part. Yamaha Music Media #GPW01096347. Published by Yamaha Music Media (YM.GPW01096347). ISBN 9784636963472. 7 arrngements for solo violin and piano in easy level. 7Shou Chu Ji Nan Du Bian Pei De Xiao Ti Qin &Gang Qin He Zou Le Pu .
1. Mickey Mouse March; 2. It's a Small World; 3. Someday My Prince Will Come; 4. Chim Chim Cher-ee; 5. Heigh-Ho; 6. Zip-A-Dee-Aoo-Dah; 7. Supercalifragilisticexpialidocious 1. Mi Lao Shu Jin Xing Qu ; 2. Xiao Xiao Shi Jie ; 3. Zong You Yi Tian Wang Zi Hui Chu Xian ; 4. Yan Cong Zhi Ge ; 5. Hai Yo ; 6. Huan Le Zhi Ge ; 7. Supercalifragilisticexpialidocious. $11.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto Concert band Theodore Presser Co.
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra....(+)
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra. Composed by Behzad Ranjbaran. Perfect. Contemporary. Full score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366. Published by Theodore Presser Company (PR.416413660). ISBN 9781598063578. UPC: 680160601899. 9x12 inches. Trained as a violinist in his native Tehran, composer Behzad Ranjbaran eagerly drew inspiration from the traditional Persian kamancheh and its delicate, lyrical sound when creating his profoundly luscious and brilliant Concerto for Violin and Orchestra. This work was completed in 1994 and premiered in England by Joshua Bell, who also gave the first American and Canadian performances. The Concerto for Violin and Orchestra is the recipient of the Rudolf Nissim Award from ASCAP, and it was supported in part by a grant from The National Endowment for the Arts. The solo part with a piano reduction as well as a large score are available on custom print. For advanced players. Duration: 31'. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Samuel Barber : Music for Violin and Piano Violin and Piano [Sheet music + Audio access] Schirmer
With Online Audio of Performances and Accompaniments. By Frank Almond. By Samuel...(+)
With Online Audio of Performances and Accompaniments. By Frank Almond. By Samuel Barber (1910-1981). Edited by Richard Walters. Arranged by Jerry Lanning, Joshua Parman, Richard Walters. String Solo. Classical. Softcover Audio Online. 96 pages. G. Schirmer #ED4473. Published by G. Schirmer
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fiddling Around the World Violin [Sheet music + CD] - Intermediate Mel Bay
By Mary Ann Harbar. For Fiddle. Solos. All Styles. Level: Intermediate. Book/CD...(+)
By Mary Ann Harbar. For Fiddle. Solos. All Styles. Level: Intermediate. Book/CD Set. Size 8.75x11.75. 112 pages. Published by Mel Bay Publications, Inc.
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Scottish Fire Violin [Sheet music] - Intermediate Mel Bay
Traditional and Original Tunes for Fiddle from 1762 to the Present. By Bonnie Ri...(+)
Traditional and Original Tunes for Fiddle from 1762 to the Present. By Bonnie Rideout. For Fiddle. Solos. Maggie's Music. Scottish. Level: Intermediate. Book. Size 8.75x11.75. 56 pages. Published by Mel Bay Publications, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flute En Suite Flute And Piano Reducation Schott
Flute and orchestra (FLUTE PIANO) - difficult SKU: HL.49044665 For flu...(+)
Flute and orchestra (FLUTE PIANO) - difficult SKU: HL.49044665 For flute and orchestral groups. Composed by Jorg Widmann. This edition: Saddle stitching. Sheet music. Woodwind Solo. This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface,. Softcover. Composed 2011. 80 pages. Duration 22'. Schott Music #FTR225. Published by Schott Music (HL.49044665). ISBN 9790001200103. UPC: 841886022928. 9.0x12.0x0.213 inches. This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flute en suite. Jorg Widmann
This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flute en suite. Jorg Widmann
3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) * 3 (2. auch Ob. d'am., 3. auch Engl. Hr.) * 0 * 3 (3. auch Kfg.) - 4 * 4 * 3 * 1 - S. (Glsp. * Vibr. * 3 hg. Beck. [h./m./t.] * chin. Beck. * 4 Gongs * 4 Buckelgongs * 2 Tamt. [m./t.] * Wassertamt. * gr. Tr. * Metal Chimes * Peitsche) (2 Spieler) - Hfe. * Cel. (auch Cemb.) - Str. (10 * 8 * 6 * 4 * 3). $74.00 - See more - Buy online | | |
| Meditation from the Opera Thais for String Orchestra String Orchestra [Score and Parts] - Easy Southern Music Ltd
Score and Parts. Composed by Jules Massenet (1842-1912). Arranged by Lauren ...(+)
Score and Parts. Composed by
Jules Massenet (1842-1912).
Arranged by Lauren Keiser.
Southern Music. Classical.
Softcover. Southern Music
Company #SO119C. Published by
Southern Music Company
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Moonlight Nocturne (the hunt begins) String Orchestra - Intermediate Kendor Music Inc.
String Orchestra string orchestra with opt. 3rd Violin/Viola TC 3 - Grade 3.5 (+)
String Orchestra string orchestra with opt. 3rd Violin/Viola TC 3 - Grade 3.5 SKU: KN.10078 (the hunt begins). Composed by Joshua Reznicow. Solo or Ensemble. Apex String Orchestra. Score and Parts. Kendor Music Inc #10078. Published by Kendor Music Inc (KN.10078). UPC: 822795100785. This mysterious and beautiful grade 3 work conjures images of a hunt taking place under the cover of darkness with only the subtle light from the moon revealing the mysteries between the shadows. Complete with soaring melodies, a subtle but intense rhythmic motive highlighted by a dark and mysterious tone, this piece aims to spark the musical imagination of your performers and their audience! Get ready, because as quickly and subtly as it began, the piece will ultimately escape into the shadows between the moonlit night. Each set includes three copies of the 3rd Violin/Viola T.C. parts. Duration 3:50. Available in SmartMusic. $56.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 12 Jewish Songs Violin and Piano [Score and Parts] Ut Orpheus
By Riccardo Joshua Moretti. For Violin and Piano. Score and parts. 68 pages. Pub...(+)
By Riccardo Joshua Moretti. For Violin and Piano. Score and parts. 68 pages. Published by Ut Orpheus
$29.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Mass in B minor BWV 232 Breitkopf & Härtel
Violin 2 (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str...(+)
Violin 2 (solos: SSATB - choir: SSATB - 2.3(2ob d'am).0.2 - 1.3.0.0 - timp - str - Bc) SKU: BR.OB-5363-16 Urtext. Composed by Johann Sebastian Bach. Edited by Joshua Rifkin. This edition: violin 2 part. Stapled. Orchester-Bibliothek (Orchestral Library). 150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined. Mass; Baroque. Part. 28 pages. Duration 110'. Breitkopf and Haertel #OB 5363-16. Published by Breitkopf and Haertel (BR.OB-5363-16). ISBN 9790004338537. 10 x 12.5 inches. The new Breitkopf Urtext edition by Joshua Rifkin draws on all relevant sources to restore the Mass to the state in which Bach left it for posterity. This means, first, a clear separation of the Kyrie and Gloria from the earlier Missa of 1733. Moreover, in the Credo the Symbolum Nicenum Rifkin has faced the challenge of sweeping away the overlay of additions by C.P.E. Bach and eliminating his alterations more thoroughly than Friedrich Smend had in the Neue Bach Ausgabe of 1954 and in later editions as well.The NBA edition of this work has long been thought to be unsatisfactory, so in this case Breitkopf study score is better as well as a few euros cheaper. (Early Music Review)
150 years of publication history had to elapse until a music text of the Mass in B minor was published that truly goes back to Johann Sebastian Bach's definitive version, inasmuch as it can be determined. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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