Fanfare Band - Grade 2

SKU: BT.CMP-0316-99-120

Composed by Timothy Johnson. Praise and Adoration Series. Hymns & Chorals. Score Only. Composed 1999. Curnow Music #CMP 0316-99-120. Published by Curnow Music (BT.CMP-0316-99-120).

Based on the African-American spiritual “Ev’ry Time I Feel the Spirit”, Feel the Spirit captures the essence of the traditional spiritual. These songs were created by African-Americans oppressed by slavery. A deeply religious people, the slaves would use singing as an expression of both their enthusiastic joy and profound sadness. Feel the Spirit enables you to play a great gospel song with your band.

Jazz Alto Sax Tunes. (Level/Grade 3). ABRSM Jazz. 24 pages. ABRSM (Associated Board of the Royal Schools of Music) #D3064. Published by ABRSM (Associated Board of the Royal Schools of Music)

Jazz Clarinet Tunes. (Level/Grade 1). ABRSM Jazz. 24 pages. ABRSM (Associated Board of the Royal Schools of Music) #D3013. Published by ABRSM (Associated Board of the Royal Schools of Music

Level/Grade 3. ABRSM JAZZ. Softcover with CD. Size 9x12 inches. 24 pages. Published by ABRSM Publishing.

Level/Grade 3. ABRSM JAZZ. Size 9x12 inches. 24 pages. Published by ABRSM Publishing.

Level/Grade 1. ABRSM JAZZ. Size 9x12 inches. 24 pages. Published by ABRSM Publishing.

Choral Piano, baritone voice Bass, tenor

SKU: CF.CM9741

Composed by Traditional African American Spiritual. Arranged by Austin Hunt. Performance Score. 12 pages. Duration 2 minutes, 50 seconds. Carl Fischer Music #CM9741. Published by Carl Fischer Music (CF.CM9741).

ISBN 9781491161210. UPC: 680160919802. Key: Bb major. English. African American Spiritual.

In 1961, a diverse group of student activists organized a movement called Freedom Riders to challenge racial segregation in Southern states. Their strategy was to ride busses into cities with segregation laws and deliberately break them. For instance, white students would use colored only restrooms, while black students would sit at white only food counters. The hope was that, when confronted by police, the federal government would be forced to step in and defend the students' constitutional rights. On many occasions, these demonstrations were met with violent behavior from locals, including beatings and a firebombing. Ultimately, these Freedom Riders helped lead to the abolishment of segregation by bringing national attention to the injustices of segregation. While touring, the Freedom Riders would collectively perform songs with messages about freedom and justice. One participant, African -American preacher Rev. Robert Wesby, reimagined the lyrics of the hymn Woke Up this Mornin' by replacing the name Jesus with freedom in each refrain. This version of the hymn went on to become a powerful symbol of the American civil rights movement.
In 1961, a diverse group of student activists organized a movement called “Freedom Riders” to challenge racial segregation in Southern states. Their strategy was to ride busses into cities with segregation laws and deliberately break them. For instance, white students would use “colored only” restrooms, while black students would sit at “white only” food counters. The hope was that, when confronted by police, the federal government would be forced to step in and defend the students' constitutional rights. On many occasions, these demonstrations were met with violent behavior from locals, including beatings and a firebombing. Ultimately, these “Freedom Riders” helped lead to the abolishment of segregation by bringing national attention to the injustices of segregation.While touring, the Freedom Riders would collectively perform songs with messages about freedom and justice. One participant, African -American preacher Rev. Robert Wesby, reimagined the lyrics of the hymn “Woke Up this Mornin’” by replacing the name “Jesus” with “freedom” in each refrain. This version of the hymn went on to become a powerful symbol of the American civil rights movement.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Alto Saxophone (E-Flat Saxes & E-Flat Clarinets). Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

Viola. Arranged by William Ryden. Duet or Duo; Mixed Instruments - Flexible Instrumentation; Solo Small Ensembles. Sacred Instrumental Ensembles for All. Sacred. Book. 24 pages. Alfred Music #00-EL9789. Published by Alfred Music

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For Cello/Bass. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For B-Flat Clarinet, Bass Clarinet. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. 24 pages. Published by Alfred Publishing.

From the Renaissance to the Romantic Periods. Arranged by William Ryden. For Percussion. Mixed Instruments - Flexible Instrumentation. Sacred Instrumental Ensembles for All. Sacred. Book. 24 pages. Published by Alfred Publishing.