SKU: GI.G-7959
UPC: 785147795902. English. Text by Marques L. A. Garrett.
“I'm gonna keep on servin' my Father . . .†In the style of a straightforward SATB unaccompanied spiritual. Very rhythmic with a sense of pressing forward. After the tune is sung twice by the choir, a soprano solo takes over the tune with the choir singing an attractively syncopated accompaniment. .
SKU: HL.49047026
UPC: 196288108641.
In the second volume of the flute method for young people and adults, what has been learned from volume 1 is consolidated and expanded. The tonal space is worked out up to the third octave, new rhythms, keys and ornaments are practiced. Flutists can look forward to playing techniques such as vibrato and double tongue as well as varied pieces. Playback audios to play along help when practicing at home. Text in German.
SKU: PL.8608
This colorful motet takes for its text the collect for the Feast of the Baptism of Our Lord (Book of Common Prayer 1979). The setting explores mixed meters and polytriadic sonorities within a straight-forward ternary form. Numerous divisis are made easier through soprano-tenor and alto-bass octave coupling.
SKU: HL.49030568
ISBN 9790001142588. 9.0x12.0x0.092 inches.
'Stucke fur die Jugend' intends to carefully introduce the piano pupils to new music. At the time that the piano pieces were created in 1927, Joseph Haas sat on the jury at the Donaueschingen Music Festival together with Paul Hindemith. In his typical manner, the pieces looked forward to the future without burning bridges to the past. The stylistic elements to be mentioned in particular are the sparing use of harmonies which give special emphasis to the linear, the staccato, the arpeggios, and the frequently used progressions of fourths. The influence of his teacher Max Reger can be noticed as well from time to time.The rhythmic energies running through the pieces are of great appeal and educational value.This new edition combines the pieces originally published in two volumes in one volume.
SKU: CA.1002949
ISBN 9790007181437. Text language: German.
The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. The six-part polyphonic choral setting of the German Gloria (the first and fourth verses are underlaid) is divided, following Italian models, by tutti sections in triple meter. Instruments join the tutti sections ad libitum, strengthening the vocal parts. Score and part available separately - see item CA.1002900.
SKU: BR.OB-5385-30
ISBN 9790004336755. 10 x 12.5 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.
SKU: CL.SCM-1128-01
Steve’s experience playing Guitar with the Rippingtons and many other funk groups in the NY area has enabled him to craft this Medium Bouncy Funk groove with great lines and really funky rhythm section writing. A nice call and response in the horns keeps this composition driving forward and fun to play. Solo is written for the Tenor Sax with room for the Guitar to shine as well. Impressive!
SKU: BR.OB-5215-16
,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)
ISBN 9790004331170. 9 x 12 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).
SKU: CF.YAS227F
ISBN 9781491163092. UPC: 680160921843. Key: A minor.
This imperial work smolders with a stately intensity, marching forward with a precise and forceful energy. Set in A minor and 2/4 time, engaging melodic figures unfold with unflinching focus while progressing through sometimes-unexpected harmonies. Students will encounter easy accidentals in first position and interesting counterpoint between the sections as the piece builds to a powerful conclusion.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: AP.36-52255350
ISBN 9781628769289. English.
With ancestors of Ireland as the inspiration, this work is a case of jig meets the modern string orchestra. Interesting harmonies and rugged rhythms propel this music forward. Your students will love playing this one.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: CF.YPS16
ISBN 9780825843426. UPC: 798408043421. 9 X 12 inches. Key: Eb major.
An exciting British/Regimental style march by a master of writing for young musicians, Joe Compello's, The Royal Regiment is tuneful and harmonically straight forward. Set in a stately march tempo, the overall effect is of a band on parade approaching from far away and, after a fully-scored climax, receding to the sound of drums fading out in the distance. This is a good alternative march selection for contest or festival. Duration: 3'.
SKU: PO.PE153
ISBN 9781877564536.
Ho evokes a day in the life of a young child through rapid waves of chromaticism, with restless time signatures keeping things tumbling forward. Fists and forearms are employed as little tempers flare, while elsewhere respite is found in the drift of sleep, notes twinkling rubato-like in the piano's upper register.
SKU: BR.OB-5252-15
ISBN 9790004334027. 9 x 12 inches.
SKU: TL.TCL014641
ISBN 9780857364371.
Selected pieces for Trinity College London violin exams for 2016-2019, expertly graded and edited by leading music educators. This item contains both the full score and violin part.
SKU: AP.48870
UPC: 038081561943. Lat.
Joyful syncopations propel us forward in this educational concert or contest selection. Contemporary yet logical sonorities come to life for developing choirs building their skills within limited vocal ranges. Notice how the marcato beginning and end contrast with a B section that is a touch more legato. Though sung entirely in Latin, there are only two sentences of text and a pronunciation guide is included. Perfectly crafted for intermediate groups, with the precisely vocal ranges you're seeking!
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: BR.OB-5383-15
ISBN 9790004335352. 9 x 12 inches.
SKU: CF.CPS217
ISBN 9781491152430. UPC: 680160909933.
The title, Aerius, is a Latin term meaning “soaring†or “rising aloftâ€. This piece is signature Carl Strommen at his best. The piece begins with a lush brass chorale that is developed before leading to an energetic presto section. The composition comes full circle and finishes with a majestic return of the chorale material from the opening. A welcome addition to the repertoire.The title Aerius is a Latin term meaning “soaring†or “rising aloft.†The students chose this title to signify the forward momentum and overall journey of their time in the high school band program. With new events and performances, and a first time commissioning a work, this piece signifies the great strides the band has made in recent years.The opening brass chorale section should be played very connected, observing the two-measure phrasing and breathing as one cohesive unit. The Presto section at m. 25 should be taken between 165-170 bpm. the vibraphone soloist should use medium-hard mallets with the pedal on. The sustained notes at m. 41 should be played way under the upper woodwinds to get the greatest effect as it builds in volume and intensity in m. 49, and again into m. 57.At m. 69, the percussion must sustain the pulse to the conductor’s tempo, careful not to add accents they’re hearing among the other sections. After the ritardando in m. 83, push the tempo at m. 85 slightly to where the woodwinds feel comfortable playing the triplet figure with appropriate breathing and phrasing.- Andrew Monsen, Hauppauge High School Band Director, June 2017.
SKU: CF.CAS127F
ISBN 9781491157466. UPC: 680160916047. 9 x 12 inches.
A relentless 6/8 accompaniment drives this piece forward with exciting momentum. Two-against-three rhythm patterns add urgency to the theme, requiring precision in counting and maintaining an even tempo. Intensity builds like the first piercing light on the morning horizon, flourishing toward a stately middle section that reflects the grandeur of glorious colors and spacious skies. Players with the melody should take care to sustain with a warm, ringing tone. The pizzicato accompaniment should also stay unrushed and steady. The following restatement of the fast opening theme soars to a triumphant finale.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
SKU: BR.OB-5212-19
ISBN 9790004330937. 9 x 12 inches.
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