Chorus a cappella

SKU: BR.CHB-2879-02

Composed by Johann Nepomuk David. Choir; stapled. Chor-Bibliothek (Choral Library). Motet; Early modern. Choral score. Composed 1939. 16 pages. Breitkopf and Haertel #ChB 2879-02. Published by Breitkopf and Haertel (BR.CHB-2879-02).

ISBN 9790004402382. 6.5 x 9.5 inches.

1. Wer Ohren hat zu horen - ChB 2878 2. Und ich sah einen neuen Himmel - ChB 2879.

Piano

SKU: BR.SMV-60004

Composed by Walter Georgii. Edited by Walter Georgii. Solo instruments; Softbound. Monuments of German Music. Baroque; Early classical. Score. 96 pages. Breitkopf and Haertel #SMV 60004. Published by Breitkopf and Haertel (BR.SMV-60004).

ISBN 9790004571446. 0 x 0 inches. English.

Volume 1: Werke aus England William Byrd (Praludium, A Gigg) John Bull (Praludium, Dr. Bull's Juell) Giles Farnaby (Tower Hill) Henry Purcell (Praludium C, A Ground in Gamur) Werke aus Holland Jan Sweelinck (Variationen uber das Lied ,, Est-ce Mars) Werke aus Italien Girolamo Frescobaldi (Ballettto mit Corrente) Alessandro Poglietti (Capriccio ,, uber dass Hennergeschrey) Bernardo Pasquini (Tre Arie) Werke aus Frankreich Jacques Champion de Chambonnieres (Drei Tanzstucke) Louis Couperin (Drei Tanzstucke) Nicolas Antoine Le Begue (Gavotte mit Double) Werke aus Deutschland Johann Jakob Froberger (Suite C ,,Lamento) Georg Muffat (Passacaglia g) Johann Pachelbel (Ciacona f) Ferdinand Tobias Richter (Toccatina d) Johann Krieger (Partita G) Johann Kaspar Ferdinand Fischer (Praludium D, Chaconne G) Johann Kuhnau (Biblische Historie Nr. 4) Matthias Weckmann (Toccata e) Jan A. Reinken (Fuge g) Dietrich Buxtehude (Suite uber den Choral ,,Auf meinen lieben Gott) Georg Bohm (Praludium, Fuge und Postludium) Volume 2: Domenico Scarlatti (10 Sonaten) Francois Couperin (Les Gastes da la grande et ancienne Mxnxstrxndxsx, Passacaille, Les Baricades Misterieuses, Les Moissoneurs) Jean Philippe Rameau (Musette en Rondeau, Gavotte, 2 Menuette, La Poule, L'Egiptienne, L'Enharmonique) Louis Claude Daquin (Le Coucou) Jean Francois Dandrieu (Le Gemissante) Georg Philipp Telemann (Fantasien E-dur und e-moll) Gottlieb Muffat (6. Suite aus den Componimenti musicali d-moll) Volume 3: B. Galuppi (Sonate) Padre Martini (Praludium und Fuge, Gavotte) P. D. Paradisi (Sonate) Etienne Nicolas Mehul (Menuett) Georg Christoph Wagenseil (Divertimento) Johann Schobert (Sonate) W. Friedemann Bach (Fuga, Fuga, Polonaise) Ph. E. Bach (Sonate, Rondo, Fantasia, Rondo, Fantasia) Johann Christian Bach (Sonate op. 17 Nr. 2) Georg Benda (Largo, Presto) Johann Wilhelm Hassler (Grande Gigue op. 31).

(Easy Guitar Tab). By Various. Easy Guitar. Softcover. Guitar tablature. 144 pages. Published by Hal Leonard

(Sinfonie Nr. 1 e-moll op. 39). By Jean Sibelius (1865-1957). Edited by Timo Virtanen. For orchestra. This edition: Urtext. Complete Works. Score. Opus 39. 288 pages. Published by Breitkopf and Haertel

(cello or contrabass). By Johann Sebastian Bach (1685-1750). For Solo Parts, Mixed Choir, Orchestra. This edition: cello or contrabass. Orchester-Bibliothek (Orchestral Library). Individual part. 20 pages. Published by Breitkopf and Haertel

By Franz Lachner. For Soprano, Horn, Piano. This edition: paperback. 28 pages. Published by Breitkopf and Haertel (German import).

Chorus with inst.

SKU: BR.PB-5390

The Burial of Christ. Composed by Sigfrid Karg-Elert. Choir; Softcover. Partitur-Bibliothek (Score Library).

During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period.

Cantata; Early modern; Late-romantic. Score and parts. 32 pages. Breitkopf and Haertel #PB 5390. Published by Breitkopf and Haertel (BR.PB-5390).

ISBN 9790004211236. 9 x 12 inches. German.

Oliver Hilmes's four new editions of Karg-Elert's most substantial choral works are being published with the same consistency and compactness shown by Karg-Elert when he wrote them in 1912/13. The reception of Karg-Elert's works, which has been quite strong in the organ domain, now obtains decisive impulses in a new direction. Joining the previously published choral canzonas Benedictus Op. 82 No. 1 and Vom Himmel hoch Op. 82 No. 2 are Naher, mein Gott, zu dir Op. 81 and the Passion Canzona Op. 84. Particularly charming is the unique instrumental color with which Karg-Elert sensitively enhances the choral sound in each work of this little group.,,Die eminent wichtige Neuausgabe der Choralkanzonen wird hoffentlich diesen grandiosen Kompositionen Karg-Elerts endlich die Stellung zukommen lassen, die sie im Bereich von Musik in der Kirche eigentlich seit ihrer Entstehung verdient hatten. (Jorg Stodthoff, Forum Kichenmusik)

During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period.

Violoncello (solos: T,A(Bar) - 4(2picc).3(cor ang).5(Eb-clar.Bb-clar).3(dble bsn) - 4.3.3.1 - 2hp.cel.mand.timp.perc(4) - str)

SKU: BR.OB-5641-23

Composed by Gustav Mahler. Edited by Christian Rudolf Riedel. Voice; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Late-romantic. Part. 20 pages. Duration 65'. Breitkopf and Haertel #OB 5641-23. Published by Breitkopf and Haertel (BR.OB-5641-23).

ISBN 9790004348819. 10.5 x 14 inches.

The Song of the Earth, composed in the summer of 1908, is Mahler's best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver's model. It is therefore all the more regrettable that he was neither able to perform his Symphony in Songs himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Fussl, many questions remained unanswered, while other were answered in a dubious way.The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner - in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler's conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/Eb clarinet, bass clarinet/3rd clarinet in places where the latter plays Eb clarinet) to allow performances with only four clarinets.The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler's piano autograph and the piano reduction by Woss, which was commissioned by the composer himself, served as an inspiration for this.