SKU: HL.48181576
UPC: 888680906900. 9.0x12.0x0.129 inches.
“Published in 1953, the Concerto for Clarinet and Orchestra was composed by the French composer, conductor and winner of the Grand Prix de Rome in 1927, Henri Tomasi (1901-1971). This concerto was dedicated to Ulysse Delécluse (1907-1995), a French Clarinettist known for his transcription of 'Quinze études' by J. S. Bach for the clarinet. Each of its three movements were chosen to be the examination pieces at the Paris Conservatoire, the first movement for the Examination Solo in 1953 and the second and third for the Contest Solo in 1966. This concerto begins with an unconventional start, the clarinet playing on its own and being joined later by the orchestra. It also contains some unusual material such as polychords and dissonances through the piece. Notes on this concerto by Henri Tomasi himself were written in 1957, describing the importance of the improvisation for the principal topic.â€.
SKU: HH.HH593-SSC
ISBN 9790708213086.
More Imaginary Folksongs (for violin and orchestra) should be seen as a companion piece to my Three Imaginary Folksongs (for clarinet and orchestra), written in 2017. Both have been written to feature a member of the orchestra which commissioned the pieces – in the clarinet pieces it was the principal clarinettist, Jacqueline Thomas, and in the present piece, the leader, Leo Byrne. As with the clarinet pieces, the present pieces might be heard as coming from imaginary places, referencing elements of the styles of earlier folksong-inspired composers. The plaintive tone of the first folksong contrasts with the livelier, dance-like patterns of the second.
SKU: HL.14021781
UPC: 884088524791. 9.0x12.0x0.056 inches.
Xavier Montsalvatge (1912-2002) was a consummate Spanish composer who explored many 20th century styles including Impressionism, Serialism, Modernism, and Wagnerism, while maintaining a distinctive Catalan character. He first came to prominence in 1940, after the Spanish Civil War, and is seen to represent the lost generation which was active in the second half of the 1900's. He helped to advance Spanish music from the Nationalistic style that dominated before the war, and began to introduce West Indian influences into European music. Self-Parafrasis for Clarinet and Piano was written around 1968, when Montsalvatge was just coming into the height of his compositional prowess. Itis presented here in a high-quality glossy cover, and would make the perfect gift for any clarinettist.
SKU: HL.259447
UPC: 888680753870. 9x12 inches. English.
This work, originally for clarinet and tape, was revised by the composer in 2019 and re-scored for two clarinets. The piece is preferably played with the clarinet soloist onstage playing the upper stave while the lower stave is played offstage by a second clarinettist. The name 'solo' refers more to a state of mind than a literal description of the piece.
SKU: BT.DOW-07505-400
ISBN 9789043147538. English-German-French.
The Concertino Op. 26 in E-flat Major by Carl Maria von Weber belongs to the standard repertoire of every clarinettist. This edition allows the player to work through the piece systematically with the CD at 3 different practice tempi withaccompaniment, including a full concert version as well. We hope you enjoy playing from our DOWANI 3 Tempi Play Along editions!Het Concertino opus 26 in Es majeur van Carl Maria von Weber behoort tot het standaardrepertoire van iedere klarinettist. Deze uitgave geeft de leerling de mogelijkheid dit werk systematisch in te studeren met behulp van de cd, die drie verschillendeoefentempi met begeleiding omvat, evenals een volledige demoversie. We hopen dat je met veel plezier zult spelen uit onze DOWANI 3 Tempi Play Along-uitgaven!Das Concertino in Es-Dur op. 26, von Carl Maria von Weber gehört zum Standardrepertoire jedes Klarinettisten. Die vorliegende Ausgabe bietet die Möglichkeit, das Werk systematisch und in drei verschiedenen Tempi mit CD-Begleitung zu erarbeiten.Außerdem beinhaltet die CD eine Konzertversion. Wir wünschen Ihnen viel Spaß beim Musizieren mit unseren DOWANI 3 Tempi Play Along-Ausgaben!Le Concertino Op.26 en mi bémol Majeur de Carl Maria von Weber fait partie du répertoire de chaque clarinettiste. Cette édition permet au musicien de travailler systématiquement le morceau avec CD, sur trois tempos d’entraînement différents, quiinclut aussi une version de concert. Nous espérons que vous prendrez du plaisir jouer nos éditions « DOWANI 3 Tempi Play Along » !
SKU: HL.49019040
ISBN 9790001168793. 9.25x12.0x0.134 inches.
From 19th-century tradition, we know numerous examples of clarinet sonatas which were transcribed for viola. In the present edition Killmayer's piece, originally written for viola and piano, is arranged for clarinet and piano. The romantic, sentimental spirit in the musical language typical of Killmayer is a valuable addition to the repertoire of each clarinettist.
SKU: HL.50499647
ISBN 9790080148525. UPC: 196288126645. 8.0x11.25x0.076 inches. Gergely Vajda.
Gergely Vajda composed Lightshadow-trembling at the age of 20 in 1993. Being a clarinettist, he was interested in the possibilities of both traditional and modern ways of playing. Noise elements and sometimes imitations of the sound of folk instruments (bagpipe, reed-pipe) appear in this spectacular concert piece.
SKU: HL.49045397
ISBN 9790001160421. UPC: 841886029316.
Wilfried Hiller arranged three dances from Carl Orff's Carmina Burana for the famous klezmer clarinettist Giora Feidman. The version for clarinet and four violoncellos was first performed by him together with the Gershwin Quartet in 2015.
SKU: BT.EMBZ14852
Gergely Vajda composed Lightshadow-trembling at the age of 20 in 1993. Being a clarinettist, he was interested in the possibilities of both traditional and modern ways of playing. Noise elements and sometimes imitations of the sound of folk instruments (bagpipe, reed-pipe) appear in this spectacular concert piece. Gergely Vajda komponierte LIGHTSHADOW-TREMBLING 1993 im Alter von 20 Jahren. Als Klarinettist war er besonders daran interessiert, sowohl die traditionellen als auch die modernen Spielarten des Instruments auszuschöpfen. So tauchen denn auchGeräuschelemente und Nachahmungen von volkstümlichen Instrumenten wie z.B. des Dudelsacks oder der Rohrpfeife in diesem spektakulären Konzertwerk auf.
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