SKU: P2.60028
Handel's La Rejouissance is the highlight of his fabulous Musick for the Royal Fireworks, composed for wind band to mark the end of the War of the Austrian Succession in 1749. It is quite a short piece, suitable for any celebratory occasions. This brass quintet arrangement features the horn particularly, as well as a challenging trombone part. The two trumpets are for piccolo and D trumpet, although a C part for the second trumpet is included should a D trumpet be unavailable.
SKU: IS.GQ7107EM
ISBN 9790365071074.
After graduating from the Royal Flemish Conservatory of Music in Antwerp, Guy Cuyvers pursued additional studies at the American University of Washington, D.C. During the 1980s and 90s, Guy wrote many compositions and arrangements for guitar. His first CD Cadence was released in 1996. One year later Pablo’s Friends, a book and CD with some of his guitar compositions, was published. In 1995, his career as a film composer knew a successful start with the release of his first soundtrack. In just a few years, Guy composed and recorded three CD’s with symphonic film music. Guy Cuyvers currently teaches at the music department of the academy in Mortsel, near Antwerp. In 2003, he founded the acoustic band Lunes. Its first album was released in May 2005. For more information on Guy Cuyvers: www.guycuyvers.com.
SKU: FH.VA6
ISBN 978-1-55440-568-8.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.Concertos:Concerto in B flat Major - Hoffmeister, Franz Anton arr. Alison A. Copland- First MovementPremier Solo, op. 77, no. 1 - Dancla, CharlesConcerto in C Major - Schmitt, Joseph arr. Bernhard Pauler- First MovementSonatas:Sonata in E Minor, HWV 375 - Handel, George Frideric arr. Harold Birston- Second Movement- Third MovementSolo per alto viola (The Billiard Sonata) - Giardini, Felice arr. Christine Donkin- Second Movement- Third MovementSonata in B flat Major - Stamitz, Carl- First MovementConcert Repertoire:Couplets de folies - Marais, Marin arr. Paul DoktorHebrew Melody No. 1 - Joachim, JosephAir with Variations (The Harmonious Blacksmith) - Handel, George Frideric arr. Watson ForbesOrientale - Granados, Enrique arr. Christine Donkinelegie, op. 44 - Glazunov, AleksandrUnaccompanied Repertoire:Fantasia No. 1 in E flat Major, TWV 40:14 - Telemann, Georg Philipp- First Movement- Second MovementSuite No. 1 in G Major, BWV 1007 - Bach, Johann Sebastian- First Movement: Prelude- Second Movement: Gigue.
SKU: CN.S11271
Touted as Britain's second national anthem, this stately tune by C. Hubert H. Parry transcribes beautifully for wind band and would be perfect for concert or festival settings.By the late 19th century Charles Hubert Parry was probably the most influential figure in English music. His works were performed at all the major festivals and as Director of the Royal College of Music, London, he founded a tradition of teaching form which many of the finest British composers benefitted. Much of his music nowadays in scarcely performed but some works have retained their popularity and none more than his setting of Blake's Jerusalem, published in 1916 and instantly taken up as an anthem during the First World War. Today it rivals Land of Hope and Glory in expressing the spirit of England in music.
SKU: CA.2103005
ISBN 9790007166489. Text language: Latin.
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, Andre Campra (1660-1744) composed numerous motets which frequently displayed the influence of contemporary opera. If today Campra is known almost exclusively for his famous Requiem, nevertheless his more than forty motets composed for soli, choir and orchestra are still awaiting discovery. Among these is a setting of Psalm 129, De profundis, published here in a new critical edition after the autograph score. The work was composed in 1723 during the first months of Campra's service to the French king and it proves to be the equal to the compositions of Michel-Richard de Lalande, who during his lifetime shaped and dominated the genre of the Grand Motet.. Score available separately - see item CA.2103000.
SKU: CA.2103013
ISBN 9790007198268. Text language: Latin.
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, Andre Campra (1660-1744) composed numerous motets which frequently displayed the influence of contemporary opera. If today Campra is known almost exclusively for his famous Requiem, nevertheless his more than forty motets composed for soli, choir and orchestra are still awaiting discovery. Among these is a setting of Psalm 129, De profundis, published here in a new critical edition after the autograph score. The work was composed in 1723 during the first months of Campra's service to the French king and it proves to be the equal to the compositions of Michel-Richard de Lalande, who during his lifetime shaped and dominated the genre of the Grand Motet.. Score and part available separately - see item CA.2103000.
SKU: HL.14042761
UPC: 888680688745. 9.25x12.0x0.214 inches.
3 Percussion parts and 1 Piano for Higher, Faster, Stronger by Eric Whitacre, Commissioned by BBC Radio 3. First performance 29 August 2012 at the BBC Proms, Royal Albert Hall, London by the BBC Singers, EricWhitacre Singers, ensemblebash (percussion) and Christopher Glynn (piano), conducted by the composer.
Scoring:
Triple chorus (SATB), including solo sopranoPercussion (3 players)Piano
Duration:
c.5 minutes
SKU: CF.CAS160F
ISBN 9781491165454. UPC: 680160924363. Key: C major.
The story of Samuel Coleridge-Taylor is of a rising star composer, one with a significant gift for melody and a simple lyricism, who embraced the previously unexplored song and dance forms from his father’s native west Africa and incorporated them into his own very European art music. Coleridge-Taylor began playing the violin at age five and by age fifteen wasadmitted to London’s Royal College of Music, where he studied both violin and composition and composed his first works. The simply-titled Melody is taken from Three Short Pieces for Organ - a set of pieces originally published in Novello’s Album for the Organ, No. 3 (1898). While certainly typical of the late 19th century, many of Coleridge-Taylor's creations display inspiration by African musical elements much like spirituals inspired Dvořák’s “New World†Symphony.
SKU: HL.14019741
ISBN 9780711935921. 7.0x10.0x1.19 inches.
A ballet in two acts which premiered on the stage of the Royal Danish Theatre, Copenhagen, on 14th March 1991. Based on the true story of the sister of George III, Caroline Mathilde (1751-1775), who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King, Christian VII. The ballet portrays her unhappy marriage, the King's growing madness and her fatal love-affair with Struensee, the King's influential physician, which leads to their arrest, his execution and her exile, at the age of 20, separated from her two young children.Written for full symphony orchestra and female chorus. Duration c. 2hrs 25mins.
SKU: BR.EB-8041
World premiere: Dusseldorf, May 20, 1978
ISBN 9790004174401. 9 x 12 inches.
During the intensive study of Johann Sebastian Bach's Musical Offering for the creation of a commissioned composition for wind trio, I had the idea of writing a larger organ work on the Royal Theme at the same time. This is how the Three Ricercare came into being. They are multi-part fantasies for organ, which - connected by the frequently transformed thematic material of the Musical Offering and the manifoldly reshaped B-A-C-H motif - alternate between free, rapsodic parts on the one hand and strictly structured parts on the other. For my 60th birthday, W. E. v. Lewinski wrote an appreciation under the title: Music in the span between constraint and freedom. This formulation aptly characterizes the new organ work. (Jurg Baur) CD: Martin Herchenroder CD Koch 3-1846-3 H1 Bibliography: Semrau , Arno: Polpyhone Orgelmusik von Johann Sebastian Bach bis Jurg Baur, Augsburg: Wissner 2001, darin besonders pp. 259-304 und 510-532. Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, pp. 23-31.World premiere: Dusseldorf, May 20, 1978.
SKU: BT.DHP-1053790-040
9x12 inches. English-German-French-Dutch.
Le compositeur et violoniste tchèque Frantisek Vincenc Kramar dont le nom fut germanisé en Franz Vinzenz Krommer, est né le 27 novembre 1759 Kamenice en Moravie occidentale et mort le 8 janvier 1831 Vienne en Autriche. l’adolescence, il est initié l’art du violon et l’orgue par son oncle Anton Matthias Krommer lui-même organiste et chef de chœur. En 1785, il fait un premier séjour Vienne avant de rejoindre l’orchestre du Comte de Limburg-Stirum dont la résidence se trouve Simontornya en Hongrie. Il est engagé d’abord en tant que violon solo de l’orchestre puis plus tard en tant que maître de chapelle. Vers 1790, il obtient le poste de chef de chœur la cathédrale de Pécs. Il quitte cette fonction en 1793 pour entrer au service du Comte Károlyi puis du Prince Antal Grassalkovich. En 1795, suite au décès du prince hongrois, Franz Krommer revient Vienne. Après une longue période d’infortune, il entre comme Maître de Chapelle au service du Duc Ignaz Fuchs, en 1806. Quatre ans plus tard, il est nommé au poste de directeur musical du Thé tre Royal et Impérial de Vienne (Wiener Hoftheater). En 1818, succédant Leopold (Johann Anton) Kozeluch, il devient le dernier Maître de musique de chambre et compositeur de la cour des Habsbourg. Il gardera ses fonctions jusqu’ sa mort en 1831.Franz Krommer était l’un des plus illustres compositeurs tchèques de la Vienne impériale vers la fin du XVIIIe siècle. Sa musique était très appréciée de son vivant et certains le considéraient comme le digne héritier de Joseph Haydn. Son style est indéniablement apparenté ce dernier mais aussi celui de Mozart. Franz Krommer a composé de nombreuses symphonies, des concertos (essentiellement pour instruments vent solistes), des duos pour violons, des quatuors cordes, de la musique de chambre et des œuvres sacrées. Le Concerto pour Clarinette Opus 36 de Krommer a été publié pour la première fois en 1803 chez l’éditeur allemand Johann Anton André.
SKU: BA.BA05023-01
ISBN 9790006461875. 33 x 26 cm inches.
Urtext der Neuen Mozart-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: SU.00220240
The complete Harp, Keyboard and auxiliary parts [CD-ROM] for the 53 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 10: Bach, Handel and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: ARNE The Masque of Comus, Overture; C. P. E. BACH Magnificat, Sinfonia in D, Sinfonia in Eb, Sinfonia in F; J. S. BACH Brandenburg Concertos 1-6, Christmas Oratorio, Concerto for Violin in A Minor, Concerto for Violin in E Major, Easter Oratorio (Kommt, eilet und laufet), Magnificat in D Major, Mass in B Minor, St. John Passion, St. Matthew Passion, Orchestral Suites 1-4; BOCCHERINI Sinfonia, Op. 22, No. 1, Symphony No. 23 in D Minor, Op. 37, No. 3; CIMAROSA Il Matrimonio Segreto, Overture; DITTERSDORF Symphonies 1-6; GLUCK Dance of the Blessed Spirits, Don Juan Ballet Suite, Iphigenia in Aulis Overture, Orfeo ed Euridice Overture, Paris and Helena Ballet Suite; HANDEL Music for the Royal Fireworks, Israel in Egypt, Judas Maccabaeus, Julius Caesar, Messiah (Mozart version), Messiah (Prout version), Saul Overture, Water Music, Xerxes; HÉROLD Zampa Overture; LULLY Ballet Suite (Mottl); MÉHUL Joseph Overture; PAISIELLO Barber of Seville Overture; RAMEAU Ballet Suite from Platèe, Castor and Pollux Suite, Sixth Concert (Suite) Visit for more information
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: BT.MUSM570363520
English.
Lu s Tinoco 's Autumn Wind . Parts for Wind Quintet. Composed 1998, published 2004. Commissioned by the Junior Academy of the Royal Academy of Music. First performance: RAM/Junior Academy students, Duke's Hall, RAM, London, 20th June 1998. First professional performance: Galliard Ensemble, Wanstead and Woodford Festival of Chamber Music, Holy Trinity Church, 17th April 1999. Recorded on MERIDIAN CDE 84429 and DEUX-ELLES DXL 1084. Duration: c. 10 minutes.
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