by Bob Kroepel. For Keyboard (All). chord book. All styles. Level: Multiple Levels. Chart. Size 8.75x11.75. 4 pages. Published by Mel Bay Publications, Inc.

Keyboard

SKU: HL.14007346

Music Sales America. Classical. Book [Softcover]. Music Sales #AM67661. Published by Music Sales (HL.14007346).

ISBN 9780711912885.

Simple arrangements of twenty-three popular classics - includes Sheep May Safely Graze, La Paloma and the stirring William Tell Overture. All pieces feature full melody, arranged for the novice orearly player, along with full chord guide and suggestions for appropriate auto-accompaniments.

Keyboard

SKU: BT.MUSMI0115

Tuition. Book with CD. 40 pages. Play Music Italy #MUSMI0115. Published by Play Music Italy (BT.MUSMI0115).

Italian.

Numerosi sono coloro che vorrebbero attingere alla composizione ma che non se ne sentono capaci. Numerosi sono quelli che già compongono ma con la sensazione di girare sempre intorno alle stesse idee. Numerosi sono coloro che hanno provato quest’arte sottile ma senza successo! E poi ci sono quelli che hanno semplicemente voglia d’iniziarsi alla composizione. Allora ecco un metodo efficace che metterà tutti quanti sulla strada giusta. Avanzerete progressivamente, passo dopo passo, in modo da ben assimilare le nozioni essenziali. Comincerete scoprendo quali sono gli accordi che suonano bene tra di loro, come concatenarli intelligentemente, seguirecadenze specifiche, costruire la struttura di un brano, arricchire i giri armonici, utilizzare la modulazione, armonizzare una melodia con diversi tipi di accordi, costruire una melodia su un giro specifico, cambiare tonalità nel corso di un brano… in diversi stili musicali. Il CD, da parte sua, sarà un supporto indispensabile che vi fornisce degli esempi di composizione (giri di accordi, cadenze, melodie, ecc.) nonché le basi musicali necessarie per applicare le proprie conoscenze. Inutile avere 10 anni di pianoforte per lanciarsi nella composizione… Con questo metodo, lentamente ma sicuramente, il successo è garantito!

(The Complete Jazz Keyboard Method) Written by Noah Baerman. For keyboard. Format: instructional book. With introductory text, instructional text, black and white photos, standard notation, fingerings and chord names. Instructional and Jazz. Series: National Keyboard Workshop. 95 pages. 9x12 inches. Published by Alfred Publishing.

Keyboard

SKU: SU.80101365

For Keyboard. Composed by Carson Cooman. Keyboard. Score. Zimbel Press #80101365. Published by Zimbel Press (SU.80101365).

These three dances (pavane, tordion, and allemande) are inspired by Renaissance forms, although they employ a harmonic and melodic language that blends allusions to Renaissance harmony with more contemporary elements. They may be played on any keyboard instrument. Organ and harpsichord are the most likely candidates, but performance on clavichord, harmonium, reed organ, piano, or even electronic keyboard is also possible. Instrumentation: Keyboard. Composed: 2014 Published by: Zimbel Press.

Written by Joe Bouchard, Sheila Romeo. Instructional book and examples CD for keyboard. 128 pages. Published by Alfred Publishing.

Keyboard

SKU: AP.12-0571538258

A Workbook for Examinations. Composed by Paul Harris. Electronic Keyboard; Method/Instruction; Technique Musicianship. Faber Edition: Improve Your Sight-Reading. Faber Music #12-0571538258. Published by Faber Music (AP.12-0571538258).

ISBN 9780571538256. English.

Designed to help you overcome all your sight-reading problems, this book follows the same progressive format as previous editions: technical aspects are introduced step by step, firstly through rhythmic and melodic exercises, then by studying prepared pieces with associated questions, and finally 'going solo' with a series of meticulously graded sight-reading pieces.

Keyboard

SKU: HH.HH564-SOL

Composed by J.N. Hummel and Wolfgang Amadeus Mozart. Edited by Sarah Jenner. Playing score. Edition HH Music Publishers #HH564-SOL. Published by Edition HH Music Publishers (HH.HH564-SOL).

ISBN 9790708185796.

“When we reached the gates of Linz [...] we found a servant waiting there to drive us to old Count Thun’s, at whose house we are now staying. I really can’t tell you what kindnesses the family are showering on us. On Tuesday, November 4th, I am giving a concert in the theatre here and, as I have not a single symphony with me, I am writing a new one at breakneck speed, which must be finished by that time. Well, I must close, because I really must set to work.