SKU: GI.G-006692
UPC: 641151066929. English.
NEW! Two hundred contemporary songs for worship, by some of the best and brightest artists and composers in Catholic/Christian music! Voices As One Volume 2 will complement Voices As One Volume 1 or any hymnal or missal you have in your pews. Calling on the expertise of Ed Bolduc and Aaron Thompson, and ably assisted by the WLP editorial staff, Voices As One Volume 2 program contains 20 of the top 25 Contemporary Christian Songs as reported by CCLI — the largest Christian licensing company. Two additional top 25 CCLI songs can be found in Voices as One Volume 1 (006591). With this affordable hymnal resource, you can confidently teach and share contemporary songs for worship (including the new Mass of Celebration by Ed Bolduc) secure in the knowledge that they are theologically sound and musically exciting. The 8.5 x 11 Guitar Edition and the 7 x 10 Vocal Harmony Edition both contain all vocal harmony and guitar chords. The spiral bound Guitar Edition (006692) is designed to lay flat on a music stand while the Vocal Harmony Edition (006693) is sized and perfect-bound for ease of use by vocal ensembles or even entire small assemblies.
SKU: GI.G-10954
English. Text Source: William Blake, 1757&ndash,1827, alt. Text by William Blake.
SKU: GI.G-001203
SKU: GI.G-7224G
English. Text Source: Based on Luke 3:10. Text by Ian Callanan.
SKU: J1.4110
8.26 x 11.28 inches.
Sonata for 2 Alto Recorders B-flat Major, Op. 2-4Sonata for 2 Alto Recorders G minor, Op. 2-5Sonata for 2 Alto Recorders G Major, Op. 2-6.
SKU: GI.G-003107
Scripture: Psalm 27, Psalm 47, Psalm 63, Psalm 66, Psalm 91, Psalm 104, Psalm 116, Psalm 146.
Ed Eicker’s second offering to this series consists of eight pieces for solo piano. Psalm 27’s joyful theme is varied by several key changes. Psalm 47 is an exuberant, rhythmic prelude reminiscent of Copeland’s “Hoedownâ€. Psalm 63 is a passacaglia-a theme and variations over an ostinato bass. Psalm 66 is in 8/8 meter, but has accents on beats 1, 4, and 7, giving the accompaniment a playful feel. Psalm 91 begins with an expressive minor theme, which briefly changes to major before returning to a pleading tone. Psalm 104’s sparse melody is heightened with tempo changes and fermatas. Psalm 116’s theme is expressive and pleading. Psalm 146 is set in a swinging gospel style.   .
SKU: GI.G-9870
UPC: 785147987000. English. Text by Marilyn Biery.
The brass quartet or quintet and timpani parts are optional.
SKU: GI.G-005258
UPC: 641151052588.
The guitar accompaniment to this extraordinary pastoral, gospel-style setting of music for evening prayer. Great for special occasions or for regular evening prayer.
SKU: GI.G-008287
UPC: 641151082875.
From the songbook and CD titled Mysteries..
SKU: GI.G-6043G
English.
SKU: GI.G-009068
UPC: 641151090689. English. Text Source: Micah 6. Text by Frances Ridley Havergal. Scripture: Micah 6.
SKU: SU.00220263
This CD Sheet Musicâ„¢ collection makes available full scores and parts for string quartets by 19th C Slavic masters Dvorák, Glazunov and Tchaikovsky. DVORÃK: String Quartets No. 2 in B-flat major (parts only); No. 5 in F minor, Op. 9 (parts only); No. 7 in A minor, Op. 16 (parts only); No. 8 in E major, Op. 80; No. 9, Op. 34; No. 10 in E-flat major, Op. 51 Slavonic; No. 11 in C major, Op. 61; No. 12 in F major, Op. 96 American; No. 13 in G major, Op. 106; No. 14 in A-flat major, Op. 105 GLAZUNOV: String Quartets No. 1 in D Major, Op. 1; No. 2 in F Major, Op. 10; No. 3 in G major, Op. 26, Quartet Slave; No. 4 in A Minor, Op. 64; No. 5 in D Minor, Op. 70; No. 6 in Bb Major, Op. 106; Suite in C Major for String Quartet, Op. 35; 5 Novelettes for String Quartet, Op. 15 TCHAIKOVSKY: String Quartet, No 1 in D major; Op. 11; No. 2 in F major, Op. 22; No. 3 in E-flat minor, Op. 30 Also includes composer bios and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 2000+ pages
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: GI.G-7916
UPC: 785147791607. English. Text Source: Psalms 122:1, 84:4,10, 33:2–3, 6–8, alt., quotes the text of Henry W. Baker, 1821–1877. Scripture: Psalm 33:2–3, 6–8, Psalm 84:4, Psalm 122:1.
For SATB adult choir, youth choir, and children's choir. 3, 4, or 5 octaves Handbells or Handchimes.
SKU: GI.G-7764
UPC: 785147776406. English. Text Source: “Kit Smart’s Carol†by Christopher Smart, 1722–1771, “Wedderburn’s Carol†by Martin Luther, tr. John or Robert Wedderburn, 16th c. Text by Christopher Smart.
If you have a college choir, or an above-average high school or church choir, and if you've grown a bit weary of the same or similar Christmas repertoire year after year, look at these settings of two classic carols: a 16th-century translation of part of Luther's Vom Himmel hoch and an 18th-century work by an under-appreciated poet. Â .
SKU: GI.G-1694
SKU: MB.30798
ISBN 9781513465340. 8.75 x 11.75 inches.
Jason Raso?s Soloing on Electric Bass: A Chord Tone Approach provides the next step following his first book for Mel Bay Publications, Improvising on Electric Bass. The primary focus of this second book is to help you develop a more melodic approach to solo bass playing. The author suggests avoiding root notes, concentrating instead on chord tones of a 3rd, 5th, and 7th as fertile ground to begin revising your approach to more creative soloing. Following a series of standard notation exercises exploring intervals and goal notes in all keys, Jason presents a dozen original solo etudes in notation and tablature.
SKU: GI.G-8886
UPC: 785147888604. English. Text Source: Based on 'Under His Wings,' William Orcutt Cushing, 1823-1903, adapt. SM. Text by William Orcutt Cushing.
SKU: BR.OB-15113-30
ISBN 9790004340233. 10 x 12.5 inches.
The tragic circumstances surrounding the origin of the concerto are well known: Manon Gropius, the daughter of Berg's friend Alma Mahler, died of polio after the composer had written the first sketches to his violin concerto. In remembrance of her, he dedicated the work to the memory of an angel. Later, Berg decided to incorporate into the score the Bach chorale Es ist genug as a quote. He also worked on the solo part directly and intensely with the American violinist Louis Krasner, who had commissioned the work. Berg was no longer able to witness the first performance and the first edition of the concerto since he passed away in late 1935. This new edition is the first Urtext version of Berg's work, which was created in the midst of a spate of epoch-making violin concertos by Stravinsky (1931), Schoenberg (1936), Prokofiev (1937), Bartok (1938), Hindemith (1939) a. o. Errors from the first edition were corrected after an in-depth comparison with the autograph score, the short score and, in some cases, with the twelve-tone row structure.The entire performance material can be purchased; however, due to copyright reasons, the score and orchestral parts are not available the United States.Werden die Urtextausgaben von Breitkopf & Hartel aufgrund ihres hellblauen Umschlags augenzwinkernd die Himmlischen genannt, so ist dies in Bezug auf die neu vorgelegte Partitur Programm. (Florian Henri Besthorn, neue musikzeitung)In Cooperation with G. Henle Verlag.
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