SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704811

Composed by Johann David Heinichen. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/11. Published by Carus Verlag (CA.2704811).

ISBN 9790007199401. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

SATB choir and orchestra (flute 1&2, oboe, clarinet 1&2, bassoon, F horn 1/2&3/4, trumpet 1/2&3, trombone 1&2, trombone 3/tuba, percussion 1&2/3&4, rhythm, harp, violin 1&2, viola, cello, string bass) - Moderate

SKU: LP.765762201705

A Christmas Musical. Composed by David T. Clydesdale & Dave Clark. Arranged by David Clydesdale. Musical. Multicultural, Christmas and Sacred. Orchestration on CD-ROM. Duration 52 minutes. Published by Lillenas Publishing Company (LP.765762201705).

UPC: 765762201705.

You will not want to miss the newest Christmas musical from David T. Clydesdale and Clydesdale Music Group, Hope of the Broken World. Created by Dave Clark and David T. Clydesdale, this new musical is simply bursting with good news and great joy. Clydesdale's immense versatility and skill is showcased in the variety of music styles represented and Dave Clark's songwriting and thoughtful narration is heart-warming and hopeful. Together, these two creative giants of Christian music have fashioned a truly unforgettable Christmas worship experience.

Titled after the song made popular by Selah, Hope of the Broken World is a glorious mixture of more traditional SATB choral works in Let There Be Joy and Sing We Gloria, the innocence of children's voices in the ever popular A Strange Way to Save the World, the hauntingly beautiful Who Could Imagine a King?, the fun gospel styling of When the Little Baby Boy Was Born and O Bethlehem Mornin'. With multiple solo opportunities and children's choir throughout, it is ideal for most choirs and the 45 minute running time makes it the perfect length for any Christmas performance venue. This year at Christmas, share with your community the Hope of the Broken World.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2704812

Composed by Johann David Heinichen. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 20 pages. Duration 45 minutes. Carus Verlag #CV 27.048/12. Published by Carus Verlag (CA.2704812).

ISBN 9790007199418. Key: D major. Language: Latin.

The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto movement for solo flute, 2 oboes, strings and continuo between the Gloria and Credo, which recommends the Mass for concert performances. Score and part available separately - see item CA.2704800.

(solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))

SKU: BR.CHB-5289-02

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Chor-Bibliothek (Choral Library). Mass; Classical. Choral score. Composed 1780. 44 pages. Duration 20'. Breitkopf and Haertel #ChB 5289-02. Published by Breitkopf and Haertel (BR.CHB-5289-02).

ISBN 9790004412046. 7.5 x 10.5 inches.

According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.

SSATB choir, violin, organ (colla parte: 2 oboes, 3 strings) - Level 2

SKU: CA.4011209

Aus: Magnificat. Composed by Johann Sebastian Bach. Edited by Gunter Graulich. Arranged by Paul Horn. 1x 40.112/21 oboe 1, 1x 40.112/22 oboe 2, 1x 40.112/23 bassoon. German title: Gloria 3. Sacred vocal music, Mass sections, Christmas. Set of Orchestra Parts. BWV 243a, 7. 6 pages. Duration 2 minutes. Carus Verlag #CV 40.112/09. Published by Carus Verlag (CA.4011209).

ISBN 9790007062248. Key: D major. Language: Latin/English.

Setting in E flat major, transposed into D major. Score and parts available separately - see item CA.4011200.

SAB vocal soli, SATB choir, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3123319

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Missa In F /Bwv 233 Kv Rev.2000. Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Set of Orchestra Parts. BWV 233. Duration 28 minutes. Carus Verlag #CV 31.233/19. Published by Carus Verlag (CA.3123319).

ISBN 9790007134242. Key: F major. Language: Latin.

Score and parts available separately - see item CA.3123300.

SAB vocal soli, SATB choir, 2 oboes, bassoon, 2 horns, 2 violins, viola, basso continuo

SKU: CA.3123349

Kyrie-Gloria-Messe (Lutherische Messe). Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Missa In F /Bwv 233 Kv Rev.2000. Sacred vocal music, Masses, Latin, Mass settings, incomplete (also Missa brevis). Single Part, Organ. BWV 233. 28 pages. Duration 28 minutes. Carus Verlag #CV 31.233/49. Published by Carus Verlag (CA.3123349).

ISBN 9790007085780. Key: F major. Language: Latin.

Score available separately - see item CA.3123300.

Violin 1 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))

SKU: BR.OB-5329-15

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Part. Composed 1780. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5329-15. Published by Breitkopf and Haertel (BR.OB-5329-15).

ISBN 9790004333532. 10 x 12.5 inches.

According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.

Orchestra solo tenor and baritone voices, SATB Choir, piccolo, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 cornets, 3 trombones, ophicleide, timpani, 2 violins, viola, cello, contrabassoon, [2 cornets, harp] - Grade 4

SKU: CA.5600103

Messa di Gloria. Composed by Giacomo Puccini. Edited by Dieter Schickling. Arranged by Paul Horn. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Sacred vocal music, Masses, Latin. Vocal score. SC 6. Duration 43 minutes. Carus Verlag #CV 56.001/03. Published by Carus Verlag (CA.5600103).

ISBN 9790007171568. Text language: Latin.

Available upon request. New edition with complete performance material: 56.001/01. Score available separately - see item CA.5600100.

Orchestra SATB vocal soli, SATB choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ

SKU: CA.4067200

Composed by Johann Gottlieb Naumann. Arranged by Paul Horn. This edition: Paperbound. German title: Missa in d (nur leihweise). Sacred vocal music, Masses, Latin. Full score. Composed 1794. 154 pages. Duration 30 minutes. Carus Verlag #CV 40.672/00. Published by Carus Verlag (CA.4067200).

ISBN 9790007164454. Key: D minor. Language: Latin.

Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts.

Orchestra SATB vocal soli, SATB choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ

SKU: CA.4067214

Composed by Johann Gottlieb Naumann. Arranged by Paul Horn. German title: Missa in D. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Composed 1794. 12 pages. Duration 30 minutes. Carus Verlag #CV 40.672/14. Published by Carus Verlag (CA.4067214).

ISBN 9790007219963. Key: D minor. Language: Latin.

Johann Gottlieb Naumann, who today is becoming increasingly well known, achieved recognition during his lifetime as a composer of operas, among them the first Swedish national opera, Gustaf Wasa. In addition he wrote a large number of sacred compositions for the Court of Dresden, where he was employed for many years, including the present Missa in D minor, which was still performed well into the 20th century. This work, probably composed for Christmas in 1794, displays a decidedly pastoral character in the Gloria and Agnus Dei and moreover, is distinguished by charming solo woodwind parts. Score and part available separately - see item CA.4067200.

Orchestra solo tenor and baritone voices, SATB Choir, piccolo, flute, 2 oboes, 2 clarinets, 2 bassoons, 2 cornets, 3 trombones, ophicleide, timpani, 2 violins, viola, cello, contrabassoon, [2 cornets, harp] - Grade 4

SKU: CA.5600100

Messa di Gloria. Composed by Giacomo Puccini. Edited by Dieter Schickling. Arranged by Paul Horn. This edition: Linen cover. Complete editions / Selected works: Edizione Nazionale delle Opere di Giacomo Puccini. Messa A 4 Voci Con Orchestra Band Iii/2. Innovative practice aids, Sacred vocal music, Masses, Latin. Full score (complete edition / selected edition). SC 6. 272 pages. Duration 43 minutes. Carus Verlag #CV 56.001/00. Published by Carus Verlag (CA.5600100).

ISBN 9790007137236. Language: Latin.

Available upon request. New edition with complete performance material: 56.001/01.

Orchestra SST vocal soli, SATB/SATB choir flute, 2 oboes, clarinet, 2 bassoons, 2 horns, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, 2 violas, cello/contrabass, [speaker]

SKU: CA.5146911

Cantata. Composed by Wolfgang Amadeus Mozart. Edited by Wolfgang Gersthofer. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Davide Penitente Rev. 2006. Sacred vocal music, Oratorios, Lent and Passiontide. Single Part, Violin 1. Composed 1785. KV 469. 20 pages. Duration 45 minutes. Carus Verlag #CV 51.469/11. Published by Carus Verlag (CA.5146911).

ISBN 9790007225100. Key: C minor / c major. Language: Italian.

The Vienna Musicians' Society, a pension fund for the widows and orphans of professional musicians, asked Mozart, among others, to compose a choral work for performance at their benefit concert series. Presumably it was due not just to the pressure of a deadline, but also for the chance to have the music of the torso of the great C minor Mass, K. 427, performed in Vienna that he chose to arrange this composition for the Society as the cantata Davide penitente (The Mass was originally written for a performance in Salzburg in 1783). Thus, Mozart set the Kyrie and Gloria with a sacred text in Italian in the style of penitential prayers. The text was suited for Lent, which occurred at the time of the benefit concert. He also added one newly-composed aria for tenor and one aria for soprano. Score and part available separately - see item CA.5146900.

Orchestra SST vocal soli, SATB/SATB choir flute, 2 oboes, clarinet, 2 bassoons, 2 horns, 2 clarinos/trumpets, 3 trombones, timpani, 2 violins, 2 violas, cello/contrabass, [speaker]

SKU: CA.5146912

Cantata. Composed by Wolfgang Amadeus Mozart. Edited by Wolfgang Gersthofer. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Mozart. Davide Penitente Rev. 2006. Sacred vocal music, Oratorios, Lent and Passiontide. Single Part, Violin 2. Composed 1785. KV 469. 20 pages. Duration 45 minutes. Carus Verlag #CV 51.469/12. Published by Carus Verlag (CA.5146912).

ISBN 9790007225117. Key: C minor / c major. Language: Italian.

The Vienna Musicians' Society, a pension fund for the widows and orphans of professional musicians, asked Mozart, among others, to compose a choral work for performance at their benefit concert series. Presumably it was due not just to the pressure of a deadline, but also for the chance to have the music of the torso of the great C minor Mass, K. 427, performed in Vienna that he chose to arrange this composition for the Society as the cantata Davide penitente (The Mass was originally written for a performance in Salzburg in 1783). Thus, Mozart set the Kyrie and Gloria with a sacred text in Italian in the style of penitential prayers. The text was suited for Lent, which occurred at the time of the benefit concert. He also added one newly-composed aria for tenor and one aria for soprano. Score and part available separately - see item CA.5146900.