| Grande Sonate pathetique c minor, Op. 13 Piano solo Barenreiter
By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For piano. This...(+)
By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For piano. This edition: Stapled, Urtext edition. Urtext, Stapled. Level 6. Performance score. Language: English/German. Opus 13. 29 pages. Published by Baerenreiter Verlag
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| Quartett F-dur Piano solo [Score] Noten Roehr
Piano SKU: NR.96816 Für Klavier, opus 135, 1826 Winkler, Louis, 182...(+)
Piano SKU: NR.96816 Für Klavier, opus 135, 1826 Winkler, Louis, 1820-1886, ed. Composed by Ludwig van Beethoven. Keyboard instruments. Score. Noten Roehr #96816. Published by Noten Roehr (NR.96816). $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Sonata for Pianoforte and Violoncello A major, op. 69 Cello, Piano Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This...(+)
Composed by Ludwig van
Beethoven (1770-1827). Edited
by Jonathan Del Mar. This
edition: urtext edition.
Stapled. Performance score,
Part. Opus 69. 39/11 pages.
Baerenreiter Verlag
#BA08637_00. Published by
Baerenreiter Verlag
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| Sonatas Nr 2 Sonata In A Opus 2/2 Piano solo Alfred Lengnick
Piano SKU: HL.50514892 Composed by Ludwig van Beethoven. Lengnick Publish...(+)
Piano SKU: HL.50514892 Composed by Ludwig van Beethoven. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL5585A. Published by Alfred Lengnick & Co (HL.50514892). $14.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 4 G major op. 58 Piano and Orchestra Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This e...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Set of wind parts. Opus 58, No. 4. 6/7/4/6/4/7/6/6/6/3/3/3 pages. Baerenreiter Verlag #BA09024-65. Published by Baerenreiter Verlag (BA.BA09024-65).
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| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
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| The Real Little Classical Fake Book - 2nd Edition Piano solo - Intermediate Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
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| String Quartet in B-flat major, op. 130 / Grande Fugue in B-flat major, op. 133 String Quartet: 2 violins, viola, cello Barenreiter
SKU: BA.BVK02464 Composed by Ludwig van Beethoven. Edited by Ulrich Konra...(+)
SKU: BA.BVK02464 Composed by Ludwig van Beethoven. Edited by Ulrich Konrad. This edition: facsimile. Half-leather binding. Documenta musicologica II/55 / Barenreiter Facsimile. Facsimile of the autograph. Facsimile. Opus 130, 133. 277 pages. Baerenreiter Verlag #BVK02464_00. Published by Baerenreiter Verlag (BA.BVK02464). ISBN 9783761824641. 29.5 x 35 cm inches. Key: B-flat major. Text Language: English, German. Preface: Rebmann, Martina. Faksimile der Autographe in: Staatsbibliothek zu Berlin; Moravske Zemske Muzeum, Brno; Badische Landesbibliothek, Karlsruhe; Biblioteka Jagiellonska, Krakow; Bibliotheque nationale de France, Paris; Library of Congress, Washington, D. C. $516.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata Cello, Piano [Reduction] Theodore Presser Co.
For Violoncello and Piano. By Ludwig van Beethoven. Edited by Dimitry Markevitch...(+)
For Violoncello and Piano. By Ludwig van Beethoven. Edited by Dimitry Markevitch. Text: Dimitry Markevitch. For Cello, Piano. Solo part with piano reduction. Opus 64. 55 pages. Published by Theodore Presser Company.
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| Concerto for Pianoforte and Orchestra Nr. 4 G major op. 58 [piano reduction] Barenreiter
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For pi...(+)
Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. For piano and Orchestra. This edition: Urtext edition. Paperback. Piano reduction. Text Language: English/German. Opus 58, No. 4. 59/55 pages. Duration 34 minutes. Published by Baerenreiter Verlag
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| String Quartets String Quartet: 2 violins, viola, cello Breitkopf & Härtel
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext. Composed by ...(+)
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. Chamber music; Softbound. Partitur-Bibliothek (Score Library). With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff (1822-1882) bid a brilliant farewell to Weimar. Romantic period. Study Score. 176 pages. Breitkopf and Haertel #PB 5622-07. Published by Breitkopf and Haertel (BR.PB-5622-07). ISBN 9790004215197. 6.5 x 9 inches. With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)
Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality. $55.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| String Quartetts No. 1 d minor op. 77 String Quartet: 2 violins, viola, cello Breitkopf & Härtel
String quartet string quartet (2vl,va,vc) SKU: BR.EB-8939 Urtext. ...(+)
String quartet string quartet (2vl,va,vc) SKU: BR.EB-8939 Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. This edition: Urtext. Chamber music; Folder. Edition Breitkopf. Orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern: The two captivating quartets are now available as Urtext editions. Romantic period. Set of parts. 88 pages. Breitkopf and Haertel #EB 8939. Published by Breitkopf and Haertel (BR.EB-8939). ISBN 9790004186084. With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)
Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality. $61.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| String Quartets String Quartet: 2 violins, viola, cello Breitkopf & Härtel
String Quartet SKU: BR.PB-5622 Urtext. Composed by Joachim Raff. E...(+)
String Quartet SKU: BR.PB-5622 Urtext. Composed by Joachim Raff. Edited by Severin Kolb and Stefan Konig. Chamber music; Softbound. Partitur-Bibliothek (Score Library). Romantic period. Study Score. Breitkopf and Haertel #PB 5622. Published by Breitkopf and Haertel (BR.PB-5622). ISBN 9790004215197. 6.5 x 9 inches. With his first String Quartet in D minor, op. 77, composed in 1855, the native Swiss composer Joachim Raff bid a brilliant farewell to Weimar. He had been there as Franz Liszt's assistant since 1850 and had made a name for himself in the city's art scene - now he embarked on new paths. He composed his second Quartet in A major, op. 90, already in 1857 in Wiesbaden, the spa town that was to become his home for 21 years. The two quartets are unequivocal works: orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern. They confidently continue the Beethoven tradition and attest at the same time to Raff's intensive confrontation with Richard Wagner's music during the Weimar years. In his chamber music, the composer wanted to achieve progress in an inherently historical way and to ground the individual substance in existing forms, as he told the Viennese violinist Josef Hellmesberger, who launched opus 77. The quartets, first published in 1860/62, found illustrious interpreters, among them, the Muller brothers' renowned ensemble, to which opus 90 was also dedicated, and Joseph Joachim.In collaboration with the Joachim-Raff-Archiv Lachen (CH)
Some eighteen years elapsed between Raff's first counted String Quartet op. 77 and his Quartets Nos. 6-8 op. 192, combined as one work. As such, Raff parted with the weighty single opus in quartet composition - without, however, sacrificing musical quality. $55.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Advanced Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| Concerto for Pianoforte and Orchestra Nr. 4 G major op. 58 Piano and Orchestra Barenreiter
Piano and orchestra SKU: BA.BA09024-40 Composed by Ludwig van Beethoven. ...(+)
Piano and orchestra SKU: BA.BA09024-40 Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. Stapled. Critical commentary. Opus 58. 54 pages. Baerenreiter Verlag #BA09024_40. Published by Baerenreiter Verlag (BA.BA09024-40). ISBN 9790006558339. 24 x 17 cm inches. Key: G major. Text Language: English. $76.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 4 G major op. 58 Barenreiter
Piano, Orchestra (2. Violin) SKU: BA.BA09024-75 Composed by Ludwig van Be...(+)
Piano, Orchestra (2. Violin) SKU: BA.BA09024-75 Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 58. 11 pages. Baerenreiter Verlag #BA09024_75. Published by Baerenreiter Verlag (BA.BA09024-75). ISBN 9790006558360. 32.5 x 25.5 cm inches. Key: G major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| String Quartet in B-flat major, op. 130 / Große Fuge for String Quartet, op. 133 String Quartet: 2 violins, viola, cello Barenreiter
SKU: BA.BA09030-40 Composed by Ludwig van Beethoven. Edited by Jonathan D...(+)
SKU: BA.BA09030-40 Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. Stapled. Critical Commentary for BA 9030, TP 930, BA 9033 and TP 933. Critical commentary, anthology. Opus 130, 133. 34 pages. Baerenreiter Verlag #BA09030_40. Published by Baerenreiter Verlag (BA.BA09030-40). ISBN 9790006566655. 24 x 17 cm inches. Key: B-flat major. $51.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 4 G major op. 58 Vibraphone (band part) Barenreiter
Piano, Orchestra (1. Violin) SKU: BA.BA09024-74 Composed by Ludwig van Be...(+)
Piano, Orchestra (1. Violin) SKU: BA.BA09024-74 Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 58. 11 pages. Baerenreiter Verlag #BA09024_74. Published by Baerenreiter Verlag (BA.BA09024-74). ISBN 9790006558353. 32.5 x 25.5 cm inches. Key: G major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
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| Overture "Die Geschöpfe des Prometheus" for Orchestra, op. 43 Barenreiter
(Basso continuo (Violoncello, Double bass)) SKU: BA.BA11902-82 Composed b...(+)
(Basso continuo (Violoncello, Double bass)) SKU: BA.BA11902-82 Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Single part. Opus 43. 4 pages. Baerenreiter Verlag #BA11902_82. Published by Baerenreiter Verlag (BA.BA11902-82). ISBN 9790006573455. 32.5 x 25.5 cm inches. $8.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Pianoforte and Orchestra Nr. 4 G major op. 58 Barenreiter
Piano, Orchestra (Violoncello, Double bass) SKU: BA.BA09024-82 Composed b...(+)
Piano, Orchestra (Violoncello, Double bass) SKU: BA.BA09024-82 Composed by Ludwig van Beethoven. Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 58. 13 pages. Duration 34 minutes. Baerenreiter Verlag #BA09024_82. Published by Baerenreiter Verlag (BA.BA09024-82). ISBN 9790006558384. 32.5 x 25.5 cm inches. Key: G major. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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