SKU: BT.DHP-1196118-404
ISBN 9789043157285. Italian.
Ascolta, leggi & suona rappresenta oggi il testo di riferimento dedicato all’insegnamento della musica per ottoni e legni. Questo fantastico metodo, costituito da libro e CD, include canzoni, indovinelli musicali e giochiche permetteranno all'allievo principiante di progredire nella conoscenza della musica, fornendogli al contempo utilissime informazioni sul suo strumento e numerosi brani da suonare divertendosi. I tre volumi che compongonol’opera sono i primi della collana e sono affiancati da testi contenenti materiale supplementare per i differenti livelli del corso.
Incontra i classici offre utile materiale complementare a tutti e tre i volumi dellaserie Ascolta, leggi & suona e include melodie proposte secondo un ordine di difficolt crescente. In un fantastico viaggio nella storia della musica, l’allievo incontrer i più importanti compositori classici, da TielmanSusato ad Anton n Dvo ák. Ogni volume include per ogni brano cenni storici e l’accompagnamento pianistico, arrangiato sapientemente a un moderato livello di difficolt : tale accompagnamento è anche disponibile online e può essereutilizzato per il download o in streaming.
SKU: LM.26848
ISBN 9790230968485.
24 Hington Street - To Sing for Heaven - Virginia Stomp - Strange Blues - Michel Lives in USA - He Would Like that - The End for Eddy - I'll be in the show - This Blues is Good to you - Ballad for Jodie - I Prefer the Blue - Ernie is coming Back - So Far from you - It May be you - You Miss Her.
SKU: ST.C129
ISBN 9790570811298.
As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.Timeless Cornish melodies, cooked up for hungry clarinet playersGrades 1–4Former Spartan Press Cat. No.: SP1218.
SKU: P2.30086
In the beginning of January, 2000 I completed a large-scale work for clarinet and orchestra. Upon its completion, I felt somewhat exhausted by the flashy and virtuoso style of writing which tends to typify the solo parts of concerti. This time... I decided to forfeit any pyrotechnical exhibitions by the soloist in favor of incorporating the instrument into the larger fabric of the orchestra. Concurrent with starting to work on this new piece, I was engaged in an altogether different project involving, among others, a Swedish deejay whose field of expertise is popular, modern dance-music.... During numerous evenings of CD listening to this genre of music, I was drawn to the way that rhythmically contrasting layers of music were constantly alternating between background and foreground. The resulting effect was of a continuously changing 'groove-pattern' even though the 'beat' of the music remained constant. I used this style of writing mainly in the fast, second section of the piece, which I felt gave it a distinct technotronic flavor. The mood of the opening movement is, however, undeniably romantic: thus the title of the piece, Romantatronic.
SKU: HL.48025291
ISBN 9783793144342. UPC: 196288172154. 9.0x12.0x0.062 inches.
“When I came to Sydney from Russia in 1975 with my sister and parents, we took only a few belongings with us, including beautiful hand-embroidered bed linen. It was so valuable that we never used it. One day I wanted to take a look at these treasures but found that they had moth holes. To ease the pain of losing the family heirloom, I decided to write this piece,†says Elena Kats-Chernin. The result was a ragtime (the English word “rag†also means “shredâ€), interspersed with pauses symbolising the holes. Staccato notes, especially in the clarinet part, represent the biting moths.
SKU: P2.30094
Mark My Words, originally for tuba (but just as fun to play on clarinet), was composed by James Grant in February of 2007 as a heartfelt gift to his great friend and staunch musical ally, tubist Mark Nelson, in celebration of their first collaboration fourteen years earlier (Three Furies for solo tuba). Grant writes, When I began composing Mark My Words, I told Mark to be prepared for something fun that sounded like Charlie Brown doing a funky bossa nova (think jazz pianist/composer Vince Guaraldi's Linus and Lucy). I did not tell him that the middle section of Mark My Words would make overt references to all of the principal shapes, motives and themes from the Three Furies - my way of thanking Mark Nelson, specifically, for opening wide the door of composing for tuba and euphonium those many years ago and for so enthusiastically escorting me over that threshold. I am but one of many grateful composers whom Mark has supported over the years by commissioning, then recording their music. Mark My Words is my humble attempts at giving back to this devoted educator, consummate musician, fervent promoter of new music for tuba, and - yes - kickass player..
SKU: ST.C210
ISBN 9790570812103.
Wedding Bells was inspired by the wedding of our eldest daughter, Tess. The Wagner and Mendelssohn wedding marches are of course ever popular and the slow movement of the Mozart clarinet concerto contrasts beautifully. My own piece Wedding Bells conveys a celebratory, loving and joyous atmosphere and on the big day I played it during the signing of the register, accompanied by the father of the bride — it was an emotional performance!These arrangements are intended to catch the mood: purists please forgive me — Wagner, Mozart and Mendelssohn may not have written every note here, but I hope that they would have approved.ContentsRichard Wagner: Bridal Chorus from LohengrinWolfgang Amadeus Mozart: Clarinet Concerto — 2nd MovementPat Goddard: Wedding BellsFelix Mendelssohn: Wedding March from the incidental music to A Midsummer Night’s DreamGrades 5–7Former Spartan Press Cat. No.: SP1370.
SKU: BT.DHP-1196125-404
ISBN 9789043157353. Italian.
Incontra l’opera offre utile materiale complementare a tutti e tre i volumi della serieAscolta, leggi & suona e include arie famose, cori e ouvertures, proposti secondo un ordine di difficolt crescente. Una selezione delle più belle melodie mai scritte per l’opera, corredate da un quadro storico esplicativo.L’allievo potr esercitarsi da solo, utilizzando le tracce registrate disponibili online, scaricabili o ascoltabili in streaming. Questa edizione contiene l’accompagnamento pianistico, arrangiato sapientemente a un moderatolivello di difficolt .
SKU: M7.DOHR-88835
ISBN 9790202098356.
There comes a time in life when your parents have passed on. What we are left with is the memories of their love, guidance, support, and the happy times together. Last August when my mum sadly passed away, I wrote an Elegy as part of my grieving. However, as a family we had happy times together and it seemed only right to compose a work which would celebrate this. So, I added a first and last movement to create a short concertino. The movements are: Prelude: Peter John Connell: The Cheeky Chap Elegy: Mavis June Connell (Time To Remember) Rondo: Family Fun (Adrian Connell) Performance note A version with accompaniment of string orchestra and Harp is also available (E.D. 88833). This version for clarinet and piano is also the piano reduction of that version.
SKU: PR.114419940
ISBN 9781491133934. UPC: 680160683499. 9 x 12 inches.
Responding to demand from clarinetists, Schocker created this adaptation of his best-loved work, customizing it for the clarinet’s richness of contrasting registers. Composed as a recital piece for his own performances as a flutist, Gary Schocker’s Regrets and Resolutions has been a standard in that instrument’s repertoire for over 30 years. Inspired by an 80-year-old friend’s birthday, the composer has written: “I wrote the Regrets imagining what it might be like to look back over 80 years. ‘What if I’d made different choices?’ ‘What if ...?’ The Resolutions is a forward-thinking movement, very energetic and positive, except for a brief looking-back, questioning (the 1st movement is recapped and grows), after which the music plunges back into the rhythmic finale.â€.
SKU: HL.50566025
ISBN 9781705192658. UPC: 196288132332. 9.0x12.0x0.105 inches.
This edition is enriched with a historical introduction in French and English by notable clarinettist Pierre Génisson. “[...] this piece is, without a doubt, one of the sweetest I have ever written.†As this letter that Claude Debussy wrote to Durand, his publisher, indicates, the composer held his Rhapsodie for clarinet and piano in very high regard. In 1909, when Gabriel Fauré, then director of the Paris Conservatoire, commissioned the piece, Debussy had never before written for clarinet. He dedicated it to P. Mimart, “as a token of my regard.†After the unanimous recognition of the high quality of this solo, written for competition, Mimart premiered it in public on 16 January 1911 at the Salle Gaveau in Paris. Two years later, Debussy would choose to expand it further, writing a version accompanied by orchestra with a greatly expanded palette of colors. As its name suggests, it is freeform, and emanates a great poetry. The introduction, “Rêveusement lent,†is an evocation of the dawn. This gives way to a scene of nature's awakening, which never ceases to amaze us with its transformations. At times calm and lyrical, it sometimes becomes mischievous, vindictive or even joyous, especially during the scherzando passages. In a heightened impressionist style, Debussy gives free rein to his imagination, demanding tremendous speed and precision from the clarinettist.
SKU: BT.EMBZ15061
Zoltán Kocsis (1952 - 2016) was not just a phenomenal pianist. He was also regarded as a musical 'polymath' whose genius embraced the activities of a composer, conductor, editor, instrumentalist, and arranger. In the last capacity, he added some 150 works to symphonic, chamber, song and piano repertoire. He gladly adapted music of the turn of the 20th century, as appears from his transcriptions of Richard Strauss, Ravel, Rachmaninoff, Enescu, and above all, Debussy. (Many of these are distributed by Editio Musica Budapest.) 'In Debussy's case, (...) I was always interested in works that offered possibilities beyond the bounds of the piano, possibilities for orchestration.Just as with Liszt it was often possible to see that certain of his works had been written for piano for publication purposes, so with Debussy it is clear that mainly his song accompaniments exceeded the bounds of possibility for the piano,' Kocsis stated in one interview. Perhaps that recognition also encouraged him to arrange the popular piano work Valse romantique (1890) for clarinet and piano. The arrangement superbly pinpoints the sensitive, almost ingratiating tunefulness of the Waltz, adding a piece that sounds great and is rewarding to perform to the clarinet repertoire. Mit dem unlängst verstorbenen Zoltán Kocsis betrauert die Nachwelt nicht nur einen phänomenalen Pianisten, sondern auch einen 'Polyhistor der Musik': Sein außergewöhnliches Talent entfaltete sich ebenfalls in seiner Tätigkeit als Komponist, als Dirigent, als Herausgeber und nicht zuletzt auch als Arrangeur und Bearbeiter organisch. Durch letztere Aktivität bereicherte er die symphonische, Kammer-, Lied- und Klavierliteratur um etwa einhundertfünfzig Werke. Sehr gern adaptierte er die Musik aus der Zeit der Wende zum 20. Jahrhundert, wie auch seine Richard-Strauss-, Ravel-, Rachmaninov-, Enescu- und vor allem Debussy-Transkriptionen belegen. (Mehrere davon werden auch von unseremVerlag vertrieben.).
SKU: HL.49015420
ISBN 9783795751562. 9.0x12.0x0.269 inches. German.
Tune Book 2 of Mauz' Clarinet Method is adjusted to the content of Vol. 2 of the method. It provides additional performance material for clarinet and piano as well as for 2 or 3 clarinets. German and international songs, several canons as well as short pieces from the Classical, Romantic and Modern eras shall further deepen the joy of joint music-making.
SKU: P2.30122
Composer Mike D'Ambrosio says, Super Groove was commissioned by oboist Celeste Johnson Frehner (Oklahoma State University) and was premiered in April 2012. After I sent Celeste an early draft of the piece (about half done at that time), her first response was This is super groovy! and thus the title was born. For my part, I was trying to bring together my worlds as composer and music theory professor by taking some of the fun theory topics I get to teach (sonata form, chromatic mediants, ostinato, polyrhythms, and set theory) and squeezing them into a driving, energetic, and highly rhythmic texture. The piece is extremely fun to play and has been very well received by audiences..
SKU: P2.30093
The titular confusion of this work came about in this way: the tunes first appeared in a 1991 musical I wrote based on Moliere's Le Malade Imaginaire (The Imaginary Invalid). Lacking faith in the musical but liking the tunes, I fashioned a few of them into the symphony - a comic symphony. Yet, it seemed to lack luster. When the opportunity came to write a work for my friend and fellow Snark Ensemble performer Ben Redwine, I decided what the material lacked was a solo voice. The tunes are still there, but now greatly elaborated and expanded upon. The final work is still very much a symphony - and no other title seems to suit it - but symphonies are generally for orchestra. Still, the size and the instrumentation for the form we call symphony have varied greatly over the years, so perhaps it's the nature of the music that makes it a symphony and not the scoring.
SKU: HL.49015419
ISBN 9783795751555. 9.0x12.0x0.172 inches. German.
The tune books of Mauz' clarinet method are adjusted to the respective methods with regard to the tonal range, dynamics and articulation. They provide additional performance material for clarinet and piano as well as for 2 or 3 clarinets.
SKU: AP.1-ADV8316
UPC: 805095083163. English.
Each of the four movements in this suite has its own profile and poses different challenges to the musicians. The third movement can be improvised over an accompanying ostinato; an optional written part is provided. Arranged for clarinet and piano. Movements: Prélude * Tango I * Air * Tango II.
SKU: YM.GTW01091435
ISBN 9784636914351.
25 songs arranged for solo clarinet and piano. Clarinet part with a book for piano accompaniment and Karaoke CD. 20Shou Dan Huang Guan Du Zou Qu ,Gang Qin Ban Zou . Han Dan Huang Guan Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD. 1. Soshunfu(Ode to Early Spring); 2. Hatsukoi(First Love); 3. Oborozukiyo(A Night with a Hazy Moon); 4. Hana; 5. Sakura Sakura; 5. Hana; 6. Hamabe no Uta(A Song at the Seaside); 7. Shabondama(Soap Bubbles); 8. Kono Michi; 9. Furusato(My Old Town); 10. Yuyake Koyake; 11. Chiisai Aki Mitsuketa(I've Found a Little Autumn); 12. Sato no Aki; 13. Aka Tombo(Red Dragonfly); 14. Kojo no Tsuki(Moon over the Ruined Castle); 15. Nagori Yukii(Snowfall at the end of the Winter); 16. Nada SouSou(Down Come My Tears); 17. Jidai; 18. Kawa no nagare no Yo ni(As a River's Running); 19. Sen no Kaze ni natte(A Thousand Winds); 20. Hana wa Saku(Flowers Will Bloom); 21. Haru yo Koi(Come spring!); 22. Hana; 23. Kazebue - Asuka' Theme; 24. Satoukibi Batake(In a Large Field of Sugarcane); 25. Miagete goran Yoru no Hoshi wo(Look up at the Night sky) 1. Zao Chun Fu ; 2. Chu Lian ; 3. Meng Long Yue Ye ; 4. Hua ; 5. Ying Hua ; 6. Hai Bin Zhi Ge ; 7. Fei Zao Pao ; 8. Zhe Tiao Lu ; 9. Gu Xiang ; 10. Wan Xia Jian Dan ; 11. Zhao Dao Liao Xiao Xiao De Qiu Tian ; 12. You Jian Chui Yan ; 13. Hong Qing Ting ; 14. Huang Cheng Zhi Yue ; 15. Can Xue ; 16. Lei Guang Shan Shan ; 17. Shi Dai ; 18. Chuan Liu Bu Xi ; 19. Hua Wei Qian Feng ; 20. Hua Zheng Zai Kai ; 21. Chun Tian ,Lai Ba ; 22. Hua ; 23. Feng Di ; 24. Gan Zhe Tian ; 25. Yang Wang Xing Kong.
SKU: PR.700613460
UPC: 884088946142.
Written in 1998, Pacific Serenade is a “peaceful serenade:” serenade as in: romantic, quasi improvised music which should be sung at night under the stars. The main “singer” here is the clarinet. In general the music is extremely quiet, delicate, sensuous and sentimental. The sensuousness is created by Latin song elements especially the nostalgic Brazilian folk song, which is at times combined with Blues style melody and harmony. The string quartet has a technically expressively challenging part which is not merely the accompaniment to the clarinet, but rather it is responsible for setting the mood in which the clarinet sings. This is Aguila’s opus 59 and it was commissioned by Pacific Serenades Ensemble of California who premiered the work in 1998. Of course the ensemble's name inspired the name of this work as well as its mood. In an age of boom boxes, media bombardment of information and pop culture becoming increasingly aggressive, boisterous and violent, I felt the need to write just the opposite… to show once more that less is more. -- Miguel del Aguila.
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