| By the rivers of Babylon Choral SATB [Score] Barenreiter
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint...(+)
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint-Saens. Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Score. Baerenreiter Verlag #BA11309. Published by Baerenreiter Verlag (BA.BA11309). ISBN 9790006577705. 27 x 19 cm inches. Text Language: English. It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.
It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.
In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.
Saint-Saëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.
The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$13.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Lovers Choral SATB SATB Schirmer
SATB. By Samuel Barber. (SATB). Choral Large Works. Size 9x12 inches. 80 pages....(+)
SATB. By Samuel Barber. (SATB). Choral Large Works. Size 9x12 inches. 80 pages. Published by G. Schirmer, Inc.
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Was ist die Welt? Choral SATB SATB, Piano [Score] Carus Verlag
SATB Choir, Piano SKU: CA.926610 From: Sonne, Mond und Sterne. Com...(+)
SATB Choir, Piano SKU: CA.926610 From: Sonne, Mond und Sterne. Composed by Peter Schindler. Carus digital: Extra digital products. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.926610). ISBN 9790007295578. German. Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about Was ist die Welt?A strict Allegro ben ritmato symbolises how inexorable the course of the world is. The choir chants the question about what Welt (the world) actually is. Hectic bustle is expressed through a pulsing basic motif. This is repeated constantly and moves through the parts. A lyrical B flat minor in the central section allows us to float like shadows on the way into a dream.The song text is a collage. The first verse, by the Baroque poet Christian Hoffmann von Hoffmannswaldau, is concerned with the vanitas motif: the world, and everything which seems beautiful to us, is ephemeral. The second and third verses were written in the 18th century by Johann Gottfried Herder. Here, the poet expounds the view that real life does not take place in the world and that people's mathematical abilities are insufficient to measure space and time. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mottetto per San Paolino Choral SATB [Vocal Score] Carus Verlag
By Giacomo Puccini (1858-1924). Edited by Dieter Schickling. For Baritone Voice ...(+)
By Giacomo Puccini (1858-1924). Edited by Dieter Schickling. For Baritone Voice Solo, SATB Choir, Ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 Violin, viola, cello, contrabass. This edition: P. Vocal Score. Motets.
$14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Achieved Is the Glorious Work (from The Creation) Choral SATB SATB [Octavo] - Intermediate Belwin
From The Creation. Composed by Franz Joseph Haydn (1732-1809) and English transl...(+)
From The Creation. Composed by Franz Joseph Haydn (1732-1809) and English translation by Baron van Swieten. Arranged by Earlene Rentz. Masterworks; Performance Music Ensemble; Single Titles. Alfred Archive Edition: Belwin Festival Series. Classical; Masterwork Arrangement; Sacred. Choral Octavo. 12 pages. Belwin Music #00-OCTM05012. Published by Belwin Music
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jarba, Mare Jarba Choral SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700). ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk. In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.). In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).ÂÂ. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mottetto per San Paolino Choral SATB [Score and Parts] Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 violin, viola, cello, contrabass SKU: CA.2740319 Composed by Giacomo Puccini. Edited by Dieter Schickling. Complete orchestral parts. Sacred vocal music, Motets. Set of Orchestra Parts. SC. Duration 15 minutes. Carus Verlag #CV 27.403/19. Published by Carus Verlag (CA.2740319). ISBN 9790007133900. Language: Latin. Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together. Score and parts available separately - see item CA.2740300. $217.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mottetto per San Paolino Choral SATB [Score and Parts] Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 violin, viola, cello, contrabass SKU: CA.2740309 Composed by Giacomo Puccini. Edited by Dieter Schickling. 1x 27.403/21 piccolo, 1x 27.403/22 flute 1, 1x 27.403/23 flute 2, 1x 27.403/24 oboe 1, 1x 27.403/25 oboe 2, 1x 27.403/26 clarinet 1, 1x 27.403/27 clarinet 2, 1x 27.403/28 bassoon 1, 1x 27.403/29 bassoon 2, 1x 27.403/31 horn 1, 1x 27.403/32 horn 2, 1x 27.4. Harmony parts. Sacred vocal music, Motets. Set of Orchestra Parts. SC. 88 pages. Duration 15 minutes. Carus Verlag #CV 27.403/09. Published by Carus Verlag (CA.2740309). ISBN 9790007201944. Language: Latin. Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together. Score and parts available separately - see item CA.2740300. $82.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mottetto per San Paolino Choral SATB Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 violin, viola, cello, contrabass SKU: CA.2740315 Composed by Giacomo Puccini. Edited by Dieter Schickling. Double bass. Sacred vocal music, Motets. Single Part, Double Bass. SC. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.403/15. Published by Carus Verlag (CA.2740315). ISBN 9790007201999. Language: Latin. Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together. Score and part available separately - see item CA.2740300. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Songs of the Soul - Vocal Score Choral SATB SATB divisi [Vocal Score] Schirmer
By Robert Kyr (1952-). For Soprano Voice and Baritone Voice soli, SATB Choir div...(+)
By Robert Kyr (1952-). For Soprano Voice and Baritone Voice soli, SATB Choir divisi, String Trio. Choral, general. Vocal Score. Published by E.C. Schirmer Publishing
$30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Into the Wordless Choral SATB [Score] Carus Verlag
SATB choir, percussion SKU: CA.965700 Composed by Daniel Elder. Edited by...(+)
SATB choir, percussion SKU: CA.965700 Composed by Daniel Elder. Edited by Stefan Schuck. Carus Contemporary. CARUS CONTEMPORARY. Full score. 20 pages. Carus Verlag #CV 09.657/00. Published by Carus Verlag (CA.965700). ISBN 9790007165079. Text language: English. Into the Wordless compares two poems by Walt Whitman, both from his landmark publication Leaves of Grass. These two disparate texts fit together in a hauntingly symbiotic way, and in this setting they are compared musically in two distinct styles that represent a dual-reality experienced by the narrator. As the poems are interwoven section by section, the plagal nature of Gliding Over All joins seamlessly with the pa n-diatonicpatterns in A Clear Midnight, in particular their shared weight of A-flat major - historically theorized as the key of the grave (Christian Schubart's Ideen zu einer Asthetik der Tonkunst, 1806) - albeit in different harmonic contexts. (Daniel Elder). $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 9 (Choral Movement) Choral SATB satb (soli), SATB (choir), Orchestra [Sheet music] Alfred Publishing
By Ludwig van Beethoven. For Orch. (SATB with SATB or B Soli). Choral Extended ...(+)
By Ludwig van Beethoven. For Orch. (SATB with SATB or B Soli). Choral Extended Work. Masterwork. 64 pages. Published by Alfred Publishing.
(2)$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Die Geburt Christi Choral SATB - Easy Carus Verlag
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 ...(+)
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2 SKU: CA.4019606 Composed by Heinrich von Herzogenberg. Children's choir. Sacred vocal music, Oratorios, Christmas. Choral Score. Op. 90. 4 pages. Carus Verlag #CV 40.196/06. Published by Carus Verlag (CA.4019606). ISBN 9790007181482. Language: German. The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score available separately - see item CA.4019600. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Die Geburt Christi Choral SATB - Easy Carus Verlag
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 ...(+)
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2 SKU: CA.4019605 Composed by Heinrich von Herzogenberg. Sacred vocal music, Oratorios, Christmas. Choral Score. Op. 90. 40 pages. Carus Verlag #CV 40.196/05. Published by Carus Verlag (CA.4019605). ISBN 9790007064877. Language: German. The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score available separately - see item CA.4019600. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Die Geburt Christi Choral SATB [Score and Parts] - Easy Carus Verlag
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 ...(+)
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2 SKU: CA.4019619 Composed by Heinrich von Herzogenberg. Complete orchestral parts. Sacred vocal music, Oratorios, Christmas. Set of Orchestra Parts. Op. 90. Carus Verlag #CV 40.196/19. Published by Carus Verlag (CA.4019619). ISBN 9790007133146. Language: German. The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score and parts available separately - see item CA.4019600. $150.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Die Geburt Christi Choral SATB - Easy Carus Verlag
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 ...(+)
SATTBB vocal soli, SATB/SATB choir, SSA children's choir, congregation, oboe, 2 violins, viola, cello, contrabass, organ, armo - Level 2 SKU: CA.4019608 Composed by Heinrich von Herzogenberg. Congregation. Sacred vocal music, Oratorios, Christmas. Single Part, Gemeinde. Op. 90. 4 pages. Carus Verlag #CV 40.196/08. Published by Carus Verlag (CA.4019608). ISBN 9790007076221. Language: German. The Christmas oratorio Die Geburt Christi op. 90 was first performed in 1894 in the St. Thomas Church in Strassburg and today it has been rediscovered. It is the first of a trio of so-called church oratorios by Brahms's friend, Heinrich von Herzogenberg. It was followed by Die Passion op. 93 and Erntefeier op. 104, all of which have been published by Carus in reprints of earlier editions. With these works which are partly neo-baroque, partly late romantic choral works, Herzogenberg commits himself to a new form of the Protestant worship service characterized by a high artistic level, but still near to the congregation. Allowing the choir to be accompanied by instruments outside the closed liturgical form of the service goes back to a concept of the theologian from Strasbourg, Friedrich Spitta. Since Christmas was a good occasion for the choir to perform independently, Spitta decided to put together the text for a Christmas oratorio and to commission Herzogenberg to realize it musically. Score and part available separately - see item CA.4019600. $1.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Amarus Choral SATB Barenreiter
Solo voices, choir, orchestra (Tenor Voice Solo, BarSolo, SATB Choir, Fl-Picc, 2...(+)
Solo voices, choir, orchestra (Tenor Voice Solo, BarSolo, SATB Choir, Fl-Picc, 2 Fl, 2 Ob, EnglHn, 2 clarinet, 2 clarinet-a, clarinet-B-b, 2 bassoon, bassoon-Co, 4Hn, 2 Trp, 3trombone, Tb, timpani, 2 percussion, harp, v-solo, Va-Solo, vc-solo, Str) SKU: BA.BA06851 Kantáta pro sóla, SmÃseny sbor a orchestr - Kantate für Soli, gemischten Chor und Orchester (1897). Composed by Leos Janacek. Edited by LeoÅ¡ Faltus, Marie Kucerová, and MiloÅ¡ Å tedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek B/1. Complete edition, Score. Composed 1897. Duration 28 minutes, 4 seconds. Baerenreiter Verlag #BA06851_00. Published by Baerenreiter Verlag (BA.BA06851). ISBN 9790006496723. 34.3 x 27.3 cm inches. Over the years Janácek’s uvre has increasingly received the recognition it so richly merits and performances of his works are becoming more and more frequent. This development is, however, offset by a manuscript tradition so disorderly that some of Janácek’s works continue, as before, to be played in versions which are heavily adapted, corrupt or otherwise contrary to the composer’s intentions. Thus, a critical edition of Janácek’s music is indispensable for scholars and performers alike.
This edition presents an authentic printed text based on all available sources for each work. In addition to the musical text, each volume also contains a critical report (Czech/German), a rendition of deleted or rejected versions, and a comprehensive appendix of facsimiles.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$139.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Coming Of Winter Satb Choral SATB Schott
Mixed choir (SATB) (SATB) SKU: HL.49044832 For mixed choir (SATB)....(+)
Mixed choir (SATB) (SATB) SKU: HL.49044832 For mixed choir (SATB). Composed by Gerald Barry. This edition: Saddle stitching. Sheet music. Choral. Softcover. Composed 1997. 15 pages. Duration 3'. Schott Music #ED13765. Published by Schott Music (HL.49044832). ISBN 9790220136078. UPC: 841886025868. 8.25x11.75x0.081 inches. English. Gerald Barry's The coming of winter is a setting of an Irish poem dating from the 9th or 10th century, and was commissioned for the 34th Seminar on Contemporary Choral Music at University College, Cork, in May 1997. The setting is notable for its idiosyncratic use of text: not only are the words of the poem sung both forwards and backwards, but the second half of the piece is given over to percussive nonsense syllables, making this a quirky but highly invigorating image of 'the coming of winter'. $7.99 - See more - Buy online | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB Carus Verlag
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910805(+)
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910805 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Herzlich tut mich verlangen. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Choral Score. TVWV 1:784. 16 pages. Duration 18 minutes. Carus Verlag #CV 39.108/05. Published by Carus Verlag (CA.3910805). ISBN 9790007055417. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score available separately - see item CA.3910800. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB [Score] Carus Verlag
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910800(+)
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910800 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Herzlich tut mich verlangen. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Full score. TVWV 1:784. 48 pages. Duration 18 minutes. Carus Verlag #CV 39.108/00. Published by Carus Verlag (CA.3910800). ISBN 9790007055400. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB [Score and Parts] Carus Verlag
Soli TB, SATB Choir, 2 Violins, Viola, Basso continuo SKU: CA.3910819 ...(+)
Soli TB, SATB Choir, 2 Violins, Viola, Basso continuo SKU: CA.3910819 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Complete orchestral parts. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Set of Orchestra Parts. TVWV 1:784. Duration 18 minutes. Carus Verlag #CV 39.108/19. Published by Carus Verlag (CA.3910819). ISBN 9790007215415. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score and parts available separately - see item CA.3910800. $86.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB Carus Verlag
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910811(+)
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910811 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Herzlich tut mich verlangen. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Single Part, Violin 1. TVWV 1:784. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.108/11. Published by Carus Verlag (CA.3910811). ISBN 9790007055424. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score and part available separately - see item CA.3910800. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB Carus Verlag
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910814(+)
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910814 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Herzlich tut mich verlangen. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Single Part, Cello/Double Bass. TVWV 1:784. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.108/14. Published by Carus Verlag (CA.3910814). ISBN 9790007055455. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score and part available separately - see item CA.3910800. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB Carus Verlag
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910812(+)
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910812 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Herzlich tut mich verlangen. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Single Part, Violin 2. TVWV 1:784. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.108/12. Published by Carus Verlag (CA.3910812). ISBN 9790007055431. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score and part available separately - see item CA.3910800. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| My longing is unbounded (Herzlich tut mich verlangen) Choral SATB Carus Verlag
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910813(+)
TB vocal soli, SATB choir, 2 violins, viola, basso continuo SKU: CA.3910813 Kantate zu Mariae Reinigung. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Herzlich tut mich verlangen. Sacred vocal music, Cantatas, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Mourning, death. Single Part, Viola. TVWV 1:784. 8 pages. Duration 18 minutes. Carus Verlag #CV 39.108/13. Published by Carus Verlag (CA.3910813). ISBN 9790007055448. Key: G minor. Language: German/English. The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score and part available separately - see item CA.3910800. $7.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gedanken uber die Zeit Choral SATB SATB, Piano [Score] Carus Verlag
SATB Choir, Piano SKU: CA.926620 From: Sonne, Mond und Sterne. Com...(+)
SATB Choir, Piano SKU: CA.926620 From: Sonne, Mond und Sterne. Composed by Peter Schindler. Carus digital: Extra digital products. Full Score. Duration 3 minutes. Published by Carus Verlag (CA.926620). ISBN 9790007295592. German. Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on old texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.- choral work of medium difficulty- will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background-cross-over between jazz, chanson, and chamber music Peter Schindler about Gedanken uber die Zeit:Paul Fleming was one of the most important lyric poets in German Baroque literature. He wrote his poem Gedanken uber die Zeit in his early twenties; it was first published in 1634 as an epitaph. All the nuances of the concept of time are artistically contrasted, and the motif Zeit (time) is explored and played with in a dialectical manner.The male voices begin in unison at an andante maestoso tempo, followed by a leisurely progress in homophonic writing in a slightly freer rhythm. A lively middle section follows which leads into the opening motif again in the last section. The third section contains a fugue, and the end is unison once again. And so the words are like a manifesto by the poet. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mottetto per San Paolino Choral SATB [Score] Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 violin, viola, cello, contrabass SKU: CA.2740300 Composed by Giacomo Puccini. Edited by Dieter Schickling. This edition: Paperbound. German title: Mottetto per San Paolino. Sacred, Motets. Full score. SC. 64 pages. Duration 15 minutes. Carus Verlag #CV 27.403/00. Published by Carus Verlag (CA.2740300). ISBN 9790007058104. Language: Latin. Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together. $57.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mottetto per San Paolino Choral SATB Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 violin, viola, cello, contrabass SKU: CA.2740314 Composed by Giacomo Puccini. Edited by Dieter Schickling. Violoncello. Sacred vocal music, Motets. Single Part, Cello. SC. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.403/14. Published by Carus Verlag (CA.2740314). ISBN 9790007201982. Language: Latin. Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together. Score and part available separately - see item CA.2740300. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mottetto per San Paolino Choral SATB Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 violin, viola, cello, contrabass SKU: CA.2740311 Composed by Giacomo Puccini. Edited by Dieter Schickling. Violin 1. Sacred vocal music, Motets. Single Part, Violin 1. SC. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.403/11. Published by Carus Verlag (CA.2740311). ISBN 9790007201951. Language: Latin. Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together. Score and part available separately - see item CA.2740300. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mottetto per San Paolino Choral SATB Carus Verlag
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarin...(+)
Orchestra baritone voice solo, SATB choir, ottavino, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, tuba, percussion, 2 violin, viola, cello, contrabass SKU: CA.2740313 Composed by Giacomo Puccini. Edited by Dieter Schickling. Viola. Sacred vocal music, Motets. Single Part, Viola. SC. 8 pages. Duration 15 minutes. Carus Verlag #CV 27.403/13. Published by Carus Verlag (CA.2740313). ISBN 9790007201975. Language: Latin. Puccini's first known sacred work was composed during his school days at the Istituto Pacini in Lucca. It was first performed there in 1877. The text was a hymn to the Patron Saint of Lucca which was probably written by the composer himself. The work was so popular that by 1880 it had received three further performances, though it was also inserted in the Messa a 4 voci, after the Credo. Thereafter it disappeared from the music world and was only first rediscovered in the 1990s. Since, with the exception of the lack of a solo tenor in the piece, it is identical with this one in the Messa, for this reason it would seem only natural to perform these two works together. Score and part available separately - see item CA.2740300. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
Next page 1 31 |