2 Oboes, Bassoon

SKU: PE.EP14582

For Two Oboes and Bassoon. Composed by Harald Genzmer. Mixed Instruments - Trio; Solo Small Ensembles; Trio. Classical; Contemporary. Book. 24 pages. Edition Peters #98-EP14582. Published by Edition Peters (PE.EP14582).

ISBN 9790014137878. German.

Triosätze (GeWV 334) by Harald Genzmer is a 17-minute work for two oboes and bassoon and is here published posthumously for the first time. Harald Genzmer (1909-2007) was one of the most versatile and prolific composers of his time. He began composition studies in Berlin in 1928 with Paul Hindemith, who was a decisive influence. The Triosätze is a characteristically approachable work, and makes for an engaging recital piece for intermediate players.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117419

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Set of Orchestra Parts. Composed 1729. BWV 174. Duration 23 minutes. Carus Verlag #CV 31.174/19. Published by Carus Verlag (CA.3117419).

ISBN 9790007187248. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117400

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Full score. Composed 1729. BWV 174. 68 pages. Duration 23 minutes. Carus Verlag #CV 31.174/00. Published by Carus Verlag (CA.3117400).

ISBN 9790007171643. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117415

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violoncello solo 1-3. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Cello 1-3. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/15. Published by Carus Verlag (CA.3117415).

ISBN 9790007209681. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117403

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Vocal score. Composed 1729. BWV 174. 28 pages. Duration 23 minutes. Carus Verlag #CV 31.174/03. Published by Carus Verlag (CA.3117403).

ISBN 9790007183554. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117405

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Choral Score. Composed 1729. BWV 174. 2 pages. Duration 23 minutes. Carus Verlag #CV 31.174/05. Published by Carus Verlag (CA.3117405).

ISBN 9790007186111. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.

ATB vocal soli, SATB choir, 2 oboes, 2 horns, Taille (english horn), 3 soli violins + viola + cello, 2 violins, viola, basso continuo

SKU: CA.3117413

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Violin solo 2. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Single Part, Violin solo 3. Composed 1729. BWV 174. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.174/13. Published by Carus Verlag (CA.3117413).

ISBN 9790007209667. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.

Orchestra Soli ATB, Coro SATB, 2 Ob, Tl, 3 Vl conc., 3 Va conc., 3 Vc conc., 2 Vl, Va, Bc

SKU: CA.3117407

Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. Edited by Karin Wollschlager. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun, Praise and thanks. Study score. Composed 1729. BWV 174. 68 pages. Duration 23 minutes. Carus Verlag #CV 31.174/07. Published by Carus Verlag (CA.3117407).

ISBN 9790007244996. Language: German/English. Text: Henrici (Picander), Christian Friedrich.

The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116412

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/12. Published by Carus Verlag (CA.3116412).

ISBN 9790007209032. Text language: German/English.

This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116411

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1725. BWV 164. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.164/11. Published by Carus Verlag (CA.3116411).

ISBN 9790007209025. Text language: German/English.

This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

Composed by Antonio Vivaldi (1678-1741). For SATB vocal soli, SATB/SATB choir, 2 orchestras: 2 oboes, 2 trumpets, 2 violins, viola, basso continuo, [timpani]. Stuttgart Urtext Edition. German title: Dixit Dominus. Cantatas, Motets, Epiphany, Daily hours. Level 4. Complete orchestral parts. Language: Latin/English. RV 594. Duration 25 minutes. Published by Carus Verlag

STB vocal soli, SATB/SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3721949

Cantata for Oculi Sunday. Composed by Gottfried August Homilius. Erwachet, Ihr Christen (Kantate). Sacred vocal music, Cantatas, Lent and Passiontide. Single Part, Organ. HoWV II.57. 12 pages. Duration 14 minutes. Carus Verlag #CV 37.219/49. Published by Carus Verlag (CA.3721949).

ISBN 9790007214838. Text language: German.

Homilius is known for having always searched for new forms in order to avoid any schematic pattern. Thus, one looks in vain in the present cantata for arias. The opening choir is introduced by two choral groups: One calls to take up the fight against the devil, while the other fearfully hesitates and finally, in the chorale Jesus Christus, wohn uns bei agrees to join in. Following each of the three stanzas of the embellished chorale, in a recitative the hesitant one is given courage before he also takes up arms, in a confident final chorus. Score and part available separately - see item CA.3721900.

STB vocal soli, SATB/SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3721903

Cantata for Oculi Sunday. Composed by Gottfried August Homilius. This edition: paperback. Erwachet, Ihr Christen (Kantate). Sacred vocal music, Cantatas, Lent and Passiontide. Vocal score. HoWV II.57. Duration 14 minutes. Carus Verlag #CV 37.219/03. Published by Carus Verlag (CA.3721903).

ISBN 9790007143305. Text language: German.

Homilius is known for having always searched for new forms in order to avoid any schematic pattern. Thus, one looks in vain in the present cantata for arias. The opening choir is introduced by two choral groups: One calls to take up the fight against the devil, while the other fearfully hesitates and finally, in the chorale Jesus Christus, wohn uns bei agrees to join in. Following each of the three stanzas of the embellished chorale, in a recitative the hesitant one is given courage before he also takes up arms, in a confident final chorus. Score available separately - see item CA.3721900.

STB vocal soli, SATB/SATB choir, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3721905

Cantata for Oculi Sunday. Composed by Gottfried August Homilius. Erwachet, Ihr Christen (Kantate). Sacred vocal music, Cantatas, Lent and Passiontide. Choral Score. HoWV II.57. Duration 14 minutes. Carus Verlag #CV 37.219/05. Published by Carus Verlag (CA.3721905).

ISBN 9790007214807. Text language: German.

Homilius is known for having always searched for new forms in order to avoid any schematic pattern. Thus, one looks in vain in the present cantata for arias. The opening choir is introduced by two choral groups: One calls to take up the fight against the devil, while the other fearfully hesitates and finally, in the chorale Jesus Christus, wohn uns bei agrees to join in. Following each of the three stanzas of the embellished chorale, in a recitative the hesitant one is given courage before he also takes up arms, in a confident final chorus. Score available separately - see item CA.3721900.

Orchestra ATB vocal soli, SATB choir, 2 oboes, [4 trombones], violin solo, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3100209

2nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 2x 31.002/21 2 oboes, 1x 31.002/31 trumpet, 1x 31.002/32 trombone 1, 1x 31.002/33 trombone 2, 1x 31.002/34 trombone 3, 1x 31.002/35 trombone 4. Hymns by Martin Luther: Ach Gott, vom Himmel sieh darein. German title: Ach Gott, vom Himmel sieh darein 7. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 2. 20 pages. Duration 20 minutes. Carus Verlag #CV 31.002/09. Published by Carus Verlag (CA.3100209).

ISBN 9790007041335. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and parts available separately - see item CA.3100200.