SKU: JK.01062
Moses 4:1-2, Alma 42:14-15.
Hymn arrangement combining original melody by Jon Holloman with the beloved lyrics of Eliza R. Snow--arranged for mixed chorus (SSATTBB) and piano accompaniment. Highest soprano note: F. Composer: Jon G. Holloman Lyricist: Eliza R. Snow Difficulty: Medium Performance time: 3:20Reference: Moses 4:1-2, Alma 42:14-15.
SKU: BA.BA08957
ISBN 9790006525515. 29 x 21 cm inches. Text Language: German, English, Latin. Preface: Münden, Gerd-Peter.
Year after year, during Advent and the Christmas season, compositions are sought which present well-known carols in a new light, whether it be compositions set for small or larger groups, for children or adults, with or without accompanying keyboard instruments. This collection by Gerd-Peter Münden presents carols in new settings as a welcome addition to the Christmas literature and will enrich the repertoire of an adultsâ?? or childrenâ??s choir.The EditorGerd-Peter Münden is one of the most creative German church-musicians today. From 1992 to 1999 he worked as the cantor in Minden, where he also directed the music school for choristers. From 1999 he has been the Cathedral-Cantor at the Braunschweig Cathedral and the director of the cathedral school for choristers. He is the initiator and artistic director of a successful school project throughout Germany encouraging youngsters to sing.
SKU: BA.BA25009
ISBN 9790006568031. 29.7 x 21 cm inches. Language: German.
Separate edition from BA 5902, â??Geistliche Chor-Musicâ?? SWV 369-380, The six and seven-part motets, nos. 13-29:In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled â??Geistliche Chor-Musicâ? (Sacred Choir Music). Here, the term â??Chorâ? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocally and/or instrumentally.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.2045650
ISBN 9790007293802. Latin.
In his Christmas motet Hodie Christus natus est Schutz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The choral groups alternate in singing the greeting of peace pax to each other, the alleluia scales continue playfully and with sophistication, continually crossing. A work which is well-suited to church and chamber choirs, and will be a joy to sing at Christmas time.Separate edition taken from Vol. 19 of the Stuttgart Schutz Edition (Complete Edition Carus 20.919).. Score available separately - see item CA.2045600.
SKU: CA.147500
ISBN 9790007004255. Key: F minor. Language: German.
SKU: CA.612400
ISBN 9790007010799. Key: C major / a minor. Language: German. Text: Stolzhagen, Kaspar. Text: Kaspar Stolzhagen.
SKU: CA.128100
ISBN 9790007002435. Language: German.
SKU: CA.105100
ISBN 9790007000301. Key: G dorian. Language: German.
SKU: CA.2045661
ISBN 9790007296520. Latin.
Possibly composed around 1610. Score and part available separately - see item CA.2045600.
SKU: CA.2045699
ISBN 9790007296582. Latin.
SKU: CA.127700
ISBN 9790007002398. Key: D minor. Language: German.
SKU: CA.147800
ISBN 9790007004286. Key: F minor. Language: German.
SKU: BA.BA05413
ISBN 9790006470860.
Print on demand (POD).
SKU: CA.148300
ISBN 9790007004330. Language: German.
SKU: CA.182600
ISBN 9790007146153. Language: German/English.
Johann Hermann Schein's Israelsbrunnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written in the Italian madrigal manner 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the inexhaustible fountain of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament.
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