SKU: HL.44001284
UPC: 073999012842. 6.75x10.5 inches.
Purcell composed this brilliant theme as incidental music for his work Abdelazar (1693). Three centuries later Benjamin Britten used it in his symphonic work The Young Person's Guide to the Orchestra (with the subtitle Variation and Fugue on a theme of Purcell) and it became famous. This arrangement by Jan de Haan remains faithful to Britten's intentions featuring the different tembres of the instruments. Rondo entrances the listener with its varied tone colours and its solemn grandeur.Das Rondo aus dem Stuck Abdelazer oder die Rache des Mohren ist eines der bekanntesten Stucke von Purcell - nicht zuletzt, weil Benjamin Britten es fur seinen beruhmten Young Person's Guide to the Orchestra verwendete. Dank Jan de Haans Bearbeitung fur Blasorchester konnen nun auch Blasorchester jeder Altersgruppe das Rondo zu feierlichen Anlassen erklingen lassen.
SKU: AP.44881
UPC: 038081515977. English.
One of the numerous short piano pieces for children that Béla Bartók completed in a four-volume piano collection in 1909. This arrangement for early band students remains faithful to Bartók's intent while comfortably accommodating the skills for first year players. Light and whimsical, you can hear the playful nature of The Fox in this solid scoring for your beginners. (1:45).
SKU: CA.4008519
ISBN 9790007134501. Language: Latin.
Franz Suppe wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppe succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. Score and parts available separately - see item CA.4008500.
SKU: CA.4008513
ISBN 9790007217426. Language: Latin.
Franz Suppe wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppe succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto unrecognized- achievement of this work. Score and part available separately - see item CA.4008500.
SKU: AP.50129
UPC: 038081572994. Lat.
Colorful choral sonorities emerge over a steady heartbeat piano part in this contemporary treatment of the traditional Latin text. Composer Jacob Narverud remains faithful to the tonic scale degree throughout, creating plenty of ethereal cluster chords as the piece unfolds. A contrasting spoken section quotes a biblical verse about perseverance. Impressive in concert or contest.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: BT.DHP-0870078-216
Purcell composed this brilliant theme as incidental music for his work Abdelazar (1693). Three centuries later Benjamin Britten used it in his symphonic work The Young Person’s Guide to the Orchestra (with the subtitle Variation and Fugue on a theme of Purcell) and it became famous. This arrangement by Jan de Haan remains faithful to Britten’s intentions featuring the different tembres of the instruments. Rondo entrances the listener with its varied tone colours and its solemn grandeur.Das Rondo aus dem Stück Abdelazer oder die Rache des Mohren ist eines der bekanntesten Stücke von Purcell - nicht zuletzt, weil Benjamin Britten es für seinen berühmten Young Person’s Guide to the Orchestra verwendete. Dank Jan de Haans Bearbeitung für Blasorchester können nun auch Blasorchester jeder Altersgruppe das Rondo zu feierlichen Anlässen erklingen lassen.
SKU: PR.114418820
ISBN 9781491113998. UPC: 680160667697.
Composed by Telemann as a double concerto for recorder and transverse flute, Zart Dombourian-Eby’s new edition is prepared for piccolo, flute, and piano — remaining compatible with available orchestral editions, and respectfully faithful to Telemann’s detailed nuances. Cast in the slow-fast, slow-fast four-movement mold typical of Baroque concert works, the CONCERTO IN E MINOR is at once among the most beautiful and exhilarating works of Telemann’s formidable output.______________________________________Text from the scanned back cover:ZART DOMBOURIAN-EBY is the Principal Piccoloist of the SeattleSymphony and is regularly featured as both a soloist and clinician in Seattle and across the world. Her performances consistently receive highest praise from both critics and audiences. A native of New Orleans, she received B.A. and M.M. degrees from Louisiana State University. After a year of study with Albert Tipton she attended Northwestern University earning a Doctor of Music degree under the tutelage of Walfrid Kujala. She has been a member of the New Orleans Pops, Baton Rouge Symphony, Colorado Philharmonic, and the Civic Orchestra of Chicago. She has performed with the Chicago Symphony and served on the faculties of the University of Washington and Pacific Lutheran University. She was the founding editor of Flute Talk and ison the Editorial Board for The Flutist Quarterly. Zart is the immediate past president of the National Flute Association, and been a featured soloist and presenter at numerous NFA conventions. Zart has commissioned numerous works, including two for piccolo and piano by Martin Amlin, sonatas by Gary Schocker and Levente Gyongyosi, and a chamber work by Ken Benshoof. She can be heard in over 100 recordings by the Seattle Symphony, and her solo CD, in shadow, light, is available on Crystal Records. Her award-winning edition of the three Vivaldi piccolo concertos is published by Theodore Presser.A native of Seattle, VALERIE SHIELDS received her B.M. summa cum laude in organ and violin from St. Olaf College. While completing her M.M. from Northwestern University, she became increasingly interested and skilled in the art of improvisation. She served as Director of Music at St. Luke’s Lutheran Church in Park Ridge, Illinois, where she developed a music program involving over 150 participants in choirs and chamber music groups.Upon her return to Seattle, she served for 12 years as director of adivision of the Northwest Girlchoir. She became organist and developed a vibrant Youth Choir at Phinney Ridge Lutheran Church, where she served for over 30 years, as well as enjoying a 20-year tenure as Music Director and Composer-in-Residence of Temple De Hirsch Sinai. Valerie’s work with children’s choirs,churches, and synagogues has inspired over 100 published compositions.When I was invited to perform a Vivaldi piccolo concerto in Italy a few years ago, my host, Luisa Sello, wrote that Carol Wincenc was going to be on the same concert, and was there any piece that we could play together? I looked and asked around, and my colleague Joanna Bassett recommended the Telemann Concerto in E Minor for Traverso and Recorder. I didn’t know the piece, but as I listened to a recording of it, I immediately loved it and could easily envision how beautifully it could work, with a few “adjustments,†for flute and piccolo. I got to work, and the current publication is the result. I have performed it many times, and enjoy it even more every time. It fits a unique place in our repertoire, and works equally well with piano as with the string orchestra setting.According to Steven D. Zohn, pre-eminent Telemann scholar, and author of Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s Instrumental Works, much is unknown about the concerto itself; it likely dates from the 1720s, soon after Telemann moved to Hamburg. Only an eighteenth-century copyist’s set of parts is extant, that of Johann Samuel Endler, who was engaged at the Darmstadt court as a singer and violinist, later becoming Vice-Kapellmeister and Kapellmeister, and who had a large collection of Telemann’s works.As in my Vivaldi concertos edition (Presser 414-41190), I have added virtually all of the articulations and dynamics that appear here, and have inserted quite a bit of ornamentation. Unlike the Vivaldi edition, I have not included any indication of the original Telemann in those passages, nor have I included any pedagogical markings, such as fingerings.Finally, I would like to acknowledge, with gratitude, Joanna Bassett, Daniel Dorff, Benton Gordon, Evan Pengra-Sult, Sandra Saathoff, Valerie Shields, Carol Wincenc, and Steven Zohn, for the various roles they played in the making of this publication.— Zart Dombourian-EbyJune 2018.
SKU: CA.3110219
ISBN 9790007136529. Key: G minor / c minor. Language: German/English.
In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and parts available separately - see item CA.3110200.
SKU: BT.DHP-1012709-010
Carmen is the best known work by the French composer Georges Bizet (1838-1875). Criticised by the French public at the time of its creation because its plot was deemed indecent, the opera nevertheless came to be considered as a major work due to its captivating melodies, Spanish character and energetic rhythms. In this brilliant transcription for concert band Tohru Takahasi has remained faithful to the sparkling, joyful atmosphere of the scenes from the opera.Ook buiten de theatrale context heeft de operamuziek van Bizet een beeldende kracht. Tohru Takahahsi’s bewerking van de Carmen Suite doet recht aan de dramatiek en grandeur van het origineel.Carmen ist wohl das berühmteste und meistgespielte Werk des Musiktheaters. Auch außerhalb des Theaterkontexts mangelt es der Musik von Georges Bizet nicht an Ausdruckskraft und Dramatik. Nach dem Tode des Komponisten wurden einige Passagen der Oper für die Carmen Suite exzerpiert, die mit dieser Bearbeitung von Tohru Takahashi, die der Dramatik und Größe des Originals vollkommen gerecht wird, nun auch für Blasorchester zugänglich ist. Carmen est l’œuvre la plus célèbre du compositeur français Georges Bizet (1838-1875). Cette brillante transcription reste fidèle l’atmosphère pétillante et vive des scènes de l’opéra.
SKU: CA.3110207
ISBN 9790007047382. Key: G minor / c minor. Language: German/English.
In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score available separately - see item CA.3110200.
SKU: HL.14047758
ISBN 9788850727391.
John Lennon Complete contains 15 of Lennon's songs, arranged for Piano, Voice and Guitar. It would make the perfect gift for any budding singer, or any Lennon fan.
John Lennon (1940-1980) is arguably the most famous musician of all time. As a singer-songwriter, he rose to fame as a founding member of the Beatles, and later established a highly successful solo career after the band broke up in 1969. His contribution to Western culture in the 1960s and 70s, both musically and politically, is impossible to fully express, and his countless fans have remained faithful right to the present day.
SKU: CA.3110211
ISBN 9790007047405. Key: G minor / c minor. Language: German/English.
In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his cousin: a Meiningen cycle of texts by an unknown author from the early 18th century. All these texts share the characteristic of including two quotations from the bible: one from the Old Testament at the beginning, and another from the New Testament in the middle. These cantatas include Herr, deine Augen sehen nach dem Glauben BWV 102. The opening chorus in several sections is one of Bach's masterpieces of choral composition. The cantata is also one of those works on which Bach's later reputation was based: performances are documented from 1776 in Hamburg and in Berlin by Zelter's Sing-Akademie from 1813 onwards. In 1830 it was one of the very first cantatas by Bach to appear in print. Score and part available separately - see item CA.3110200.
SKU: CA.3110213
ISBN 9790007047429. Key: G minor / c minor. Language: German/English.
SKU: CA.3110249
ISBN 9790007240585. Key: G minor / c minor. Language: German/English.
SKU: CA.3110212
ISBN 9790007047412. Key: G minor / c minor. Language: German/English.
SKU: CA.3110209
ISBN 9790007047399. Key: G minor / c minor. Language: German/English.
SKU: HL.49019042
ISBN 9790001170345.
Even though the Frankfurt composer Kurt Hessenberg (1908-1994) made a lasting impression, especially by his sacred choral music - his motet 'O Herr, mache mich zum Werkzeug deines Friedens' forms part of the repertoire of every good choir - his career as a composer began with piano, chamber and orchestral music. All his life Hessenberg remained faithful to these genres. Between 1958 and 1963 he wrote five miniatures which he put together into Opus 71 and in which he let the five instruments of a wind quintet have their 'say' separately and with piano accompaniment: flute, oboe, clarinet, horn and bassoon.Created in 1958, 'Capriccio' Op. 71 No. 2 is dedicated to the oboe. It is an enjoyable and rewarding piece in a neoclassical style characterized by an extended tonality. This 'Capriccio' gives the oboist the possibility to play in an effective virtuoso, yet cantabile way and, in addition, uses piano accompaniment in a rewarding manner - a welcome addition to the oboe repertoire.
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