Composed by Andrae Crouch. Arranged by Jason Max Ferdinand. African American Church Music Series. Sacred. Octavo. 4 pages. Published by GIA Publications (GI.G-8573).

Tenor Sax. (tenor saxophone). Essential Elements Band Folios. 20 pages. Published by Hal Leonard.

Arranged by Brazeal Dennard. For SATB Chorus and piano reduction. African American Church Music Series. Sacred. Text language: English. 4 pages

By Derek Bermel. For TTBB. Choral music. Level: Medium. Published by Santa Barbara Music Publishing. (SBMP 186)

(Discovery Level 3). Composed by African-American Spiritual. Arranged by Rollo Dilworth. For Choral, Congas, Djembe (2-Part). Discovery Choral. 16 pages. Published by Hal Leonard

Jazz Alto Sax Tunes. (Level/Grade 2). ABRSM Jazz. 24 pages. ABRSM (Associated Board of the Royal Schools of Music) #D3056. Published by ABRSM (Associated Board of the Royal Schools of Music)

Choir Secular (SATB choir)

SKU: AP.48932

Composed by Brook Benton and Clyde Otis. Arranged by Mark Hayes. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Christmas; Jazz; Secular. Choral Octavo. 12 pages. Alfred Music #00-48932. Published by Alfred Music (AP.48932).

UPC: 038081562568. English.

African-American musicians Brook Benton and Clyde Otis collaborated on this bluesy ballad in 1959. Since then, the enduring piece has been recorded by iconic artists such as Etta James and Ray Charles. Verses present sentimental snapshots of Christmases past, and a crooner melody paints a warm holiday portrait. Santa Claus is on his way, loads of joy on his sleigh, this time of the year, when Christmas is near.

Composed by Audrey Snyder. Contemporary Choral. African, Festival, Multicultural. Octavo. 12 pages. Published by Hal Leonard

Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet. Eighth Note Publications. World. 20 pages. Published by Eighth Note Publications

Arranged by Brian Tate. Henry Leck Creating Artistry. Spiritual, A Cappella, Concert, African-American. Octavo. 12 pages. Published by Hal Leonard

Composed by Clayton White. Christian, Sacred, Spirituals. Vocal solo. Augsburg Fortress #9781506479965. Published by Augsburg Fortress

SATB choir, piano reduction - Early intermediate

SKU: GI.WW1700

Composed by Traditional Xitsonga. Arranged by Michael Barrett. Walton Choral. Classical. Octavo. 8 pages. Walton Music #WW1700. Published by Walton Music (GI.WW1700).

UPC: 785147014065. Xitsonga. Text Source: Traditional Xitsonga.

A simple and joyous South African song stating Look at the dove on that tree! Use a soloist or a small group of singers along with improvised percussion and ululations to create an unforgettable performance. Available in both SATB and TTBB voicings. .

SATB choir divisi, a cappella - Grade 4

SKU: KJ.9136

Composed by Kenneth Dake. Arranged by Kenneth Drake. Collection. Choral. Octavo. Neil A. Kjos Music Company #9136. Published by Neil A. Kjos Music Company (KJ.9136).

UPC: 8402703939.

Feature your soprano soloist with Kenneth Drake's new setting of Calvary, in which the arranger has masterfully interwoven the African American spiritual Calvary with melodic material from He Never Said a Mumbalin' Word. This a cappella setting for SATB with divisi will be a fine addition to your library for Good Friday.

Piano (Piano Solo)

SKU: HL.49046843

Piano Solo. Composed by Samuel Coleridge-Taylor. Piano Solo. Classical. Softcover. 12 pages. Duration 180 seconds. Schott Music #ED14075. Published by Schott Music (HL.49046843).

ISBN 9781705162040. UPC: 842819115441. 9.0x12.0x0.064 inches.

Samuel Coleridge-Taylor's Papillon for solo piano was first published in 1908 by Augener Ltd. Following George Augener's retirement in 1910, the work along with the whole Augener catalogue (which contained no less than 24 other works by Coleridge-Taylor), was aquired by Schott and Co. Ltd. At the time both companies occupied offices on Great Marlborough Street, London. Coleridge-Taylor was born in London and brought up in Croydon. He learnt to play the violin, was recognised as a child prodigy and at 15 was awarded a scholarship to study at the Royal College of Music with Charles Villiers Stanford, where he was a contemporary of Holst and Vaughan Williams. Coleridge-Taylor described himself as “Anglo-African” and, despite support from his colleagues, faced racism throughout his whole career. In spite of this prejudice and his tragically early death in 1912 aged just 37, he enjoyed great success during his lifetimeand his music was performed at the Proms no less than 116 times between 1898 and 1939. In contrast, since 1940 his music has only been heard there on thirteen occasions to date. Like many works from this period, at some point in the past Papillon became out of print. Schott Music is now very pleased to present this new modern performing edition with errors and inconsistencies from the original edition now corrected.