SKU: M7.VOGG-816

ISBN 9783802408168. German.

Für Gitarristen der Mittelstufe Über 60 der bekanntesten und wichtigsten Stücke für die Konzertgitarre (Solo und Duo) aus drei Jahrhunderten in traditioneller Notation - die unentbehrliche Stückesammlung, die in keinem gutsortierten Notenregal fehlen darf! Endlich alle Stücke, die man sich bisher in Einzelausgaben anschaffen oder aus Dutzenden von Sammlungen zusammenstellen musste, in einem einzigen Band! Von Aguado und Bach bis zu Sor und Tárrega, hier findet sich für jeden Gitarristengeschmack das Richtige. Alle Stücke spielfertig eingerichtet mit Fingersätzen und Lagenangaben. Die beiden aufwendig produzierten Begleit-CDs sind nicht nur ein idealer Begleiter beim Üben, sondern auch ein absoluter Hörgenuss für jeden Liebhaber klassischer Gitarrenmusik.

SKU: FH.VC6

ISBN 978-1-55440-542-8.

This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.
Concertos:
Concerto No. 4 in G Major, op. 65 - Goltermann, Georg arr. Leo Schulz
- First Movement: Allegro
Concertino No. 1 in C Major, op. 7 - Klengel, Julius
- First Movement: Allegro
Concerto No. 1 in A Minor, RV 422 - Vivaldi, Antonio arr. Eberhard Wenzel
- Second Movement: Largo cantabile
Sonatas and Suites:
Sonata in D Minor, op. 8, no. 9 - De Fesch, Willem arr. Jason Noble
- First Movement: Siciliano
- Second Movement: Allemande
Sonata in G Minor, RV 42 - Vivaldi, Antonio
- First Movement: Preludio
- Second Movement: Allemanda
Sinfonia in F Major - Pergolesi, Giovanni Battista arr. Joseph Schmid
- Third Movement: Adagio
- Fourth Movement: Presto
Concert Repertoire:
Lied ohne Worte, op. 109 - Mendelssohn, Felix
Cantillation - Ethridge, Jean
Supplication - Bloch, Ernest
Romanze - Reger, Max
La Provencale - Marais, Marin arr. May Mukle
Gavotte, op. 67, no. 2 - Popper, David
Serenade espagnole, op. 20, no. 2 - Glazunov, Aleksandr arr. M.P. Belaieff
Andaluza (Playera) - Granados, Enrique arr. Manuel Calvo
Apparition - Rathburn, Eldon
Siciliana - Piazzolla, Astor
Unaccompanied Repertoire:
Suite No. 5 in C Minor, BWV 1011 - Bach, Johann Sebastian
- Seventh Movement: Gigue
Suite No. 2 in D Minor, BWV 1008 - Bach, Johann Sebastian
- Third Movement: Courante
Suite No. 1 in G Major, BWV 1007 - Bach, Johann Sebastian
- First Movement: Prelude
I Dropped My Ice Cream Cone - Laut, Edward
Ballad - Laut, Edward.

SKU: BT.AMP-297-400

ISBN 9789043138048. 9x12 inches. English-German-French-Dutch.

Part of the Anglo Music Play-along Series, Philip Sparkes 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces thebeginning player to the world of the classics by using simple yet attractive melodies that fit their limited range.

The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie.

This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.

15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ®Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden.Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie.Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave.

Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.

Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une source complémentaire inestimable toute méthode pédagogique.

Sommaire : Waltz (Moritz Vogel) â?¢ Chorale Now Praise, My Soul, the Lord (J. S. Bach) â?¢ Humming Song from Album for the Young (Robert Schumann) â?¢ Gymnopédie No. 1 (Erik Satie) â?¢ Iâ??m Called Little Buttercup from HMS Pianoforte (Sir Arthur SeymourSullivan) â?¢ Study, op. 37 No.3 (Henry Lemoine) â?¢ Minuet Z649 (Henry Purcell) â?¢ Theme and Variation from Sonata No. 3 (Thomas Attwood) â?¢ Northern Song from Album for the Young (Robert Schumann) â?¢ Two German Dances from Twelve German Dances D 420(Franz Schubert) â?¢ Watchmanâ??s Song from Lyric Pieces op. 12 (Edvard Grieg) â?¢ Gavotte (Jan Dussek) â?¢ Vien qu , Dorina Bella, op. 7 (Antonio Bianchi, arr. Von Weber) â?¢ Minuet from Notebook for Anna Magdalena Bach (Christian Petzold) â?¢ The Prince ofDenmarkâ??s March from Choice Lessons for the Harpsichord or Spinet ( Jeremiah Clarke)

Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.

SKU: XC.HRMG2374

UPC: 785147111054. Text by Joseph Mohr.

Love's Pure Light, Silent Night is a lyrical setting blends the beloved tune and text with a captivating new tune sung by the descant. The result is a fresh look at an old favorite in the capable hands of Michael John Trotta. The added oboe gives a unique color to the piece. Fresh and captivating. Commissioned in honor of the 200th anniversary of the music by FBC San Antonio, this setting blends the beloved tune and text with a captivating new tune sung by the descant.

SKU: FZ.5911

ISBN 9790230659116. 22.00 x 31.00 cm inches.

These original publications of Bellinzani, Loeillet and Philidor are in facsimile on Fac-similes et Enseignement collection. Bellinzani Paolo Benedetto : Sonate a flauto solo con cembalo, o violoncello. Opera terza. Venezia, Antonio Bortoli, 1720. Sonata Quarta : Adagio, sans titre, Adagio, sans titre. Loeillet Jean-Baptiste : XII Sonates a une flute & basse continue. Amsterdam, Estienne Roger. Opus III. Sonate I : Adagio, Presto, Adagio, Presto, Largo, Vivace, Adagio, Allegro, Adagio, Allegro. Philidor Anne Danican : 1er Livre de pieces pour la flute traversiere, flute a bec, violons et hautbois avec la basse continue, 1712. Sonate pour la Flute a bec : lentement, Fugue, Courante, sans titre, Fugue. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - Civico Museo Bibliographico Musicale of Bologna (Italy). - National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

SKU: BT.DHP-1115078-216

9x12 inches. English-German-French-Dutch.

This three-part Easy Baroque Suite has been written for flexible instrumentation, making it possible for almost any instrument to participate. Robert van Beringen made sure the level of difficulty was appropriate for youth and school bands. The suite combines the Voluntary by Jeremiah Clarke, Menuett by Johann Krieger, Spring from Vivaldi’s Four Seasons and the Hallelujah Chorus from Handel’s Messiah.

Een écht barokconcert geven? Met deze suite voor een driestemmige variabele bezetting kan het! Robert van Beringen schreef een arrangement dat hij niet alleen qua bezetting aanpaste maar ook qua moeilijkheid geschikt maakte voor jeugdorkesten.Easy Baroque Suite is een arrangement van Voluntary van Jeremiah Clarke, Menuett van Johann Krieger, Lente uit de Vier jaargetijden van Vivaldi en de Hallelujah Chorus uit de Messiah van Handel.

Eine dreistimmig variable Besetzung kann mit dieser Suite ein kleines Barock-Konzert aufführen: In seiner nicht nur besetzungstechnisch, sondern auch vom Schwierigkeitsgrad Jugendblasorchestern angepassten Suite verarbeitete Robert van Beringen das Voluntary von Jeremiah Clarke, ein Menuett von Johann Krieger, den Frühling aus Vivaldis Vier Jahreszeiten und den Hallelujah Chorus aus Händels Messiah.

Tout ensemble instrumentation variable pourra remarquablement s’illustrer avec cette suite trois voix de style baroque, qui rassemble les thèmes suivants, Voluntary (Jeremiah Clarke), Menuet (Johann Krieger), Le Printemps (Antonio Vivaldi) et l’Hallelujah Chorus extrait du Messie de Haendel, dans un arrangement facile réalisé par Robert van Beringen.

Una suite a tre voci, composta dai seguenti temi: Voluntary (Jeremiah Clarke), Menuett (Johann Krieger), La Primavera (Antonio Vivaldi) e l’Hallelujah Chorus, estratto dal Messia di Haendel.

SKU: FH.VLR07

ISBN 9781554409082.

Carefully selected and curated to support teachers and students in their artistic and technical development, the Violin Series, 2021 Edition includes pieces from a diverse range of eras and styles that represent stepping stones to major violin repertoire. Each level is constructed to link repertoire selections to necessary techniques and corresponding etudes, while illustrating step-by-step connections for developing core skills. Each Repertoire book includes access to quality video and audio recordings by some of North America's finest violinists and accompanists; both performance and accompaniment-only tracks for each Repertoire selection offer students a model for performance practice and the convenience of accompanied rehearsal at home.

In Violin Repertoire 7, a broad cross-section of composers is explored, including Johann Sebastian Bach, Carl Bohm, Cesar Cui, Riccardo Drigo, Edward Elgar, Francesco Geminiani, Fritz Kreisler, Benedetto Marcello, Moritz Moszkowski, William Potstock, Friedrich Seitz, Edmund Severn, Franz Schubert, Paul Wachs, and Antonio Vivaldi. This varied repertoire provides ample opportunity for stylistic development. Violin Repertoire 7 encourages the expansion of artistry through the introduction of new key signatures, leading to comfort and awareness of melody and harmonic structure. Passagework includes first to seventh positions, increased chromaticism, motivic patterning, and the exploration of ornaments, alongside a variety of opportunities for mastering bow articulation.

SKU: TA.TSPB-44

In Mainstream Mallets, Jason Hammond-Wood has compiled over 20 short, 2-mallet solos with optional piano accompaniment to challenge more experienced middle school students while offering high school percussionists more performance opportunities.

All selections are familiar tunes, including classical favorites such as The Nutcracker, Sleeping Beauty, Anitra's Dance (from Peer Gynt), and The Barber of Seville. Also included are nonclassical melodies like The Stars and Stripes Forever, The Entertainer, and On Wisconsin (the university's fight song).

All pieces are playable on xylophone, vibraphone, or marimba, and two of the solos are adapted to be performed as duets! The optional piano accompaniment may be performed with a pianist, or by using the provided audio accompaniment tracks.

Mainstream Mallets includes these 24 pieces:

On Wisconsin | J.S. Hubbard and Charles D. Rosa | (Med-Easy, :35)
The Happy Farmer | Robert Schumann | (Med-Easy, :51)
Bourree | Johann Sebastian Bach | (Med-Easy, 1:51)
Infernal Galop | Jacques Offenbach | (Med-Easy, 1:06)
Sonatina | Muzio Clementi | (Medium, 1:07)
Hungarian Dance No. 5 | Johannes Brahms | (Medium, 1:47)
Pizzicati | Leo Delibes | (Med-Easy, 2:07)
Sleeping Beauty | Pyotr Ilyich Tchaikovsky | (Medium, 1:33)
The Barber of Seville | Gioachino Rossini | (Medium, 1:22)
The Royal Fireworks | George Frideric Handel | (Medium, 1:19)
Anitra's Dance | Edvard Grieg | (Medium, 1:40)
The Entertainer | Scott Joplin | (Medium, 2:10)
Spring Season | Antonio Vivaldi | (Medium, 1:47)
The Stars and Stripes Forever | John Phillip Sousa | (Medium, 2:12)
Badinerie | Johann Sebastian Bach | (Med-Advanced, :57)
The Chromatic Galop | Franz Liszt | (Medium, 1:19)
The Sorcerer's Apprentice | Paul Dukas | (Med-Advanced, 1:43)
Trepak [Russian Dance] | Pyotr Ilyich Tchaikovsky | (Med-Advanced, 1:10)
Turkish March | Wolfgang Amadeus Mozart | (Med-Advanced, 1:52)
Csardas | Vittorio Monti | (Med-Advanced, 1:44)
Back Home Again | James F. Hanley | (Medium, 1:18)
Raindrop | Frederic Chopin | (Medium, 1:45)
Bourree [Duet Version] | Johann Sebastian Bach | (Med-Easy, 1:53)
Sleeping Beauty [Duet Version] | Pyotr Ilyich Tchaikovsky | (Medium, 1:35)

Mainstream Mallets ships as a fully-bound book with a sleek cover design by Bob Beck of Montreal's Design Society. Also included are reference recordings of each solo, PDF parts for duets, PDF parts for the piano accompaniment, and audio tracks with piano only, so that players can perform with just the piano accompaniment.

SKU: HL.50603505

ISBN 9788881920549. UPC: 840126929034. 8x11 inches. Italian-English. - Vivaldi - It. - Intro in It./Eng. -.

The present reduction derives from the critical edition of the score, published in this catalog in November 2019. Antonio Vivaldi's La Dorilla, a heroic-pastoral opera on a libretto by Antonio Maria Lucchini, was premiered at the Teatro Sant'Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant Angelo, where, despite being greatly revised, it was once again successful. Many of its recitatives had been shortened and several arias replaced, some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers, such as Johann Adolf Hasse, Geminiano Giacomelli, Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi, who adjusted the libretto with the precise aim of satisfying the demands of the public, which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text.