SKU: AP.1-ADV7482
UPC: 805095074826. English.
Train Talk for saxophone quartet (SATBar/AATBar/AAABar/SAABar) invites you on a merry train ride in shuffle rhythm. As if entering a compartment, the players introduce themselves with solo passages for soprano, alto, and tenor saxophone while the fellow passengers comment on them. The drive of the piece is provided by the baritone saxophone.
SKU: BT.DHP-1196153-070
ISBN 9789043158275.
Gene Kelly's performance of this song in the 1952 movie of the same name has become an iconic favourite over the years. The song is perfect to be played with any quartet. Eric J. Hovi created an easy version for saxophone quartet that keeps the spirit of the original. Gene Kelly's uitvoering van deze bekende song in de gelijknamige film uit 1952 is in de loop der tijd een iconische favoriet geworden. Eric J. Hovi heeft een eenvoudig speelbare versie voor saxofoonkwartet gecreëerd waarin de vrolijke levendigheid van het origineel uitstekend tot zijn recht komt. Gene Kellys Darbietung dieses Songs in dem gleichnamigen Film aus dem Jahr 1952 ist im Laufe der Jahre zu einem Kultsong geworden. Das Lied kann bestens mit jeder Quartettbesetzung gespielt werden. Eric J. Hovi hat eine einfache Version für Saxophonquartett erstellt, welche die Stimmung des Originals bewahrt. Dans le film du même titre, sorti en 1952, lâ??interprétation de cette chanson par Gene Kelly a séduit une multitude dâ??auditeurs au fil des années. « Singinâ?? in the Rain » est parfaite pour tout type de quatuor, et Eic J. Hovi en a créé un arrangement facile pour quatuor de saxophones qui reste fidèle lâ??esprit de la version originale.
SKU: FL.FX070765
A sophisticated person was persuaded that I would be inspired by seeing those flowers that I did not know... It inspired to me a waltz, with rich harmonies. Some musical colors might remind Erik Satie.
SKU: HL.14037441
ISBN 9788759816851.
Written for saxophone quartet and choir.
SKU: HL.14037440
ISBN 9788759816820.
SKU: AP.1-ADV7625
UPC: 805095076257. English.
'Round Midnight is a classic jazz ballad by Thelonious Monk and Cootie Williams arranged for saxophone quartet (AATBar/SATBar) by Rainer Muller-Irion.
SKU: HL.4008559
ISBN 9798350110586. UPC: 196288179894.
“Cool Stuff†is a 2-minute, incredibly groovy piece for saxophone quartet. The performance demands a highly funky and percussive interpretation to bring out the “coolest†groove. Let's get the audience up and fully entertained! The Soprano Saxophone part can optionally be played on Alto Saxophone. Tim Kleren is a renowned composer, conductor, and percussionist from Luxembourg. He works as a full-time member of the Luxembourg Military Band “Musique Militaire Grand-Ducale†and serves as a teacher at the music school “Union Grand Duc Adolphe†(U.G.D.A.). In 2016, he successfully completed his Master's degree in Wind Band Conducting with great distinction. As a composer, his works are performed by wind bands and brass bands across Europe, as well as in Singapore and Tokyo, gaining recognition and appreciation worldwide.
SKU: AP.1-ADV7406
UPC: 805095074062. English.
This rhapsody, based on Eastern European music and Klezmer, contains four main themes: a waltz, a dance on asymmetrical rhythms, followed by a slow but expressive movement, a brilliant finale with Mediterranean influences including an improvisational part.
SKU: AP.1-ADV7435
UPC: 805095074352. English.
Saxophone Quartet was composed especially for presentation at the Montana Saxophone Festival and is dedicated to the festival's director, saxophonist Brooke Ferris. The first movement, Calliope, juxtaposes mechanized rhythmic patterns against legato, lyric melodies. The second movement, Chorale, explores homophonic, harmonic textures which alternate with lyric and contrapuntal passages, and was adapted from a short work composed for saxophone quartet in 1975. The last movement is a fugue. Movements: Calliope * Chorale * Fugue.
SKU: BT.DHP-1196187-070
ISBN 9789043158091.
‘Bella Ciao’ originated as an Italian folk song, stemming all the way from the late 19th century. Many versions have since appeared over the years, but the song now has a new lease of life owing to a new dance adaption as well as its feature as the theme for the Netflix series ‘La Casa de Papel’, which has inspired Bert van Haagen to create this dynamic arrangement for quartet. ‘Bella Ciao’ is van oorsprong een aansprekend Italiaans volksliedje uit het einde van de 19e eeuw waar in de loop der tijd vele versies van zijn gemaakt. Nu heeft het nieuw leven ingeblazen gekregen in een dancevariant én als themasong bij de Netflixserie La Casa de Papel. Naar aanleiding daarvan creëerde Bert van Haagen dit levendige arrangement voor blazerskwartet. Bella Ciao ist ursprünglich ein italienisches Volkslied aus dem späten 19. Jahrhundert. Im Laufe der Jahre sind zahlreiche Versionen erschienen, aber das Lied ist jetzt durch eine neue Tanzadaption und die Verwendung als Thema für die Netflix-Serie La casa de papel“ (Haus des Geldes“) wieder aufgelebt. Das hat Bert van Haagen dazu inspiriert, dieses neue dynamische Arrangement für Quartett zu schreiben. l’origine, « Bella Ciao » est une chanson populaire italienne qui remonte au XIXe siècle. Elle a fait l’objet de nombreuses versions au fil du temps, mais elle connaît aujourd’hui un regain de popularité gr ce une nouvelle adaptation chorégraphique, ainsi qu’en tant que thème de la série diffusée sur Netflix, La Casa de Papel, qui a incité Bert van Haagen écrire cet arrangement dynamique pour quatuor.
SKU: AP.1-ADV7473
ISBN 9783892218531. UPC: 805095074734. English.
Dating back to ca. 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece, The Barber of Seville, was not and is beautifully rendered here for saxophone quartet.
SKU: AP.1-ADV7472
ISBN 9783892218524. UPC: 805095074727. English.
SKU: AP.1-ADV7471
ISBN 9783892218371. UPC: 805095074710. English.
Dating back to 1770, Harmoniemusik was originally conceived for wind orchestras and was mainly played at open-air concerts as Tafelmusik (table music). Though the composers themselves typically adapted their own music for such purposes, this Rossini masterpiece was not and is beautifully rendered here for saxophone quartet.
SKU: AP.1-ADV7470
ISBN 9783892218364. UPC: 805095074703. English.
SKU: AP.1-ADV7675
UPC: 805095076752. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Soft Shadows of the Night features the alto saxophone in a quasi Bolero setting. The piece conveys a feeling of a big city in the tranquil pre-dawn hours---hence the title. Arranged for saxophone quartet (SATBar).
SKU: AP.1-ADV7424
ISBN 9783892215783. UPC: 805095074246. English. Traditional.
Jolly Old Saint Nicholas is an American traditional carol by an anonymous composer. St. Nicholas is associated with a priest serving in Asia Minor who was consecrated as Archbishop in Myra, then was made a patron Saint of the Russian Orthodox Church. Legend has it that he was generous and kind to children and practiced gift giving in secrecy at night. This charming, gentle tune blends well with Pachelbel's Canon in D, and performers are urged not to take a beginning tempo too fast that would rush the coming eighth notes. This arrangement for saxophone quartet (SATBar), rather than favoring a soprano solo with accompaniment, strives to include all the players in the music making, particularly by distributing melodic material. In addition, all dynamics and articulations should be taken as suggestions only, as performers are encouraged to make their own interpretations.
SKU: AP.1-ADV7457
UPC: 805095074574. English.
Being an extremely shortened version of the original composition, this arrangement of Ravel's Boléro provides for a smaller but nevertheless comparatively intense dramatic arc. Its astonishing appeal to the audience remains unimpaired. The piece is excellently suited for any concert situation. Arranged by Christoph Enzel for saxophone quartet (SATBar).
SKU: AP.1-ADV7443
UPC: 805095074437. English.
Memories Arrested in Space features six compositions for saxophone quartet inspired by Jackson Pollock paintings from 1947. This one, The Beauty of Space, subtitled Reflections of The Big Dipper, is a modern excursion with improvised solos for all, is not technically difficult, but it demands strong interpretation skills in the contemporary idiom. Long pauses throughout serve as pivotal points of reflection for players and listeners alike.
SKU: AP.1-ADV7671
UPC: 805095076714. English.
Inspired by Paul Klee's 1918 painting Submerged Landscape and Blue Gouache the composition is very slow moving throughout and should have a hushed, veiled atmosphere. Arranged for saxophone quartet (SATBar/AATBar).
SKU: AP.1-ADV7676
ISBN 9783892217374. UPC: 805095076769. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Trance Dance, is a rhythmically grooving 12/8 feel that features the tenor and baritone saxophones.
SKU: AP.1-ADV7674
ISBN 9783892217350. UPC: 805095076745. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. The first movement, subtitled Danse Macabre, is ominous, dark, sometimes bluesy, and is propelled along by the use of intricate counterpoint and an improvised sounding solo section for the tenor saxophone.
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