| Silence the Stones Beckenhorst Press
Accompaniment SKU: BP.1814C Composed by Craig Courtney. Arranged by Craig...(+)
Accompaniment SKU: BP.1814C Composed by Craig Courtney. Arranged by Craig Courtney. Sacred octavos. Sacred. Accompaniment CD. Beckenhorst Press #1814C. Published by Beckenhorst Press (BP.1814C). SATB choir - Lyrics by Susan Bentall Boersma. Featuring winds, brass and percussion and suitable for Palm Sunday and general worship. An accompaniment compact disc (BP.1814C) is available. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stompin' Along the Fretboard, Volume Three Guitar - Intermediate Mel Bay
Guitar - intermediate SKU: MB.GW867 Early Country Blues Guitar Solos(+)
Guitar - intermediate SKU: MB.GW867 Early Country Blues Guitar Solos. Blues, Boxed. Fingerpicking Guitar. DVD. 104 pages. Mel Bay Publications, Inc #GW867. Published by Mel Bay Publications, Inc (MB.GW867). 5.25x7.5 inches. If youâ??re wanting to add a bit of jazzy sophistication to your acoustic blues playing, look no further than the playing of the three legendary artists featured in this lesson â?? Lonnie Johnson, Teddy Bunn, and Scrapper Blackwell.
While the structures of these numbers by-and-large follow the trusty old 12-bar blues, diminished seventh chords, ninth chords, and chromatic passing tones abound! Additionally, each number provides ample opportunities to refine your use of dynamics, articulation, phrasing, and other nuances that are guaranteed to enhance your acoustic blues musicality.
Ben Gateno leads the way by performing each tune at speed and slowed down, all with crystal clear focus on each hand. Ben explains in detail how to learn and practice each selection so youâ??re not only putting your fingers in the correct places but lifting the music off the page and bringing it to life!
A detailed tab/music PDF file is included on the DVD with note for note transcriptions of the tunes taught. The original recordings are included in the Bonus Audio section. DVD is region 0 playable worldwide. 104-minute DVD.
Titles include: Scrapper Blackwellâ??s Cherry and Soft Blues, Lonnie Johnsonâ??s Stompinâ?? â??em Along Slow and Teddy Bunnâ??s Guitar in High. $29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Laguna di Grado Concert band - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1125213-010 Partly based...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1125213-010 Partly based on a theme by Guglielmo Czuberth as written in 1861. Composed by Jacob De Haan. Applause Series. Original Light Music. Set (Score & Parts). Composed 2012. De Haske Publications #DHP 1125213-010. Published by De Haske Publications (BT.DHP-1125213-010). 9x12 inches. English-German-French-Dutch. Picture yourself in the marvellous paradise of Italy’s Grado Lagoon. The magnificent display of colour and the salty scent of sea air combine with the fragrant tamarisk to create a unique atmosphere. In this glorious haven time stands still - except for the flight of the seagulls and the slow flood tide. From a distance you hear an adagio coming through the air from a procession of boats. Its solemn tones dissipate into the landscape of the lagoon.
Stelt u zich eens voor… U bent in Laguna di Gardo, een paradijselijke lagune in Italië. In een unieke sfeer waar oceaanblauwe vergezichten het beeld bepalen. Te midden van wonderbaarlijke kleuren van gekristalliseerd zeezout snuiftu de geur van de bloeiende tamarisk. Een hemels landschap, waar tijd slechts wordt gemeten aan de vlucht van de meeuw en aan de kalme wisselingen van de getijden. Alsof ze stil staat... Dan verschijnt heel in de verte een Adagioaan het firmament: plechtige klanken, die traag hun weg vinden in het fraaie landschap van deze bijzondere lagune.
Stellen Sie sich vor, Sie wären in der paradiesischen Laguna di Grado in Italien. Inmitten einer einzigartigen Atmosphäre, welche durch den wundschönen Fächer an Farben aus zerstäubtem Meersalz und den Duft der Tamarisken erzeugt wird. In diesen himmlischen Gefilden wird die Zeit nur am Flug der Seemöwen und den Gezeiten gemessen - man könnte fast glauben, sie stehe still. Aus der Ferne, von einer Prozession aus Booten, schallt ein Adagio durch die Lüfte: Seine feierlichen Klänge verlieren sich in der Landschaft der Lagune.
Imaginez-vous au coeur du décor paradisiaque de la Lagune de Grado, en Italie. Il y règne une ambiance unique, gr ce l’étincelante palette de couleurs et au parfum généré par les senteurs salines auxquelles s’ajoutent les fragrances des tamaris. Dans ce havre de paix et de sérénité, seul le vol des mouettes et le cycle des marées marquent les journées de lentes ondulations et l’on pourrait d’ailleurs croire que le temps s’y est arrêté. Au loin, se profile un cortège de bateaux faisant résonner un adagio, dont les notes solennelles se dissipent dans le paysage de la lagune.
Immaginate di immergervi nello splendido paradiso della Laguna di Grado.Un'atmosfera unica, resa inconfondibile da una splendida tavolozza di colori, a tratti vivaci ad altri delicati, profumata dall'odore intenso del sale e delle tamerici, in cui il tempo, scandito dal volo dei gabbiani e dal lento moto delle maree, sembra essersi fermato.Da una processione di imbarcazioni pavesate a festa riecheggiano solenni le note dell'Adagio 1, che armoniosamente si fondono con l'ambiente lagunare circostante. $110.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Laguna di Grado Concert band - Easy De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1125213-140 Partly based...(+)
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1125213-140 Partly based on a theme by Guglielmo Czuberth as written in 1861. Composed by Jacob De Haan. Applause Series. Original Light Music. Score Only. Composed 2012. 16 pages. De Haske Publications #DHP 1125213-140. Published by De Haske Publications (BT.DHP-1125213-140). 9x12 inches. English-German-French-Dutch. Picture yourself in the marvellous paradise of Italy’s Grado Lagoon. The magnificent display of colour and the salty scent of sea air combine with the fragrant tamarisk to create a unique atmosphere. In this glorious haven time stands still - except for the flight of the seagulls and the slow flood tide. From a distance you hear an adagio coming through the air from a procession of boats. Its solemn tones dissipate into the landscape of the lagoon.
Stelt u zich eens voor… U bent in Laguna di Gardo, een paradijselijke lagune in Italië. In een unieke sfeer waar oceaanblauwe vergezichten het beeld bepalen. Te midden van wonderbaarlijke kleuren van gekristalliseerd zeezout snuiftu de geur van de bloeiende tamarisk. Een hemels landschap, waar tijd slechts wordt gemeten aan de vlucht van de meeuw en aan de kalme wisselingen van de getijden. Alsof ze stil staat... Dan verschijnt heel in de verte een Adagioaan het firmament: plechtige klanken, die traag hun weg vinden in het fraaie landschap van deze bijzondere lagune.
Stellen Sie sich vor, Sie wären in der paradiesischen Laguna di Grado in Italien. Inmitten einer einzigartigen Atmosphäre, welche durch den wundschönen Fächer an Farben aus zerstäubtem Meersalz und den Duft der Tamarisken erzeugt wird. In diesen himmlischen Gefilden wird die Zeit nur am Flug der Seemöwen und den Gezeiten gemessen - man könnte fast glauben, sie stehe still. Aus der Ferne, von einer Prozession aus Booten, schallt ein Adagio durch die Lüfte: Seine feierlichen Klänge verlieren sich in der Landschaft der Lagune.
Imaginez-vous au coeur du décor paradisiaque de la Lagune de Grado, en Italie. Il y règne une ambiance unique, gr ce l’étincelante palette de couleurs et au parfum généré par les senteurs salines auxquelles s’ajoutent les fragrances des tamaris. Dans ce havre de paix et de sérénité, seul le vol des mouettes et le cycle des marées marquent les journées de lentes ondulations et l’on pourrait d’ailleurs croire que le temps s’y est arrêté. Au loin, se profile un cortège de bateaux faisant résonner un adagio, dont les notes solennelles se dissipent dans le paysage de la lagune.
Immaginate di immergervi nello splendido paradiso della Laguna di Grado.Un'atmosfera unica, resa inconfondibile da una splendida tavolozza di colori, a tratti vivaci ad altri delicati, profumata dall'odore intenso del sale e delle tamerici, in cui il tempo, scandito dal volo dei gabbiani e dal lento moto delle maree, sembra essersi fermato.Da una processione di imbarcazioni pavesate a festa riecheggiano solenni le note dell'Adagio 1, che armoniosamente si fondono con l'ambiente lagunare circostante. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jazz - Pat Martino Guitar notes and tablatures [Sheet music + CD] Hal Leonard
Performed by Pat Martino. Stylistic Method. Book and CD Package. Size 9x12 inche...(+)
Performed by Pat Martino. Stylistic Method. Book and CD Package. Size 9x12 inches. 16 pages. Published by Hal Leonard.
(1)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Soldier's Wife Concert band - Easy De Haske Publications
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115250-140 Composed by Jan V...(+)
Concert Band/Harmonie - Grade 2 SKU: BT.DHP-1115250-140 Composed by Jan Van der Roost. Concert and Contest Collection CBHA. Concert Piece. Score Only. Composed 2012. 28 pages. De Haske Publications #DHP 1115250-140. Published by De Haske Publications (BT.DHP-1115250-140). 9x12 inches. English-German-French-Dutch. The Soldier’s Wife is a short and simple piece commissioned by the Singapore Ministry of Education. It was originally intended as a compulsory piece for the 2012 Singapore Youth Festival. Because many school bands in Singapore are incomplete, the composer was specifically asked to create a work that could equally be played by a limited ensemble—which explains various doubled and optional parts. The warm tones of a melodic passage open this short work: the wife of the wooden soldier sings a kind of lullaby. This lyrical section is followed by a more powerful part which is, however, based on the same melodic material. The rhythm, syncopated at times, infuses thissection with a particular energy. The harmony, too, has some surprising turns—and we must never lose sight of the restrictions imposed by the limited level of difficulty of the piece. Although the work begins softly and sweetly, much more ‘feminine energy’ is projected by the close.
The Soldier’s Wife is een kort en eenvoudig werkje dat is geschreven in opdracht van het Singaporese ministerie van Onderwijs. Het was aanvankelijk bedoeld als verplicht werk voor het Singapore Youth Festival 2012. Omdat veelschoolorkesten in Singapore een onvolledige bezetting hebben, kreeg de componist het nadrukkelijke verzoek om het werk zo vorm te geven dat het ook met een beperkt ensemble uitgevoerd kan worden: dat verklaart een aantal verdubbelingenen instrumenten ad libitum.Een warme, melodische passage opent dit korte werkje: de vrouw van het - houten - soldaatje zingt als het ware een wiegeliedje. Nadat dit lyrische deel is afgerond, volgt een energieker gedeeltedat qua melodisch materiaal op dezelfde bouwstenen is gebaseerd. De hier en daar gesyncopeerde ritmiek verleent dit deel een bijzondere energie, en ook harmonisch zijn er een paar verrassende wendingen - waarbij rekening is gehoudenmet de beperkingen die verbonden zijn aan werken voor dit muzikale niveau. Begon het werkje zacht en liefelijk, aan het slot is er heel wat meer ‘girl power’ voelbaar!
The Soldier’s Wife ist ein kurzes, einfaches Werk, das im Auftrag des Bildungsministeriums von Singapur geschrieben wurde. Es war zunächst als Pflichtstück für das Singapurer Jugendfestival 2012 gedacht. Da viele Schulblasorchester in Singapur unvollständig besetzt sind, bat man den Komponisten ausdrücklich, das Werk so zu gestalten, dass es auch mit einem begrenzten Ensemble gespielt werden könne: Dies erklärt einige Verdopplungen und optionale Instrumente. Eine warm klingende, melodische Passage eröffnet dieses kurze Werk: Die Frau des - hölzernen- Soldaten singt eine Art Wiegenlied. Nach diesem lyrischen Abschnitt folgt ein kraftvollerer Teil, der aber aufdemselben melodischen Material aufbaut. Der hier und da synkopierte Rhythmus verleiht diesem Teil eine besondere Energie und auch harmonisch gibt es einige überraschende Wendungen - wobei immer an die auferlegten Beschränkungen durch den Schwierigkeitsgrad gedacht werden muss. Ist das Werk zu Beginn noch leise und lieblich, ist zum Schluss doch schon wesentlich mehr weibliche Energie“ spürbar...!
The Soldier’s Wife (L’épouse du soldat) est une pièce courte et simple commandée par le Ministère singapourien de l'Education. Cette œuvre a été initialement écrite comme pièce imposée pour le Festival de la Jeunesse se déroulant Singapour en 2012. Comme de nombreuses formations scolaires présentent quelques lacunes au niveau de certains pupitres, Jan van der Roost a été sollicité afin de composer une œuvre qui pourrait également être jouée par une formation incomplète - ce qui explique le doublement de certaines parties et les voix optionnelles.Cette œuvre concise débute par une chaleureuse et expressive mélodie : la femme du soldat chante une sorte deberceuse. Ce passage lyrique est suivi d’une partie plus puissante qui est, cependant, basée sur le même matériel thématique. Le rythme, parfois syncopé, insuffle cette partie de l’œuvre une énergie toute particulière. La trame harmonique, elle aussi, subit quelques surprenantes contorsions sans jamais dépasser les limites imposées par le degré de difficulté de la pièce. Cette composition commence doucement et gentiment, et se termine par un motif empreint d’un dynamisme singulièrement féminin.
“Guarda, è la moglie del soldato di legnoâ€! All’inizio, canta una dolce ninnananna, che precede una sezione più potente dai ritmi sincopati e con sorprendenti cambiamenti di armonie. The Soldier’s Wife inizia in modo calmo e dolce per poi trovare un’energia tipicamente femminile verso il finale. The Soldier’s Wife è un brano breve e semplice, perfetto anche per formazioni a organico ridotto grazie alle parti raddoppiate e opzionali. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Best Fake Book Ever - Bb 2nd Edition
Bb Instruments [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 p...(+)
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 864 pages. Published by Hal Leonard.
(7)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Eb Instruments [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.
(2)$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Modern Guitar Method Grade 1: Rock Studies Guitar [Sheet music + Audio access] - Beginner Mel Bay
Guitar (rock and blues) - Beginning SKU: MB.21657M Composed by Stuart Bul...(+)
Guitar (rock and blues) - Beginning SKU: MB.21657M Composed by Stuart Bull. Saddle-stitched, Solos. Modern Guitar Method. 0. Book and online audio. 24 pages. Mel Bay Publications, Inc #21657M. Published by Mel Bay Publications, Inc (MB.21657M). ISBN 9781513461809. 8.75 x 11.75 inches. This book and audio set teaches 16 different rock solos for the beginning rock guitarist. Learn the fundamentals of playing rock solos including vibrato, hammer-ons, pull-offs, string bending, arpeggios, unison bends, pedal tones, playing over the changes and much more. Includes tablature, standard notation as well as play-along tracks with a full band in the keys of C, Em, G and Am. Includes access to online audio. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Requiem Orchestra [Study Score / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| LotusOje Choral SATB SATB A Cappella Wilhelm Hansen
Choral (SATB a cappella) SKU: HL.263117 SATB a cappella. Composed ...(+)
Choral (SATB a cappella) SKU: HL.263117 SATB a cappella. Composed by Per Drud Nielsen. Choral. Classical, Danish Edition. Octavo. 30 pages. Edition Wilhelm Hansen #WH32996. Published by Edition Wilhelm Hansen (HL.263117). 8.25x11.75 inches. Per Drud Nielsen's Lotusoje er en samling miniaturer for blandet kor (SATB) baseret pa Suzanne Broggers digtsamling af samme navn fra 1999. Suzanne Brogger tager i sine digte udgangspunkt idet japanske haikudigts stramme form, og Per Drud Nielsens tones''ttelser har samme knaphed og koncentrationsom digtene. Primtallet 17 udover sin egen talmagi bade i digtsamlingen og blandt tones''ttelserne: Hvert digt bestar af 17 stavelser. Digtsamlingen rummer 3 x 17, i alt altsa 51 digte. Og Per Drud Nielsens samling af tones''ttelser benytter et udvalg pa netop 17 af disse 51 digte. Digtene sp''nder fra det lette og vittige til det tungere og mere reflekterende, og musikken str''kker sig fra det enkle og lyriske over det kabaretagtigt sk''vvredne til det foruroligende og dissonansfyldte. De 17 satser er ikke afh''ngige af hinanden, men kan opfores i mindre, valgfri konstellationer. $13.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Music Publishing -- The Complete Guide [Textbook] Alfred Publishing
By Steve Winogradsky. Book; Reference Textbooks; Textbook - General. 408 pages. ...(+)
By Steve Winogradsky. Book; Reference Textbooks; Textbook - General. 408 pages. Published by Alfred Music
$79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Canterbury Chorale Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0910329-010 Composed by Jan V...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0910329-010 Composed by Jan Van der Roost. Inspiration Series. Set (Score & Parts). Composed 1991. De Haske Publications #DHP 0910329-010. Published by De Haske Publications (BT.DHP-0910329-010). This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composers own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of theEnglish city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases forseveral instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an ad libitum organ part adds an extra richness, colour and power to this piece, making it sound even more broad andgrand.
Dieses ruhige Stück mit seinen breiten Tönen wurde ursprünglich für Brass Band geschrieben, im Auftrag von Robert Leveugle, dem Vorsitzenden der Brass Band, dem der Komponist angehört: die Brass Band Midden Brabant (Belgien). Später orchestrierte JanVan der Roost das Stück neu für Symphonisches Blasorchester, wobei er die reichhaltige Klangfarbenpalette dieser Formation voll ausnutzte. Neben Solo-Abschnitten für verschiedene Instrumente gibt es einige massive Tutti-Passagen, die dasBlasorchester wie ein riesiges Organ klingen lassen. Übrigens: Eine optionale Orgelstimme verleiht diesem Stück noch mehr Klangfülle, -farbe und Kraft, sodass es noch breiter und großartiger klingt.
Jan Van der Roost a composé Canterbury Choral la demande de Robert Leveugle, président du Brass Band Midden Brabant. Cette œuvre, empreinte de sérénité et de solennité, s’inspire de la beauté majestueuse de la célèbre cathédrale de la villede Canterbury, haut-lieu, de la culture musicale anglaise. Canterbury Choral alterne des passages en solo et des phrases en tutti. Les sonorités sont amples et rondes. Les courbes sont fluides, légères et brillantes. Les tutti, puissants etsoutenus, rappellent la richesse sonore et la générosité de l’orgue d’église. Canterbury Choral est dédié Robert et Annie Leveugle.
Uno dei più bei pezzi lenti mai scritti. Ideale per un momento di tranquillit del vostro concerto. $137.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Blues Guitar Mega Pack Guitar [DVD] Hal Leonard | | |
| John Sebastian - Harmonica Bundle Pack (Harmonica) Harmonica [Sheet music + CD + DVD] - Beginner Homespun
(John Sebastian Teaches Blues Harmonica (Book/CD) with John Sebastian Teaches B...(+)
(John Sebastian Teaches Blues Harmonica (Book/CD) with John Sebastian Teaches Blues Harmonica (DVD)). Homespun Tapes. Book and CD and DVD Package. 29 pages. Published by Homespun
$44.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rock House Master Blues Guitar Guitar notes and tablatures Electric guitar [Sheet music + DVD] Hal Leonard
A Complete Course. Rock House. Softcover with DVD. 108 pages. Published by Hal L...(+)
A Complete Course. Rock House. Softcover with DVD. 108 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Flute Studies 5-8 Flute The Frederick Harris Music Company
Flute - Intermediate to Early Advanced SKU: FH.FLS02 2010 Edition....(+)
Flute - Intermediate to Early Advanced SKU: FH.FLS02 2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book/CD. The Frederick Harris Music Company #FLS02. Published by The Frederick Harris Music Company (FH.FLS02). ISBN 978-1-55440-298-4. Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation. Caprice in D Major, op. 37, no. 5 Karl Joachim Andersen Study in G sharp Minor Heinrich Soussmann Study in C Major, op. 88, no. 3 Giuseppe Gariboldi Ringing the Changes James Rae Study in G Major Harald Genzmer Bulgarian Bounce Allen Vizzutti Caprice in G Major, op. 37, no. 3 Karl Joachim Andersen Study in C Minor Louis Drouet Study in C Minor, op. 88, no. 20 Giuseppe Gariboldi Consolation, op. 66, no. 4 Ernesto Koehler Study in F Major Harald Genzmer Imaginings Oliver Ledbury Tarantella Allen Vizzutti Ocean Tide Hilary Taggart Exercise in A Minor, op. 33, no. 2 Karl Joachim Andersen Study in B Minor Louis Drouet Farewell, op. 66, no. 13 Ernesto Koehler Study in G Minor Antoine (Benoit) Tranquille Berbiguier Chilli con salsa Mike Mower Study in B flat Minor Russell Stokes Study No. 4 Francois Veilhan Exercise in C Minor, op. 33, no. 20 Karl Joachim Andersen Study in D Minor Antoine (Benoit) Tranquille Berbiguier Study in D sharp Minor Louis Drouet Zig-Zag, op. 66, no. 8 Ernesto Koehler Tango-etude No. 4 Astor Piazzolla Sidewalk Hilary Taggart Study No. 5 Endre Szervanszky. About Overtones Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jazz Sonorities Calabrese Brothers Music, LLC
Clarinet & Drumset SKU: SU.21000213 For Clarinet & Drumset. Compos...(+)
Clarinet & Drumset SKU: SU.21000213 For Clarinet & Drumset. Composed by Patrick Hardish. Woodwinds, Clarinet, Percussion, Percussion. Accompanied by percussion, Drum Set. Performance Score. Calabrese Brothers Music, LLC #21000213. Published by Calabrese Brothers Music, LLC (SU.21000213). UPC: 820821003284. Jazz Sonorities (2002) was composed for Esther Lamneck at her request and premiered by her and Barbara Allen on drums at the Loewe Theater of New York University on May 30, 2002. Ms. Lamneck asked me to compose a piece for either solo clarinet or clarinet and piano. I decided on the former to continue my Sonorities series of works for solo instruments which eventually resulted in Sonorities VII for solo b-flat clarinet (2003-04). However, shortly after getting started with my Sonorities VII I kept hearing the swinging sounds of a jazz clarinet backed up by a jazz drum set. Part of the reason I kept hearing these sounds is that I grew up listening to the big swing bands of such clarinet leaders as Benny Goodman, Artie Shaw, Woody Herman, and Jimmy Dorsey. These musicians were my first exposure to the clarinet. So I decided to first compose a piece for clarinet with a jazz quality and a swinging partly ad lib part for the drums and to put my solo clarinet piece for Esther on hold for a year. There was also a personal reason to use the drums in the piece. My first ambition in music was to be a jazz drummer and indeed I studied drums with a jazz drummer and played drums professionally in dance bands for several years. Ms. Lamneck's part in this piece is almost entiirely written out except for a few measures of improvisation around the middle of the piece. The jazz quality of her part comes mostly in the prasing and using bluesy like pitch bends, slides, and microtones. The jazz quality of the drum set part is in the swinging beat that is used throughout most of the piece. The influence of the famous recording of Sing Sing Sing, with a swing by Benny Goodman & his orchestra in 1937 featuring Gene Krupa on drums is heard in the middle section when the drummer switches to a beat on the floor tom and high tom for several measures. Also, the Afro Cuban section toward the end of the piece was influenced by the many recordings of Stan Kenton & his orchestra particularly the 1950 Pete Rugolo arrangement of Cole Porter's Love for Sale. In the drum solo of the Afro Cuban section which is near the end can use optional claves and/or maracas (1-2 additional players). At the premiere the composer joined in this section on maracas. The drum set calls for a bass drum, floor tom, snare drum, high tom, ride cymbal, sizzle cymbal, and hi-hat. --Patrick Hardish. $20.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fete A Camelot Flute and Piano Leduc, Alphonse
(Flute/Piano) SKU: HL.48186476 Composed by Eric Ledeuil. Leduc. 16 pages....(+)
(Flute/Piano) SKU: HL.48186476 Composed by Eric Ledeuil. Leduc. 16 pages. Alphonse Leduc #AL30740. Published by Alphonse Leduc (HL.48186476). Teacher, soloist, chamber musician, conductor and composer ? flautist Eric Ledeuil, a student of Patrick Gallois and Benoit Fromanger, wears many hats. This diversity continually enriches his educational work, as can be seen by the success of his flute method La flute imaginative, published by Leduc in two volumes (AL 30 365 and 30 367). Fete a Camelot, a piece for flute and piano (or harp) for fourth-year students, reconnects with the Knights of the Round Table, an imaginary world that has long been a source of musical inspiration for Ledeuil: the key figures of the legend appear in his Les Meandres de Viviane (AL 30 495, Beginner) and Les Mysteres de Broceliande (AL 29 589, Intermediate). This work is set in King Arthur?s fortress: the great halls ring out with the sounds of joyful festivities, interspersed with echoes of Viviane?s song. A Knight?s story of his quest for the Holy Grail is followed by the furtive appearance of Morgan le Fay, but she gives way to the Lady of the Lake ? Viviane ? whose distant melody shrouds itself in melancholy tones. The work concludes with a fisel, a traditional Breton dance that whips the troubadours? enchanted instruments into a frenzy.. $14.20 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jazz Improvisation for Guitar Guitar notes and tablatures [Sheet music + Audio access] Berklee
A Melodic Approach. Berklee Labs. Instruction, Jazz Instruction. Softcover Audio...(+)
A Melodic Approach. Berklee Labs. Instruction, Jazz Instruction. Softcover Audio Online. With guitar tablature. 160 pages. Published by Berklee Press
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Beginning Rock Guitar (Book and Audio CD) Guitar notes and tablatures [Sheet music + CD] - Beginner Alfred Publishing
By Paul Howard. For Guitar. Guitar Method or Supplement. 0. Rock. Book and CD. 9...(+)
By Paul Howard. For Guitar. Guitar Method or Supplement. 0. Rock. Book and CD. 96 pages. Published by Alfred Publishing.
$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Complete Rock Guitar Method Guitar notes and tablatures [Sheet music + DVD] Alfred Publishing
(Beginning Rock Guitar). By Paul Howard. For Guitar. This edition: 2nd Edition; ...(+)
(Beginning Rock Guitar). By Paul Howard. For Guitar. This edition: 2nd Edition; 2nd. Book; DVD; Guitar Method or Supplement; Method/Instruction. Complete Method. Rock. Beginner. 96 pages. Published by Alfred Music Publishing
$25.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Course - Book 1 Piano solo Schirmer
Piano Technique. By Howard Kasschau. Piano Method. Size 9x12 inches. 64 pages. P...(+)
Piano Technique. By Howard Kasschau. Piano Method. Size 9x12 inches. 64 pages. Published by G. Schirmer, Inc.
(3)$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Complete Rock Guitar Method: Beginning Rock Guitar Guitar notes and tablatures [Sheet music] - Beginner Alfred Publishing
By Paul Howard. For Guitar. Guitar Method or Supplement. 0. Rock. Book. 96 pages...(+)
By Paul Howard. For Guitar. Guitar Method or Supplement. 0. Rock. Book. 96 pages. Published by Alfred Publishing.
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Swingin' Kilts Marching band - Intermediate De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1043619-020 Composed by John Blanken. ...(+)
Fanfare Band - Grade 3 SKU: BT.DHP-1043619-020 Composed by John Blanken. Applause Series. Original Light Music. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043619-020. Published by De Haske Publications (BT.DHP-1043619-020). John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin’ Kilts owing to its long, drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin’ Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats.
John Blanken schuf eine schwungvolle Bearbeitung zu dem bekannten schottischen Volkslied Scotland the Brave. Der Bearbeiter passte das wieder erkennbare Thema dem Swing-Stil an und auch die langen, Bordun ähnlichen Töne erinnern an das beliebte Dudelsackstück. Swingin' Kilts ist eine Herausforderung für jede Formation. Es stellt gewisse Anforderungen an Timing und Technik, die diesem Werk die Bravour verleihen, welche das Publikum ebenso wie die Musiker in Schwung versetzen wird. $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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