SKU: FL.FX072458-1
The 40 Studies compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. Finally, you will find, at the end of the book some ways of working. ; Instruments: Solo Clarinet; Difficuly Level: Grade 3.
SKU: FL.FX072458-2
The 40 Studies compiled by Cyrille Rose are still today one of the most used by clarinetists. Adapting major violin studies of the 18th and 19th century, Rose made an excellent choice of technical and expressive materials. He freely changed the tone, articulations and note ranges to adapt as much as possible to mechanical and physiological specificities of the clarinet. Nevertheless, each study is a challenge that must be overcome by a slow and patient work which, if properly structured, develops and strengthens greatly the capacity of the clarinetist. In this new edition, the references of original studies are provided, supplemented by a brief biography of their authors. ; Instruments: Solo Clarinet; Difficuly Level: Grade 3.
SKU: BR.MR-2259
ISBN 9790004488058. 9 x 12 inches.
In spite of his more than 200 works, Andreas Spath remains a minor figure in Romantic music. But this is of little concern to today’s clarinetists, who can now enjoy his idiomatic "Variations on a Theme by Mozart" op. 104. Just as Beethoven before him and many other composers of his own time and later, Spath chooses the duet "Bei Mannern, welche Liebe fuhlen," a popular theme from the then still very successful Magic Flute, and leads it knowledgeably through all of the clarinet’s registers. The new edition is based on the first print, published during Spath’s lifetime.
SKU: PR.114417570
ISBN 9781491107867. UPC: 680160636013. 9x12 inches.
The famous set of dances by Norway's greatest composer were written for piano duet. Grieg later created a piano solo version, but refused to orchestrate the set. After some study of Grieg and his music, Michael Webster has arranged the four dances for Flute, Clarinet, and Piano in a faithful setting, using the piano duet version as a guide. This lively Grieg classic will be a welcome new addition to performance programs. For advanced performers._______________________________________Text from the scanned back cover:Born in 1944, MICHAEL WEBSTER made his New York recital debut at Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice Universityâ??s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled â??TeachingClarinetâ? in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively. NORWEGIAN DANCES (Grieg)Michael Websterâ??s transcriptions for Flute, Clarinet, and Piano have created the core literature for this instrumental genre. Working directly from Griegâ??s original piano four-hands version of the charmingly familiar Norwegian Dances, Webster has given flutists and clarinetists another addition to the ensembleâ??s repertoire.
SKU: HL.49044553
ISBN 9790001197731.
The clarinettist Irith Gabriely was inspired by her love of Barbara Heller's Dialogues (for violin and viola) to arrange these duets for two Bb clarinets. The result is a set of varied concertante dialogues that present clarinettists with a few challenges, requiring stamina, breath control, intense and contrasting dynamics, chromatic passages, whole tone passages, sensitive tone production, leaps across wide intervals, fast playing, disciplined rhythmic control and listening to one another closely. In this edition all tempo indications and dynamic markings are intended for guidance: these duets may equally well be interpreted in other ways. This edition therefore also includes a second section where all the pieces are reproduced without such markings, ready for individual interpretation. The Dialogues lend themselves very well to chamber performances; they are also short enough to serve as brief interludesat readings or exhibitions. Their expressive qualities, brevity and range of musical and technical demands make them highly suitable material for youth music competitions. A flute or oboe might well be played with the clarinet as alternative instrumentation for these duets (ED 22017).
SKU: PR.144406050
ISBN 9781491101520. UPC: 680160621835. 9 x 12 inches.
Written in 1984 for clarinetist Ross Powell and the Caruth Auditorium at Southern Methodist University, Chalumeau prefers a large, resonant space. It is scored for one onstage clarinet (unamplified), with a second clarinet (amplified) preferably situated behind the audience and raised. Optionally, the second clarinet part can be pre-recorded by the solo clarinetist. Further, a brief third clarinet part can be performed live or pre-recorded. For advanced performers. Duration:c.6'.
SKU: PR.114419070
ISBN 9781491113493. UPC: 680160671540. 9 x 12 inches.
Martin Amlin’s first recital work for Trumpet and Piano brings all the iridescent excitement that has intrigued other performers. Composed for his renowned colleague Terry Everson, Amlin’s sonata pours new wine into old bottles with its three movements titled: 1. Invention, 2. Chaconne, and 3. Moto Perpetuo. The publication provides solo parts for both C and E-flat Trumpet. Composer and pianist Martin Amlin has received grants from the National Endowment for the Arts, Tanglewood Music Center, Massachusetts Cultural Council, Massachusetts Artists Foundation, St. Botolph Club Foundation, and the Massachusetts Council for the Arts. He was a recipient of an ASCAP Grant to Young Composers and has received many ASCAPlus Awards. He has been a resident at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony, where he was named a Norlin Fellow.Much of Amlin’s music is characterized by a pungent tonality and energetic rhythms. His Sonata for Piccolo and Piano and Sonata No. 2 for Flute and Piano both won the National Flute Association’s Newly Published Music Competition. Concerto for Piccolo and Orchestra was premiered by the Atlanta Symphony Orchestra,and he has had performances of his music by the Pro Arte Chamber Orchestra, Tanglewood Festival Chorus, John Oliver Chorale, Back Bay Chorale, Webster Trio, and the American Vocal Arts Quintet. He has had commissions from the Seattle Flute Society, Pacific Serenades, the Chicago Flute Club, ALEA III, the James Pappoutsakis memorial flute competition, pianist Andrew Willis, and clarinetist Michael Webster.Martin Amlin is Chairman of the Department of Composition and Theory at Boston University and Director of the Young Artists Composition Program at the Boston University Tanglewood Institute. He is also recipient of Boston University’s Kahn Award for his Piano Sonata No. 7. He studied with Nadia Boulanger at the Ecoles d’Art Américaines in Fontainebleau and the Ecole Normale de Musique in Paris, and received masters and doctoral degrees as well as the Performer’s Certificate from the Eastman School of Music. Mr. Amlin has appeared as soloist with the Boston Pops Orchestra in performances of Mendelssohn’s Piano Concerto No. 1 and Gershwin’s Rhapsody in Blue, and has performed on the Boston Symphony Orchestra’s Prelude concerts at both Symphony Hall and Tanglewood. He has also appeared on the FleetBoston Celebrity Series and been pianist for the M.I.T. Experimental Music Studio and the New England Ragtime Ensemble. He has often been heard live on Boston’s WGBH radio station as both performer and composer, and has given world premieres of many new works.Martin Amlin has recordings on the Albany, Ashmont Music, Centaur, Crystal, Folkways, Hyperion, Koch International, Opus One, Titanic, and Wergo labels. .
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